Faithful in My Fashion

Mid-film, Tom is wearing Ike jacket which lacks his 3-stripe sergeant's rank. An excellent actor, never a let-down. Looked for a CIB then saw 2nd Armod Div patch. All tank crewmen were incredibly brave.

Jeff (Tom Drake) has been away at war for years and has just returned home. The first place he goes is not home but to see his fiancee, Jean (Donna Reed), at her job at the department store. However, she's now engaged to another man...but doesn't tell him and her co-workers go along with this. So through most of the movie, she lies to him as they plan the wedding!

"Faithful in My Fashion" has a LOT running against it. After all, WWII had just ended and the notion of a guy coming back from the war to find his fiancee engaged to another is a tough sell...particularly when it's supposed to be a romantic comedy. I bet a lot of theater goers (particularly those who'd been in the war) were ticked to see such a film. Additionally, IF she ends up marrying the nice soldier by the end, you'd wonder WHY he would take her back! And, most importantly, how could you string all this along for 81 minutes?! After all, he returns, you tell him, he goes on with his life....5-10 minutes tops! To make it worse they cast Tom Drake--the perfect 'nice guy' actor for such a role and the notion of a woman lying to him or cheating on him seems particularly evil!! Yet somehow someone at MGM thought this would make a great film...and parts of it are (ALL the portions with Harry Davenport are like gold)...but overall it's a dud....an ill-conceived one at that. Slickly made...but horrible.

Yes, CHUNKY, this is the nick-name that Donna Reeds' romantic lead played by Tom Drake tags her with! So lets get this clear right away. From her first ingénue role in THE GET-AWAY (1941) too her last, DALLAS T.V. (1984-1985) Ms. Reed could NEVER be described as CHUNKY. Not this attractive and slim actress. Whose roles at M.G.M. seldom lived up to her talents.

Ms. Reed is supported by a cast of competent character actors, who unfortunately must flounder through this alleged 'screw-ball' comedy. Clearly M.G.M. was out of their depth making this type of film. A type better produced over at COLUMBIA, PARAMOUNT, RKO and even UNIVERSAL. Neither the 'touch' of Ernst Lubitsch nor the wit of Preston Sturges could save this film. A rather conventional romantic comedy that had all the markings of a pre-war (WWII) effort.

If Irving Thalberg had still been alive the screen-play would have either gone through a significant rewrite or never seen the light of day. It did fit into Louis B. Mayer's 'safe-zone' of none challenging family entertainment. A form that could not stand up to the post-war challenges of the 'DeHavilland Decision', loss of their theater chains, television and would contribute to M.G.M.s decline. Fortunetly for Donna Reed her best days are ahead of her culminating in FROM HERE TO ETERNITY (1953) and her Oscar win as Best Supporting Actress.

I loved this movie!!! The characters were people that you could feel for. The young man back from the service still in love with the girl he left behind. Tom Drake is always perfect in the romantic lead as well as Donna Reed as the love of his life. The looks he gives her as if he has been starved for the sight of her as well as her hesitation and confusion as too her feelings for him were played very well. The rest of the quirky characters at the store were perfect as they tried to bring them together. The most touching scene however, was the young couple at his great grandfather's house. I laughed in parts, cried in some and thoroughly enjoyed watching this movie. In fact I've re-watched it about 5 times. A definite must see for total romantics.

Jeff returns from WWII, during which his girl has been promoted to department store executive and is now engaged to another man. So, just how much has war changed the homefront.

Typical MGM second feature of the time gives their younger players a chance to shine, while backed up by a veteran cast of supporting players. It's strictly lightweight since all dark traces of war have been removed from Drake's returning soldier. As a comedy, it's more sweet and mildly amusing than funny. Drake's ultra-boyish Jeff is the idealized boy-next- door, while Reed's conflicted Jean is still the picture of wholesomeness. Together, they're the audience's ideal young couple for facing a post-war future, with all the essentials moving into place. Above all, the movie works to reassure anxious movie-goers then readjusting to peacetime.

The comedy itself depends on two extended segments—the "mad" Russian (Ruman) playing cupid, and the shoe department "merchandizing" the couple back together again. And although the veteran players try hard, the episodes come across as more frantic than sparkling. Too bad the studio didn't assign a more talented comedy director with a better sense of timing and pacing. True, Drake may never have become the studio's second Van Johnson, while Reed is mainly remembered as one of TV's favorite moms. Still, the two do have their moments of genuine charm in this otherwise forgettable period piece.