Rhapsody in Blue

George Gershwin was perhaps, America's greatest composer. Judging by his output of popular songs, as well as some of the serious music he left behind. George Gershwin was a man that got his inspiration by a lot of the popular and black music he heard when he was growing up and mixed it with some of the classical music that he learned as a young piano student. The result is a body of work that is not easy equaled by any of his contemporaries.

In "Rhapsody in Blue", his biographical picture, director Irving Rapper has recreated that period in the young composer's life with the help of the screen play writers, Howard Koch, Sonya Levien, and the uncredited Clifford Odets, as he takes us along to witness a account on this original music man.

We get to see the ambitious George, who could play anything on the piano his parents intended for his brother Ira to study music. It was clear from the start George was a natural who had no problem composing some of the best melodies that became standards during the 20th century and continue to delight us after so many years.

Along the way there is the story of the man who falls in love with the lovely and sophisticated Christine Gilbert, who he met in France. Julie Adams, the girl who was to become the star in many of his shows, loved George in silence. Of course, these two women are a product of the writers imagination, or a composite for the real women in his life.

We are also shown the world in which George lived. There is Prof. Frank, who taught the young man the best of the classical piano repertoire. His parents, Morris and Rose, who adored their sons. We also meet some of the men that shaped his life like Max Dreyfus, his manager, Oscar Levant, his friend and best interpreter, along with some real figures like Paul Whiteman, George White, Al Jolson, Hazel Scott, among others.

Robert Alda resembled the real George Gershwin; his take on the man rings true. Joan Leslie is Julie Adams, and Alexis Smith is Christine Gilbert, the women in George life. Charles Coburn plays Max Dreyfus. Morris Carnovsky and Rosemary DeCamp are seen as the parents.

The best excuse to watch the film is the glorious music one hears in it. The movie is easy on the eye, and while it might not be accurate, it still makes for a pleasant view of this genius of some of the best American popular music of all times.

This film presents many Gershwin tunes in great fashion with several great settings and great production numbers. Yes, it's unfortunate that the story line is so heavily fictionalized and even misleading. But, the sets are honest to the periods covered, several sequences are very tastefully done and fun, the show excerpts are good, and did I mention the music? As several other commentators have indicated, the music is faithfully recreated in long segments that bring you much or all of the tune.

If you come to this film to hear some wonderful Gershwin performed by some great artists staged with a lot of character and splash (my favorite set is Hazel Scott's Paris show), you won't be disappointed. The story line is simply a convenient string to tie together the thread of music.

This is a fabulous movie tracing the life and times, struggles and successes of composer George Gershwin. Fictional characters and events are used to move the story along; and the music is wonderful. This is a very easy to watch movie. A classic in black & white.

Beginning with childhood, this movie shows the closeness of the family and especially with brother Ira. Major compositions are featured: Swanee; The Cuban Overture; Somebody Loves Me; Fascinatin' Rhythm; An American in Paris and several versions of the title masterpiece, Rhapsody in Blue. Max Steiner proves his own greatness.

Robert Alda is excellent as George Gershwin and Herbert Rudley as Ira. Also in the cast are Rosemary DeCamp, Alexis Smith and Joan Leslie. Playing themselves are Paul Whiteman, Oscar Levant and Al Jolson. Levant is refreshing, comical and talented.

The music is the main attraction; this film is well worth multiple viewings.

The "Gershwin Years" were very exciting times, and the life and career of George --and his brother, Ira--are well captured in this memorable classic, "Rhapsody in Blue." Tackling this subject was a difficult one, and it manages to reveal the composer's exuberance for his art, his trials and his successes. Robert Alda is a perfect choice for George; others making fine contributions are Oscar Levant and Alexis Smith. A host of great artists, many playing themselves round out a star-studded cast. A wonderful selection of Gershwin's works are represented, some in near-complete versions. This is one of the most successful of classical composer bios ever brought to the screen. It is a cherished part of my video library, and I thoroughly enjoy watching and listening to this recreation of the life, times, and music of one of American's great composers.

Thank God the film-makers trusted in the power of Gershwin's music to allow almost complete versions of the title composition, and "An American in Paris" to be included in the film - as well as many complete songs. All the music is superbly orchestrated and the songs sung beautifully by a wide variety of artists, many of whom were really the first artists to sing them. The film is excellently directed and photographed, with musical scenes well realised visually. The montage of Gershwin wandering about Paris as we hear "An American In Paris" is excellent - and the use of lights and shadows to film the orchestra playing "Rhapsody in Blue" is magnificent - would that contemporary films of orchestras were this imaginative.

Yes I know it is largely fiction - but so what? This is a tribute, not a documentary. And Alda is fine in the lead, backed by an excellent supporting cast. I loved this film from start to finish.