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The Killers

  • 1946
  • Approved
  • 1 घं 43 मि
IMDb रेटिंग
7.7/10
25 हज़ार
आपकी रेटिंग
Burt Lancaster, Ava Gardner, William Conrad, and Charles McGraw in The Killers (1946)
Hit men kill an unresisting victim, and investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.
trailer प्ले करें1:53
1 वीडियो
99+ फ़ोटो
Film NoirCrimeDramaMystery

अपनी भाषा में प्लॉट जोड़ेंHit men arrive in a small New Jersey town to kill an unresisting victim, and insurance investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.Hit men arrive in a small New Jersey town to kill an unresisting victim, and insurance investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.Hit men arrive in a small New Jersey town to kill an unresisting victim, and insurance investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.

  • निर्देशक
    • Robert Siodmak
  • लेखक
    • Anthony Veiller
    • Ernest Hemingway
    • John Huston
  • स्टार
    • Burt Lancaster
    • Ava Gardner
    • Edmond O'Brien
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    25 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Robert Siodmak
    • लेखक
      • Anthony Veiller
      • Ernest Hemingway
      • John Huston
    • स्टार
      • Burt Lancaster
      • Ava Gardner
      • Edmond O'Brien
    • 164यूज़र समीक्षाएं
    • 122आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 4 ऑस्कर के लिए नामांकित
      • 4 जीत और कुल 4 नामांकन

    वीडियो1

    Official Trailer
    Trailer 1:53
    Official Trailer

    फ़ोटो123

    पोस्टर देखें
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    टॉप कलाकार70

    बदलाव करें
    Burt Lancaster
    Burt Lancaster
    • Ole 'Swede' Anderson
    Ava Gardner
    Ava Gardner
    • Kitty Collins
    Edmond O'Brien
    Edmond O'Brien
    • Jim Reardon
    Albert Dekker
    Albert Dekker
    • Big Jim Colfax
    Sam Levene
    Sam Levene
    • Police Lt. Sam Lubinsky
    Vince Barnett
    Vince Barnett
    • Charleston
    Virginia Christine
    Virginia Christine
    • Lilly Harmon Lubinsky
    Jack Lambert
    Jack Lambert
    • 'Dum-Dum' Clarke
    Charles D. Brown
    • Packy Robinson - Ole's Manager
    Donald MacBride
    Donald MacBride
    • R.S. Kenyon
    Charles McGraw
    Charles McGraw
    • Al
    William Conrad
    William Conrad
    • Max
    Ernie Adams
    Ernie Adams
    • Hood with Cane
    • (बिना क्रेडिट के)
    Audley Anderson
    Audley Anderson
    • Assistant Paymaster
    • (बिना क्रेडिट के)
    George Anderson
    • Jail Ward Doctor
    • (बिना क्रेडिट के)
    Sam Ash
    Sam Ash
      Frank Baker
      Frank Baker
      • Fight Spectator
      • (बिना क्रेडिट के)
      Brooks Benedict
      Brooks Benedict
      • Party Guest
      • (बिना क्रेडिट के)
      • निर्देशक
        • Robert Siodmak
      • लेखक
        • Anthony Veiller
        • Ernest Hemingway
        • John Huston
      • सभी कास्ट और क्रू
      • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

      उपयोगकर्ता समीक्षाएं164

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      फ़ीचर्ड समीक्षाएं

      8Diego_rjc

      Flashback-told film noir that aged really well.

      'The Killers' was released on 1946. Back then, the film-noir genre was really popular. And in my opinion, this one is one of the best of this great cinematic genre, because it's told in a different way than most of its time. This movie is told through really smart flashbacks.

      'The Killers' begins with two hit men arriving in a small town with only one objective: kill 'Swede' Anderson (Burt Lancaster). After this, a detective starts to investigate his death, by interviewing the people of the town. This is how he uncovers a murderous plot evolving multiple characters. This is one of those movies that really keeps you interesting and anxious on what's going to happen, ans when the plot reveals itself, it's really awesome how everything is around Kitty Collins (Ava Gardner). The story is well-told and aged really well.

      The acting here is not superb, but it's not bad also. The movie is important because it's the first major role of Burt Lancaster, and the movie made him a star. It also features the always beautiful and mysterious Ava Gardner and the competent Edward O'Brien, in a interesting role.

      I have never watched a Robert Siodmak picture before, and was surprised to see how well he directed this picture. The camera was always at an interesting and different angle, and there's one nice tracking shot in the middle of the movie. Along with the well-made soundtrack by Miklós Rózsa, and the also well-made cinematography by Elwood Bredell the mood in here couldn't be better.

      Overral, this is a great film-noir movie, one of the best of its genre. It aged really well, most because of Ernest Hemingway's powerful story. It keeps you interested, with nice acting and directing.

      8/10
      9bkoganbing

      Expanding A Hemingway Classic

      The Killers is an expansion of a short story by Ernest Hemingway. The first ten minutes of this film is pure Hemingway with two contract gunman occupying and terrorizing a greasy spoon diner. Two of the most malevolent character actors around, Charles McGraw and William Conrad are the hit men.

      They're there to kill Burt Lancaster, known to the town as just a simple garage mechanic. Because he left a small insurance policy, his death was investigated by insurance cop Edmond O'Brien. Naturally Lancaster was no simple garage mechanic by any means. O'Brien comes up with Burt's real identity and the reason why a few people wanted him dead.

      The Killers was a big break film for Burt Lancaster. He had only done one previous film and that was Desert Fury for Paramount studios which had signed him. Because Universal was looking for an unknown to play the victim, Lancaster's agent was able to land him the part. And because Desert Fury was held up, The Killers became his debut film and he was a star from his first film.

      This was also a milestone film for Ava Gardner as well. After The Killers, Louis B. Mayer was most reluctant to lend her out any longer due to the notice that she got.

      The plot of The Killers is very similar to that of Out of the Past with Lancaster in the luckless Robert Mitchum role. As for Ava Gardner in her portrayal, she's taking a couple of pages from the Mary Astor school of double crossing, two timing dames. At least Mary had Sam Spade's promise he'd wait for her.

      The Killers is a must for Burt Lancaster fans who want to see the film that launched his career.
      8Danny-Rodriguez

      You're a pretty bright boy ain't ya?

      "It's a really a good yarn." That's what President Ronald Regan said about Tom Clancy's book "The Hunt for Red October". The same thing can be said about this movie. It's like a big yarn. And in the end you're still not quite sure who screwed who. Two men walks in to a diner. It becomes clear that what they're after isn't eggs and bacon but a man. A man named Swede. Swede has done something. A long time ago and now it's catching up to him.

      Ernest Hemingway's "The Killers" is a good film noir. It's based on a short story and the only connection between it and this movie is the opening scene. The rest is written by various other writers. The film was entertaining. Drawn out at times but entertaining none the same. Humor combined with drama like the dialogue in the opening scene makes you think about it later on and it doesn't just leave your mind three minutes later.

      The gritty film noir style and filming is quite clear in this movie. Especially in the opening scene which remains as my favorite part in the film. The use of shadow and light is wonderful. As for the rest of the movie, it was good and even a bit thrilling at times. This is definitely recommended to people who like good film noir.
      stephen-357

      dignity in the face of death - textbook noir!

      Using Ernest Hemingway's short story as the foundation for the film, Siodmak and cinematographer Elwood Bredell create a dark, brooding and brilliant looking character study of Ole "The Swede" Andersen (Burt Lancaster), a quiet unassuming man who is hunted and shot by two killers who enter the small town he inhabits. Indeed, the opening shots are textbook examples of how to use shadows and light effectively in film. The central idea behind the short story and Siodmak's film, is the very masculine concept of dignity in the face of death. The fact that "the Swede" apparently knew of his fate but did not try to flee puzzles the insurance investigator (Edmond O'Brien) assigned to the case. He becomes obsessed with resolving this mystery, and through the testimony of people that had various associations with the dead man, facts start illuminating the gray areas but ultimately end up darkening the reality. Lancaster plays the proud, tough, handsome but intellectually limited Olle "the Swede" Anderson convincingly, and Ava Gardner as the sultry femme fatal never looked better.
      dougdoepke

      A Compelling Jigsaw

      No need to recap the plot. Lancaster and Gardner may get star billing, but O'Brien gets the screen time. In fact, Lancaster's role is spotty, while Gardner's only big chance comes at the end. Otherwise, she sits around, looking beautiful and sexy, which she's supposed to. Clearly, O'Brien's insurance dick is no Phillip Marlowe. Instead he has to answer to a by-the-numbers boss (MacBride in a surprisingly straight role). Still, Reardon (O'Brien) has the one feature required of all noir private eyes—he's a seeker after truth, come what may. And in this case, it's what's with the suicidal Swede (Lancaster).

      Also, get a load of that opening scene—a midnight diner, shadowy figures, an empty street. Noir seldom comes any purer. All that's missing is a lonely train whistle. In fact, I'll take that extended scene as the movie's best. McGraw and Conrad drop enough tough talk on the poor counterman to drown the average fall guy. It's from that tense 15-minutes that the movie gets what grit it has. The story's remainder is more like a metaphysical puzzle, as Reardon tries to piece together a solution to Swede's mysterious death. Trouble is he's got to rely on second-hand sources since Swede's in no condition to talk. Plus the sources from his past are disconnected in the telling, so it's like trying to figure out a jigsaw. Then too, will the pieces all fit since somebody could be lying—maybe the squinty Dumb-Dumb or the cringing Charleston, or even the curiously laid-back Colfax (Dekker).

      This is a narrative you have to think about once it's over. Because, like a highway under construction, there're a lot of twists and turns. Curiously, the main part is largely devoid of action or even much violence. Instead, the writers and director Siodmak settle for atmospheric exposition, and I'm not sure if that helps or hinders. But either way, the unraveling is compelling. Then too, that final scene on the staircase is oddly reminiscent— in this case, Mary Astor's elevator going down at the end of The Maltese Falcon (1941) despite her emotional pleas.

      Anyway, 40's noir hardly comes any purer, from spider woman to fall guy to $50 lighting bill. So if you don't mind a complex plot-line, this is one to catch.

      इस तरह के और

      The Killers
      7.0
      The Killers
      Sorry, Wrong Number
      7.3
      Sorry, Wrong Number
      Out of the Past
      8.0
      Out of the Past
      Riffraff
      6.8
      Riffraff
      The Set-Up
      7.8
      The Set-Up
      Criss Cross
      7.4
      Criss Cross
      The Asphalt Jungle
      7.8
      The Asphalt Jungle
      The Postman Always Rings Twice
      7.4
      The Postman Always Rings Twice
      White Heat
      8.1
      White Heat
      Murder, My Sweet
      7.5
      Murder, My Sweet
      Gun Crazy
      7.6
      Gun Crazy
      The Big Steal
      6.9
      The Big Steal

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        Film debut of Burt Lancaster. Although this was his first film--at 33 years of age--he received top billing.
      • गूफ़
        In the jailhouse, Charleston (Vince Barnett) tells The Swede (Burt Lancaster) of his love for the stars. As he looks out the window, he says that he says he sees Orion and a prominent star, Betelgeuse. He says that Orion is the "Great Bear" and that Betelgeuse is the "brightest star in the sky". Orion is actually The Hunter. Ursa Major (containing the Big Dipper) is the Great Bear. Betelgeuse, while quite bright, is the 10th brightest star.
      • भाव

        [last lines]

        [after Reardon has wrapped up the investigation, Kenyon congratulates him]

        R.S. Kenyon: Owing to your splendid efforts the basic rate of The Atlantic Casualty Company - as of 1947 - will probably drop one-tenth of a cent.

        [he shakes Reardon's hand]

        R.S. Kenyon: Congratulations, Mr. Reardon.

        Jim Reardon: I'd rather have a night's sleep.

        R.S. Kenyon: Why don't you take a good rest. I must say you've earned it.

        [Reardon starts to leave]

        R.S. Kenyon: This is Friday... don't come in 'til Monday.

        Jim Reardon: Thanks.

      • कनेक्शन
        Edited into Dead Men Don't Wear Plaid (1982)
      • साउंडट्रैक
        The More I Know of Love
        (1946)

        Music by Miklós Rózsa

        Lyrics Jack Brooks

        Performed by Ava Gardner (uncredited)

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल18

      • How long is The Killers?Alexa द्वारा संचालित
      • How do the two killers know where Reardon is meeting Kitty? They seem to follow in another cab. Who tipped them off?

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 30 अगस्त 1946 (यूनाइटेड स्टेट्स)
      • कंट्री ऑफ़ ओरिजिन
        • यूनाइटेड स्टेट्स
      • आधिकारिक साइट
        • Streaming on "Cine Antiqua" YouTube Chanel (Spanish subtitles)
      • भाषा
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      • इस रूप में भी जाना जाता है
        • Los asesinos
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        • Universal Studios - 100 Universal City Plaza, Universal City, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
      • उत्पादन कंपनियां
        • Universal Pictures
        • Mark Hellinger Productions
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      Burt Lancaster, Ava Gardner, William Conrad, and Charles McGraw in The Killers (1946)
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