The Shanghai Cobra

This is an excellent Monogram Charlie Chan that sets a mood and plays it to the hilt. Although the Monogram films never had a budget anywhere near those of the Twentieth Century Fox Chan's, this one comes close to creating the same sense of style that imbued the earlier films. From the film-noir rain slicked opening segment to the fades between scenes, this has a bold feel that overcomes its budget considerations. Sidney Toler is in fine form and appears to appreciate the enthusiasm of director Phil Karlson and the script, as he gives his all in every scene he is in. Benson Fong is good as Number 3 Son Tommy and Mantan Moreland sparkles in his comedic moments which are well timed and effortlessly diverting and not distracting to the central mystery. And it's a very good mystery too, that reminded me a bit of Castle In The Desert, inasmuch as you really have to keep a sharp eye on EVERY major character and try to remember names and relationships to keep on top of the proceedings! Your always double guessing yourself and that is the sign of a mystery doing its job! Everyone is having a great time on this one and it shows--credit too must go to the production team who "opened up" the feel of this one and didn't simply use two sets. Check this out with an open mind and you will realize that classic Chan didn't end when Fox gave up their lease.

Back in the days before the American entry into World War II, Sidney Toler as Charlie Chan had occasion to arrest a man accused of a nasty string of killings involving use of cobra venom. That individual escaped. But when in America just post World War II, the same modus operandi turns up in a string of homicides in the same urban vicinity, Toler knows its The Shanghai Cobra at work again.

Toler's hunt for The Shanghai Cobra now involves him in a case where the Feds have a serious interest. The Cobra plans to steal some radium stored in a bank vault for the usual nefarious purposes. With the questionable help of Number 3 son Benson Fong and chauffeur Mantan Moreland, Charlie of course solves the mystery. Not without a few twists in it, like a jukebox with a television camera inside it. Television development was put on hold during the war years and it was still an object of wonder to the public. Also of course the ways The Shanghai Cobra does deliver death is interesting.

One thing though did bother me. You would think that such a man might seek an alternative type poison, lest his work attract the attention of people like Charlie Chan. Cobra venom poison is kind of unique in America, even today.

In any event though, The Shanghai Cobra is not a bad mystery and it is that because you will be crossed up in the end if you think you've identified The Shanghai Cobra.

"Most interesting case," Charlie Chan says. "In four months, three persons are murdered by bite of cobra fang."

The mysteriously murdered victims are all employees of a bank whose vault holds a valuable cache of radium. Crooks are after said radium and Charlie Chan is assigned to protect it. And the murders are not done by an actual cobra, it turns out, but by one of those dastardly sharp-tipped poison-dispensing devices hidden in a clever place....

This suspenseful series entry includes less comic relief than usual but moves fast and builds to an exciting climax that feels more like an action-adventure picture than the usual gather-the-suspects Chan resolution.

Number Three Son Benson Fong is on hand to help, as is chauffeur Mantan Moreland—so there are a few decent laughs. (Charlie Chan, fed up with his assistants: "You remain here until I find doghouse big enough to hold both of you.") Sidney Toler moves with confidence and even a bit of a swagger as the great detective.

Much of the action takes place in a diner that contains a unique jukebox: A coin is dropped and a song selected—but then instead of a record playing automatically, the request goes to a person sitting in a little room who then puts on the record manually. A video camera allows this disc jockey to view the interior of the diner and even communicate by microphone when desired. –I've never seen such a setup in real life but I have to say that the next time I see a jukebox I will be looking at it more closely.

While no one would mistake this Monogram effort for anything bigger, imaginative touches and familiar characters make it well worthwhile for Chan fans.

Charlie's still working for the Federal Govt., and along with no. 3 son Tommy and the rather subdued Birmingham are trying to prevent a gang of crooks stealing some radium from an impenetrable bank vault. Who are also being tailed by a watchful someone who they framed 8 years before in Shanghai.

They all seem to spend a lot of time in that old friend, the gas chamber from the Jade Mask, this time masquerading as the sewers under the bank. But the key to this movie's implausible Monogram-plot is the very advanced jukebox in the diner which is manned via television by baddies 2 blocks away in the depths of the Monogram bank. Unsurprisingly Charlie solves everything.

All of the above probably makes it sounds utter tripe, but I've always liked this outing from the team, with a nice and dark nitrate atmosphere pervading throughout to compensate for the plot's definite shortcomings. Not so many smart ass one-liners as in other efforts, but none the worse for that! Sure, it's the usual cheap Monogram affair, but if you sat through it knowing that and didn't like it kiss that hour goodbye forever!

Yet another Charlie Chan B-Pic from Poverty row Monogram Pictures.

This time around Chan (Sidney Toler) is given the task of investigating the Murder of three Bank workers from Cobra venom, and in the same bank the Federal Government keeps valuable Radium in its Vaults worth several Millions of Dollars - The case has similarities to one Chan investigated in Shanghai 8 years earlier, although the main suspect vanished without a trace at the time.

Also along for the ride are No.3 son Tommy (Benson Fong) and Assistant Birmingham Brown (Mantan Moreland).

This 40's B-Pic by Low budget Studio Monogram Pictures is a pretty good Chan release, The Acting is above average and not as Wooden as in other episodes, There is more action and greater care in the Script and production this time and there are plenty of scenes in different locations rather than just a few rooms and despite the re-using of sets time and again (You'll notice rooms here that have been in other Monogram Chan Releases, even with the same pictures on the walls) all in all 'The Shanghai Cobra' is done with enough enthusiasm to make it pleasantly enjoyable.

*** out of *****