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Anna and the King of Siam

  • 1946
  • Approved
  • 2 घं 8 मि
IMDb रेटिंग
7.0/10
2.8 हज़ार
आपकी रेटिंग
Linda Darnell, Rex Harrison, and Irene Dunne in Anna and the King of Siam (1946)
Period DramaBiographyDramaRomance

अपनी भाषा में प्लॉट जोड़ेंIn 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.

  • निर्देशक
    • John Cromwell
  • लेखक
    • Talbot Jennings
    • Sally Benson
    • Margaret Landon
  • स्टार
    • Irene Dunne
    • Rex Harrison
    • Linda Darnell
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    2.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • John Cromwell
    • लेखक
      • Talbot Jennings
      • Sally Benson
      • Margaret Landon
    • स्टार
      • Irene Dunne
      • Rex Harrison
      • Linda Darnell
    • 41यूज़र समीक्षाएं
    • 19आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर जीते
      • 6 जीत और कुल 6 नामांकन

    फ़ोटो25

    पोस्टर देखें
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    + 18
    पोस्टर देखें

    टॉप कलाकार59

    बदलाव करें
    Irene Dunne
    Irene Dunne
    • Anna Owens
    Rex Harrison
    Rex Harrison
    • King Mongkut
    Linda Darnell
    Linda Darnell
    • Tuptim
    Lee J. Cobb
    Lee J. Cobb
    • Kralahome
    Gale Sondergaard
    Gale Sondergaard
    • Lady Thiang
    Mikhail Rasumny
    Mikhail Rasumny
    • Alak
    Dennis Hoey
    Dennis Hoey
    • Sir Edward
    Tito Renaldo
    • Prince Chulalongkorn - as Adult…
    Richard Lyon
    Richard Lyon
    • Louis Owens
    John Abbott
    John Abbott
    • Phya Phrom
    • (बिना क्रेडिट के)
    Aristophanes
    • An Elephant
    • (बिना क्रेडिट के)
    Victor Bach
    • Midget Page Boy
    • (बिना क्रेडिट के)
    Cha Bing
    • Wife of King
    • (बिना क्रेडिट के)
    Jan Bryant
    Jan Bryant
    • Wife of King
    • (बिना क्रेडिट के)
    Oie Chan
    • Old Woman
    • (बिना क्रेडिट के)
    Si-Lan Chen
    • Dance Director
    • (बिना क्रेडिट के)
    Maxine Chevalier
    • Wife of King
    • (बिना क्रेडिट के)
    Dorothy Chung
    • Amazon Guard
    • (बिना क्रेडिट के)
    • निर्देशक
      • John Cromwell
    • लेखक
      • Talbot Jennings
      • Sally Benson
      • Margaret Landon
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं41

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    फ़ीचर्ड समीक्षाएं

    dmsorge

    Elegantly produced,superbly acted.Ij

    In reading the comments about "Anna and the King of Siam,"I was especially drawn to the harsh political commentaries by your reviewers.When I was saw the film in the summer of 1946,the war was over only eleven months,and I was feeling generally upbeat.Consequently,watching this film,I felt upbeat about it,too.I thought then,and I still do(seeing it on tv),that it was a beautifully produced picture.One thing I noted at the time of its release,was that movie reviewers universally criticized Twentieth Century-Fox for not filming it in Technicolor.(Fox didn't repeat their mistake in their musical production with Yul Brynner and Deborah Kerr.)Their 1946 film garnered the Oscars for black and white cinematography, and black and white art direction, and interior decoration.(Costume design nominations didn't arrive until 1948--"Hamlet,"b&w,and "Joan of Arc,"color,won).If costume design had been a factor in 1946, I'm dead sure "Anna and the King of Siam" would have been a shoo-in.The musical version in 1956 did get the prize.Irene Dunne had a spate of fine film from 1936 to 1948,and this was leader among them.I can't imagine another actor living in 1946 playing the king.(Mr.Brynner appeared on the scene in the stage production around 1950.After that,he went to Hollywood).Gale Sondergaard received an Oscar nomination for Best Supporting Actress.John Cromwell's direction was as artful as his work with "Since You Went Away."in 1944.For this film:A rating of A.
    8TheLittleSongbird

    Very good, especially for the acting

    Personally am of the opinion that the 1956 musical 'The King and I' is the better film. That has always been a favourite of mine, and not just one of the best film versions of a Rodgers and Hammerstein musical but also one of the best film musicals. The production values, music and Yul Brynner are especially good.

    'Anna and the King of Siam', a somewhat truer and more realistic account of the story, is still a very good film though, if just lacking 'The King and I's energy' and occasionally taking itself too seriously. Richard Lyon is a bit bland as Anna's son. Criticisms of 'Anna and the King of Siam' actually for me are few, and are not that major, only being occasional problems.

    It is especially good for the acting. Irene Dunne was born for Anna, portraying the role with touching sincerity and dignity. Her chemistry with Rex Harrison has a believable amount of tension and grows convincingly. Harrison on paper seemed a major miscast, and occasionally he overdoes it in some of his mannerisms which are reminiscent of something like Charlie Chan, but actually on the whole it is performance of great authority and complexity.

    They are supported by a supporting cast that are more than up to their level. Gale Sondergaard gives a very moving performance, and Lee J. Cobb is commanding in the more expanded role of the Kralahome. Linda Darnell gives Tuptin spunk and emotion, never falling into passiveness.

    Visually, 'Anna and the King of Siam' is pretty exquisite, with Arthur Miller's marvellous cinematography and the lavish and evocative sets deservedly winning Oscars. Bernard Hermann's music score is a good fit and a strong score in its own right, if not iconic status like 'Psycho' or 'Vertigo'.

    Scripting is literate and provokes thought, while the story is sensitively and movingly told with the conflict very convincing. John Cronwell's direction, apart from the odd lack of liveliness, is solid.

    Overall, a very good film especially for the acting. 8/10 Bethany Cox
    8atlasmb

    Touching film

    I grew up with the story and the music of the musical, The King and I, in our household. It is a wonderful production. It would be a mistake to compare that musical to Anna and the King of Siam. They are of different genres. This story is taken from the writings of the real Anna and they provide a glimpse into nineteenth century times, when changes in world politics and communications produced stresses that would alter the map and the future of the world.

    I found the acting in this movie wonderful. Rex Harrison, in his first American production, really brings the complexities of the Siamese king to life. He is a man torn between the traditions of the past and the necessities of change, which he embraces with open arms, even if his mind, from habit, is partially closed. Comparing his performance to that in My Fair Lady allows one to really see how he used his voice effectively in portraying the king.

    One must give credit to those who took this narrative and later produced the musical, amending the story to create a vehicle more suitable to music and humor. But Anna and the King of Siam deserves kudos as a believable story that evokes real feelings for its characters. You may need a few hankies.
    9peacham

    Strong Performances highlight Film Classic

    Too many people who have seen "the King and I" before viewing this film have unjustly compared it unfavorably to the musical. You can't compare Sir Rex and Mr. Brynner as the King. the performances are so different. Harrison gives a wonderfully cruel yet compassionate performance. he is a slyer, more intellectual Monkut than Brynner was. His scenes with Irene Dunne bubble with chemistry. Dunne is every inch the Anna that Deborah Kerr was and gets a scene that was removed from the remake. The performance she gives after the death of her son was stunning!

    I recommend this film over the musical for sheer consistency of style. Sir Rex and Ms. Dunne are wonderful together and the entire film its a gem fro start to finish.
    7jlanders13

    A good role for Irene Dunne

    "Anna And The King Of Siam" is the original, non-musical, version of what was later re-made with Deborah Kerr and Yul Brenner as "The King And I". This is one of the few Irene Dunne originals that is not better than the remake. Irene Dunne was a highly original and intelligent woman and had few equals either before the camera or in her private life.

    In fact, if you consider all of Irene Dunne's original movies that have been remade into newer versions with the same name: such as "Back Street" 1932 or "Magnificent Obsession" 1935 or "Showboat" 1936 or "Age of Innocence" 1934 - or under a different title: such as "An Affair To Remember" which was a remake of "Love Affair" 1939 or "Something's Got To Give" which was essentially the same plot as "My Favorite Wife" 1940 - it amazes me that she was nominated six times for best actress and NEVER WON!

    Usually, her original versions are much better than the remakes. Anna and the King of Siam would have been had the remake not included such a lovely musical score and been so beautifully filmed in color.

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Sir Rex Harrison thoroughly enjoyed co-starring with Irene Dunne. He thought her "an excellent actress" and was pleased that she had the confidence to follow her own instincts. He recalled, "She too went her own way and tactfully used the director, as I later learned to do myself, to her own advantage; she listened to what he had to give, and discarded it or used it, as she wished."
    • गूफ़
      As the various Consulates are being established, there are several errors involving the national flags; the British Union Jack is shown upside down, the French flag is replaced by that of The Netherlands, and the US flag is shown with 48 stars (correct for 1946, but in 1870 there were only 37 states).
    • भाव

      Kralahome: [the Kralahome has just arrived to tell King Mongkut of the loss of Cambodia. Anna, meanwhile, continues to press the King about the issue of a private residence, to the point where even the King's staff members are singing "Home, Sweet Home"] Your Majesty! It has begun, Toongramon. We've lost Cambodia. Our governor of Cambodia has made a treaty with the French government. They have recognized Cambodia as independent of Siam, placed it under their "protection," and this governor of ours still protests his loyalty to Your Majesty.

      King Mongkut: So, a camel's nose is in the tent. The partition of Siam, it has begun.

      Kralahome: For a long time, we've said this hour must come. Now it is no longer talk. It is upon us. What do we do?

      King Mongkut: Nothing. We shall do nothing whatever in this matter... because there is nothing we can do.

      Kralahome: Your father took such a man once and burned out both his eyes, hung him in the sun in a cage over cool running water, until he went mad.

      King Mongkut: [Heartbroken, yes resigned] We have not the right to waste ourselves on something which cannnot be changed. We shall save what strength and cunning we may have to hold together what is left of Siam. And if we cannot save all that is left, we shall save what we can.

      Kralahome: [after a long pause] Tell me something Toongramon. A long time ago, I came to you and asked you to leave a life of peace, and to be King. If I could ask you now to make that choice, what would your answer be? Think well before you answer that. Think what this can mean to you.

      King Mongkut: You feel great responsibility for me, don't you, Chow Koon?

      Kralahome: You might still be living peacefully at the monastery if I had not persuaded you. Perhaps it is not too late to return. Think well on that. The monastery instead of this place, where you have only enemies and danger. Well, you know this is not the end. The ships of Europe will crowd thicker on our seas, greedy for conquest. They have the power... and the cunning. They know how to set your nobles against you, how to buy and threaten them. How can you hope to hold Siam together against enemies without and within? All that it can mean to you is that, in the end, you will die in a lost cause.

      [pause]

      Kralahome: I have done you a sorry service to have brought you to this moment.

      King Mongkut: [after a moment] I think you take too much credit on yourself, Chow Koon. There is a man born for every task, and I was born for this one. Remember, I was prince before I was monk. Let me ask you, if you were in my place, what would your answer be?

      [Long pause. He cannot answer]

      King Mongkut: Then give me as much credit as you allow yourself, my friend.

      Kralahome: If only we had more time.

      King Mongkut: [Court musician can be heard playing "Home, Sweet Home" outside the King's window] She's got someone else at it.

      Kralahome: She?

      King Mongkut: That woman and her house!

      [Calls to court musician]

      King Mongkut: Stop it!

      [Music stops]

      King Mongkut: Take a lesson from her, my friend, and you'll never give up on anything. Give her a house.

      Kralahome: But...

      King Mongkut: Give her a house! If she was meant to be a sign to us, she deserves a reward.

      [Really angry now]

      King Mongkut: And if she wasn't, well, give her a house anyway, before she drives me out of my mind!

    • इसके अलावा अन्य वर्जन
      The 2006 UK DVD was cut by 2 secs by the BBFC to remove a horse-trip.
    • कनेक्शन
      Featured in Rodgers & Hammerstein: The Sound of Movies (1996)
    • साउंडट्रैक
      Home Sweet Home
      (1823) (uncredited)

      from "Clari, The Maid of Milan"

      Music by H.R. Bishop

      Lyrics by John Howard Payne

      Sung by the King's children and played often in the score

      Sung a cappella a bit by Mikhail Rasumny

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Anna and the King of Siam?
      Alexa द्वारा संचालित
    • What is 'Anna and the King of Siam' about?
    • Is "Anna and the King of Siam" based on a book?
    • Is it possible to read Anna Leonowens' memoir online?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 6 सितंबर 1946 (ब्राज़ील)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Ana y el rey de Siam
    • फ़िल्माने की जगहें
      • Los Angeles County Arboretum & Botanic Garden - 301 N. Baldwin Avenue, अर्काडिया, कैलिफोर्निया, यूएसए
    • उत्पादन कंपनी
      • Twentieth Century Fox
    • IMDbPro पर और कंपनी क्रेडिट देखें

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    • चलने की अवधि
      2 घंटे 8 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Linda Darnell, Rex Harrison, and Irene Dunne in Anna and the King of Siam (1946)
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    By what name was Anna and the King of Siam (1946) officially released in India in English?
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