A Game of Death

Director Robert Wise shows what he can do with Connell's classic story, THE MOST DANGEROUS GAME.

Big game hunter, Don Rainsford (John Loder) finds himself on a mysterious island after surviving a shipwreck. He soon becomes a guest at the fortress-like mansion of Erich Kreiger (Edgar Barrier), who also happens to be a hunter.

As Rainsford begins talking to other "guests" of Kreiger, he discovers a sinister plan to hunt the ultimate quarry.

Though I personally prefer the original 1932 version, and Leslie Banks' Zaroff over Barrier's Kreiger, Wise adds some nice touches and upgrades here and there. The inside of the mansion is impressive, and the "trophy room" is far more ghoulish!

This movie is reminiscent of Wise's work with Val Lewton. The suspense builds perfectly to the inevitable climax.

Highly recommended...

It's been a couple of years since I watched the 1932 "Most Dangerous Game", but from what I recall this "Game Of Death" is an almost shot-for-shot remake at times. That means that there are few surprises for those who have seen the original; on the other hand, the remake is made competently (by the director of some future megahits Robert Wise). Edgar Barrier makes for a suitably hissable villain (in keeping with the new time period, he is now German and hates "weaklings"). **1/2 out of 4.

Utilizing many shots from the original The Most Dangerous Game and that RKO jungle set that so many classics like King Kong was shot on, RKO made a perfectly acceptable remake of that film now entitled A Game Of Death. Stepping into the leads that were previously done by Joel McCrea, Fay Wray and Leslie Banks are John Loder, Audrey Long, and Edgar Barrier respectively. All are suited to the parts they play, especially Barrier who is a wonderful Teutonic villain. In 1945 every other film had a Germanic type villain, they were so easy to hate.

The major change is from Robert Armstrong to Russell Wade as the brother of the leading lady. Armstrong certainly was far more entertaining as the dissolute drunken playboy. But Wade was certainly more of a challenge to the hunting skills of Barrier.

As we know the game that Barrier hunts for sport is man. Barrier is excited to find that one of the shipwrecked who visit the island is a noted Frank Buck type hunter in Loder. Like the original Loder proves to have just the right stuff.

If you liked the original, you'll find A Game Of Death suited to your taste.

Why RKO felt the need to remake The Most Dangerous Game 13 years later eludes me, but they did and really did so poorly. This film bears little resemblance to its forerunner except in the basic plot, which it even has the temerity to change in all the wrong places. Director Robert Wise, early in his career, has little to work with here. The script is shallow, the sets and budget very small...so small in fact that most of the chase scenes and scenes with dogs are from the 1932 version of the film. In point of fact, very little has been added here at all, except some third-rate performers(with the exception of Edgar Barrier in the Zaroff role) and some tedious and plotting scripting and direction. Noble Johnson is back...yes he was in the first film..and they even use footage of him from the earlier film looking completely different. Why? Oh well...I guess it was not suppose to be anything real good...and to be sure it does not even come close to being good. Do yourself a big favour and watch the original. That is a masterpiece!

A Game of Death (1945)

A legendary big game hunter is shipwrecked and lands on an island where a reclusive man and his motley crew of servants has been trapping humans and hunting them like wild game. A great idea, and this movie is pretty good at making an entertainment about it.

It's not helpful to jump to the obvious, I suppose, but for those of us who have seen the two major versions of this sordid and contrived tale, the original short story is much better. In fact, the "The Most Dangerous Game" (as the Richard Connell story is called) has wit and drama and surprise, and an economy of telling, that makes it a classic and very readable still.

So this 1945 version of "The Most Dangerous Game" falls short partly because it doesn't want to be as chilling and scary as the story. For one thing, it adds a shade of romance to the thing which cheapens the real essence of the conflict. When our hero, played by John Loder, arrives he finds a pretty young woman (Audrey Long) and her brother are captives there from an earlier wreck, and so we all know the brother is expendable and the man and woman are likely to win the day and drive off in the sunset at the end.

Which ruins the point. The original has a tension of survival built in. It really does turn around the notion of the hunter becoming the hunted. The crazed hunter in this case, since it's 1945, is a German named Erich Kreiger (played by the very American actor Edgar Barrier, who came out of Orson Welles's Mercury players, and who played Banquo in the Welles MacBeth a couple years later).

While we are name dropping, the director is the young Robert Wise, who it might be said never made a bad film in his life, and who had his own start as an Orson Welles tagalong. Even here, where the thrust of it is watered down, there are so many visually terrific parts it is a thrill to watch. In particular are the night shots of the pursued couple in the jungle, with moving camera through the weeds presaging the more famous running shots of Kurosawa's "Rashomon." In fact, the whole movie is very well made and edited, clearly an intelligent technical achievement. On that level, you can watch it with real pleasure.

And the plot will just carry itself along. If you like this at all you should find the Joel McCrae and Fay Ray version from 1932, called "The Most Dangerous Game." It was shot partly on the "King Kong" sets at night when the more famous film crew was at home in bed, except Fay Ray, who of course was the heroine in both. It's essentially the same idea, with Max Steiner music, and it was here that the brother and sister were added to the Connell plot. You can also look for the very good Richard Widmark version, which has a very different feel and intention but ends up with the same hunter becoming hunted scenario, called "Run for the Sun" (1956), currently streamable on Netflix.