Pride of the Marines

Having seen this film about 20 years ago, but I was impressed to find it even more moving when viewed today. John Garfield and Dane Clark gave two of their finest performances in this movie about a Marine blinded on Guadacanal. This story of survival is told in a realistic mixture of the brutal, the bitter and the enduring spark of hope that make living, rather than dead heroes. Some would surely disagree, but I can't help but think that some of the guys who find themselves in Walter Reed and other veteran hospitals recovering from their today's war wounds might get a great deal out of this beautifully acted--and seldom shown--"period piece". It's a pity it's not on dvd/vhs. WHY??

Though not central to the story of Al Schmid's difficult rehabilitation, the short segment depicting his combat on Guadalcanal is superbly done. It is so technically accurate that it might serve as an instructional film on use of the Browning M1917 heavy machine gun. This level of authenticity was extremely rare in the 1940s and bespeaks a serious commitment by the director and (presumably) the marine corps. Apart from that, however, the tension and terror of nocturnal combat is extraordinarily well depicted. Such realism was rare in the decades before "Saving Private Ryan."

In the immediate aftermath following World War II, sound minds in Hollywood tried to distance themselves from the mindless flag-waving that is a natural ingredient in a war effort. "Best Years of Our Lives' and even 'Gentleman's Agreement' investigated the way Americans looked at themselves in the wake of the war, but Delmer Daves' "Pride of the Marines" beat them to it.

The film is about Philadelphia smart alec John Garfield who goes to war as a marine and after a nightmarish evening in a foxhole, with Japanese soldiers eerily crying out at him and his buddies "Mariiines, tonight you die!", he is blinded by a hand-grenade, and dumps his girlfriend back home rather than have to depend on her after coming home.

Delmer Daves is uncompromising in his depiction on these men who are brave, as it were, almost by coincidence. They are there, in the foxhole, and when shot at, they react. So much for heroism, but they get the job done. And then comes the self-pity, the dark, gloomy sense of humor. Garfield is in angry denial of his blindness and the film makes no excuses, "There's no free candy for anyone in this world", as his buddy tells him. The same guy, a Jew, played by Dane Clark, reminds him, "In a war somebody gets it, and you're it. Everybody's got problems! When I get back, some guys won't hire me, because my name is Diamond".

Great movies are made with guts like these, and if the first half hour of 'Pride of the Marines' fails to rise to the occasion completely, from then on it evolves into a true work of art. You weep, and you ponder, you ache and you hope against hope. Well, simply: art.

What happened to Schmid in a foxhole, happened to my 19 year old uncle, only he and most of his buds didn't come back. We must never forget the soldiers of WW II, particularly because there are fewer and fewer survivors each year. I remember, growing up in the 1970s, the same exact situation concerning veterans of WORLD WAR I. Today they're all gone, but never forgotten. PRIDE OF THE MARINES is a monumental tribute to every soldier from every war, but particularly those who returned home with battle scars that could never be erased. John Garfield as Schmid brings realism to a role that scores of soldiers could relate to, and to this very day. This is an extremely well crafted and, yet haunting story that you will not forget, special credit going to an exceptional supporting cast. Dane Clark, a great actor in his own right, is superb as Garfield's tell it like it is war buddy, likewise a victim, but without scars on the outside. Same said for Eleanor Parker, in an early role. One war film you have to see at least once, but I guarantee you'll want to see it again for some truly classic scenes. Thank you so much to the producers of this masterpiece who put their heart in their work.

Of the many fine talents in the Warner Bros. "stock company," the three leads in "Pride of the Marines" may be considered the "cream of the crop." John Garfield, Eleanor Parker and Dane Clark really never gave a bad performance. Each seemingly could take on any role and make it his/her own.

No matter how weak the script may be, these professionals could work wonders with their honed skill and formidable natural talent. In the case of this film, they had very good material to work with, and their chemistry is invigorating.

Garfield, Parker and Clark are at the peak of their careers here, and it's a pleasure to watch them move from light comedy to serious drama effortlessly. Franz Waxman's score is likewise to be commended, along with the secure direction and razor sharp cinematography.

A most enjoyable and moving film.