अपनी भाषा में प्लॉट जोड़ेंA traveling saleswoman convinces an army lieutenant to pose as her husband so that she can rent an apartment during the World War II housing shortage.A traveling saleswoman convinces an army lieutenant to pose as her husband so that she can rent an apartment during the World War II housing shortage.A traveling saleswoman convinces an army lieutenant to pose as her husband so that she can rent an apartment during the World War II housing shortage.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 2 जीत
Louis Armstrong
- Louis Armstrong
- (बिना क्रेडिट के)
Lynn Baggett
- Disgruntled Traveler
- (बिना क्रेडिट के)
Leah Baird
- Sailor's Mother
- (बिना क्रेडिट के)
Robert Blake
- Wilbur
- (बिना क्रेडिट के)
Eddy Chandler
- Oil Well Foreman
- (बिना क्रेडिट के)
Pat Clark
- Sergeant's Girl
- (बिना क्रेडिट के)
Joyce Compton
- Gertrude Wilson
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
10dexterm
I'll be the first to admit that this movie will probably never be regarded as one of the Top 10 Classics. However, this movie continues to captivate me.
The plot while predictable, is engaging and the characters are interesting (especially, Ida Lupino). Ida Lupino is a cutie pie in this movie!
I would highly recommend this movie!
The plot while predictable, is engaging and the characters are interesting (especially, Ida Lupino). Ida Lupino is a cutie pie in this movie!
I would highly recommend this movie!
This film hasn't been put on VHS or DVD. I saw it on the Turner Classic Movie channel in early July, 2007. What starts out to be a rather predictable wartime "B" light comedy, emerges shortly as a full-blown screwball comedy of the most delightful sort. Ida Lupino, of all people,shows that she can do comedy as well as Carol Lombard. After her years at Columbia, Warner Brothers finally discovered her broad acting talent. (Would that Columbia and MGM had discovered the comedic abilities of Lucille Ball decades earlier.) This low-budget gem, based on a play, reveals quite a bit about wartime America's economy and socio-economic structure. But mostly it's about a romantic entanglement and mistaken identity, two much-used devices that need first rate acting to pull off. Here, it happens. Even Sidney Greenstreet manages his atypical role in an impressive way. I don't know why the producers decided to insert a meaningless nightclub scene featuring two minutes of Louis Armstrong "and his orchestra," but perhaps this was just a way to attract more viewers. By the way, this is one of Willy Best's best films. He was finally given something to do in a movie that didn't involve Charlie Chan. Paul Harvey and William Prince also handled their roles admirably. In short, this is a long- forgotten winner.
Pillow To Post has Ida Lupino working for her dad Paul Harvey's oil drilling
supply company because his sales force have all been drafted. She has to
sell John Mitchell the company supplies and get a signed order.
But with wartime housing being what it is, the only room she can find is at a motel court built for GIs and their dependents. Fortunately she finds a nice lieutenant in William Prince to take on the role of husband.
I'm sure you know that love will bloom as it always does in these movies. The wartime housing shortage was always a good subject for comedy, the best known being The More The Merrier.
Lupino is quite frazzled in her role, but all to good effect. William Prince is an officer and a gentleman always. Nice supporting cast headed by Sydney Greenstreet as Prince's commanding officer who is on a diet to lose weight so he can go overseas. I'm betting George C. Marshall wants his officers slim and trim for the front.
Pillow To Post is a nice wartime comedy that still holds up well.
But with wartime housing being what it is, the only room she can find is at a motel court built for GIs and their dependents. Fortunately she finds a nice lieutenant in William Prince to take on the role of husband.
I'm sure you know that love will bloom as it always does in these movies. The wartime housing shortage was always a good subject for comedy, the best known being The More The Merrier.
Lupino is quite frazzled in her role, but all to good effect. William Prince is an officer and a gentleman always. Nice supporting cast headed by Sydney Greenstreet as Prince's commanding officer who is on a diet to lose weight so he can go overseas. I'm betting George C. Marshall wants his officers slim and trim for the front.
Pillow To Post is a nice wartime comedy that still holds up well.
Mildly amusing wartime programmer about housing shortage for service couples. Jean (Lupino) finagles an army officer (Prince) to pose as her husband so she can get restricted housing in a motel court. Naturally, "who sleeps where" type complications ensue as they work to keep up appearances. The pace picks up as the difficulties mount, ending finally in madcap farce.
The cast tries hard to make familiar material for the time work. Still, seams do show, especially with Lupino's sometimes over-eager performance. Clearly, she's anxious to show she's as good at comedy as she is at dramatics. Then too, when movie buffs think Greenstreet, comedy doesn't come to mind. But here he plays an unlikely over-weight colonel to pretty good effect. (Note how the script deals with this fudging of army fitness standards.)
The colorful mix of supporting characters includes a mischievous little Robert Blake, a busybody Ruth Donnelly, a bug-eyed Willy Best, and an addled Stuart Erwin. Together, they manage to keep the chuckles coming. The movie, however, doesn't rise to the first rank, perhaps because the elements don't blend into a seamless whole—you can almost see the characters and situations being assembled. Nonetheless, it's a generally entertaining glimpse into what titillated audiences coming out of the big war.
The cast tries hard to make familiar material for the time work. Still, seams do show, especially with Lupino's sometimes over-eager performance. Clearly, she's anxious to show she's as good at comedy as she is at dramatics. Then too, when movie buffs think Greenstreet, comedy doesn't come to mind. But here he plays an unlikely over-weight colonel to pretty good effect. (Note how the script deals with this fudging of army fitness standards.)
The colorful mix of supporting characters includes a mischievous little Robert Blake, a busybody Ruth Donnelly, a bug-eyed Willy Best, and an addled Stuart Erwin. Together, they manage to keep the chuckles coming. The movie, however, doesn't rise to the first rank, perhaps because the elements don't blend into a seamless whole—you can almost see the characters and situations being assembled. Nonetheless, it's a generally entertaining glimpse into what titillated audiences coming out of the big war.
Sweet, silly little trifle is merely an excuse to see Ida Lupino get a chance to put the heavy dramatics aside briefly as a career girl who becomes more pixelated as the complications pile up.
The story addresses the wartime housing shortage and some of the subterfuge that had to be resorted to just to have a decent place to rest your head at times. Of course misunderstandings abound.
Ida is charming and adept at comedy, William Prince is fine but it's a shame that since she rarely did comedy she didn't have a chance to costar with one of the master of the form like Cary Grant or Clark Gable. Sydney Greenstreet is funny as Prince's commanding officer as always relishing a chance to also break from the villain role and play comedy.
All together a cute little ride with nothing important to say but a nice little picture nonetheless.
The story addresses the wartime housing shortage and some of the subterfuge that had to be resorted to just to have a decent place to rest your head at times. Of course misunderstandings abound.
Ida is charming and adept at comedy, William Prince is fine but it's a shame that since she rarely did comedy she didn't have a chance to costar with one of the master of the form like Cary Grant or Clark Gable. Sydney Greenstreet is funny as Prince's commanding officer as always relishing a chance to also break from the villain role and play comedy.
All together a cute little ride with nothing important to say but a nice little picture nonetheless.
क्या आपको पता है
- ट्रिवियाThis was William Conrad's acting debut.
- गूफ़Near the end of the film as Don starts to go after Jean, as the camera tracks him, its moving shadow falls across the back of someone standing in the foreground.
- भाव
Colonel Michael Otley: Lucille, everyone in the Army isn't a general.
Lucille: No, sir, but you'd be surprised how my tips increased after I started calling everyone general.
- साउंडट्रैकWhatcha Say?
(uncredited)
Music by Burton Lane
Lyrics by Ted Koehler
Performed by Dorothy Dandridge with Louis Armstrong and His Orchestra
[The orchestra performs the song at the Tavern]
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- ¡Qué noche de bodas!
- फ़िल्माने की जगहें
- Wilshire Boulevard and South Alvarado Street, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(cab goes through this intersection, driving on Wilshire, at beginning of film)
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- चलने की अवधि1 घंटा 32 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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