If I'm Lucky

If a film was described as "made by 20th Century Fox, featuring Vivian Blaine, Carmen Miranda, Phil Silvers, Harry James, and Perry Como," you might reasonably expect the sort of bright, brash, and breezy Technicolor musical of which TCF were the masters during the 1940s.

If a film was described as "a black and white political satire about an upright young man duped into standing for office only to find that he was intended to front for a gang of corrupt politicos," you might reasonably expect the sort of film of which Frank Capra was master, perhaps starring James Stewart and Jean Arthur.

It is unlikely that you would envisage one film to fit both descriptions, but "If I'm Lucky" does just that. Perhaps we shall never know what prompted TCF to produce this unlikely hybrid, but surprisingly it works quite well. The musical numbers are neatly integrated into the plot, Phil Silvers' usual over-exuberance is kept in check, one misses Technicolor only during Carmen Miranda's numbers, and the political shenanigans are carried mainly by Edgar Buchanan, Reed Hadley, and other supporting players, thankfully making little demand on Perry Como's acting abilities.

This is not a particularly good movie, but nor is it a bad one, and it is sufficiently unusual to warrant attention.

Silly but pleasant little Fox B trifle. A Carmen Miranda musical in B&W is an oddity but in B&W or color she is always Technicolor and is as full as sass as ever and her headgear is as truly astounding. Perry Como sings well and is certainly attractive but he is missing that big screen charisma needed for major stardom. It is easy to see why he was a big hit on TV, he possessed a very warm and friendly presence that makes you feel right at home. Vivian Blaine is lovely and Edgar Buchanan is always a welcome addition to any movie but Phil Silvers is an acquired taste, there's no in between either you like him or not. For me he's hard to take but if you're a fan than he can be amusing. One big plus this has is that Harry James and his band provide the music and that's always a good thing.

'If I'm Lucky' is the name of a mediocre song as well as the 1946 picture it appears in. 'IIL' is one of Fox's lesser musicals saved by the talents of Carmen Miranda and the song and dance pros, Phil Silvers. Vivian Blaine, Harry James and a very young Perry Como. Collectively, they help right this almost sinking ship. 'IIL' is a love story with a political campaign backdrop. The musicians are hired for $1,000 ($17,500 in today's market) to travel with the campaign for the express purpose of wooing voters. Romance of course blossoms as the political candidate, played by the irreplaceable Edgar Buchanan, has to be bailed out of problem after problem. Will the musical group succeed in its mission despite issues with that keep erupting? You'll have to find out for yourself. It will only cost you 80 minutes which go quickly.

'If I'm Lucky' is a decent and pleasant musical, and passes the time more than adequately. However, it also could have been better considering the talent.

The weak link is the story, which is tepid fairly often with some of the goings on verging on the tedious. The script is charming and amusing enough, but needed a sharper edge and more bite, feeling a little blander than it should have been considering it's meant to be satirical.

Perry Como is handsome and sings exquisitely but is not a natural actor and it shows in a performance that other than the singing is pretty wooden. While 'If I'm Lucky' is a very good-looking film (more than that actually) there were a couple of scenes crying out for Technicolor, especially the still hugely entertaining "Botocuda".

However the black and white production values are a marvel, being remarkably crisp and opulent. The songs are not timeless and they don't stick in the head unforgettably, but they still are very pleasant and lovely to listen to with a good deal of energy, "Botocuda" and the title song standing out in particular.

Much of the direction is very much competent and the pacing, though with the odd tedium in between, tends to be bright and breezy. Como aside, the cast don't disappoint. Carmen Miranda steals the film with her colourfully wild costumes and her hilariously nutty presence from her butchered English to her deliciously exaggerated facial expressions. Vivian Blaine is charmingly polished and passionately energetic, while Harry James (playing an integral part to the story) is in his prime. Phil Silvers did have material that played to his strengths a little more in 'Something for the Boys' but actually a more subdued performance from him here and in comparison to a lot of his other films was appreciated and worked well (will also be a delight for non-fans).

On the whole, a pleasant way to pass the time but could have been much better. 6/10 Bethany Cox

This is an entertaining remake of "Thanks A Million".I do not know much about American politics in the thirties but i would guess that the original was probably a swift punch to the midriff of the American body politic whereas this is more a nudge in the ribs.If you stand this on its own you would say that this is a reasonably entertaining Fox musical from the 1940s with all the usual ingredients,the best of which is Carmen Miranda who really steals the show.As for Perry Como well we all know he can sing but unfortunately he cant act and that is one of the main problems of this film,particularly if you compare him to Dick Powell in the original.Also i have to say that not one of the songs stays in the mind for one second after the music has faded away.I would be bound to say that if you had to see one version it would have to be the original.Any film with Fred Allen,Patsy Kelly and Raymond Walburn has to be unmissable