अपनी भाषा में प्लॉट जोड़ेंA woman uses a deck of cards to predict death within 24 hours for a stranger sitting at a bar, then tries to help him remember who he is based on items in his pockets.A woman uses a deck of cards to predict death within 24 hours for a stranger sitting at a bar, then tries to help him remember who he is based on items in his pockets.A woman uses a deck of cards to predict death within 24 hours for a stranger sitting at a bar, then tries to help him remember who he is based on items in his pockets.
Ernie Adams
- Bit
- (बिना क्रेडिट के)
Murray Alper
- Joe Blainey, Elite Bakery Truck Driver
- (बिना क्रेडिट के)
Walter Baldwin
- Western Union agent
- (बिना क्रेडिट के)
Sherlee Collier
- Girl
- (बिना क्रेडिट के)
Margia Dean
- Bit Part
- (बिना क्रेडिट के)
Edythe Elliott
- Mrs. Crawford
- (बिना क्रेडिट के)
Otto Forrest
- The Whistler
- (बिना क्रेडिट के)
Jack George
- Locksmith
- (बिना क्रेडिट के)
Jack Gordon
- Taxi Driver
- (बिना क्रेडिट के)
Frank Hagney
- Man Delivering Cake
- (बिना क्रेडिट के)
I. Stanford Jolley
- Motorist
- (बिना क्रेडिट के)
Cy Kendall
- Druggist
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Far from the best of the series. The first twenty minutes or so are intriguing, after which the film trails off into a conventional suspenser. Dix plays a mysterious man who's suffered memory loss following an accident. Lovely Janis Carter steps in to assist after a prophetic portent from an ordinary deck of cards. Dix appears a decent sort eager to uncover his lost identity, but as events unfold the situation becomes darker, with an ending that would warm feminist hearts of decades later.
Some nice touches that build ambiguity, such as the frilly apron as Dix prepares breakfast for the girls, or his saying grace before the chatty sisters can dig in. On the other hand, there are the mysterious deaths trailing behind. The Whistler makes several shadowy commentaries, a neat carry-over from the radio series of the same name. Nonetheless, the material cries out for a stylish director who can lift the last half beyond the merely familiar, and create the kind urban nightmare of the original (William Castle).
Dix is again effective as the mystery man. However, Carter's high-energy smile and bubbly personality seem better suited to a Betty Grable musical than this slice of psychic noir. I just wish the imagination of the first half had carried over to the second. Still, worth a look-see from an outstanding series.
Some nice touches that build ambiguity, such as the frilly apron as Dix prepares breakfast for the girls, or his saying grace before the chatty sisters can dig in. On the other hand, there are the mysterious deaths trailing behind. The Whistler makes several shadowy commentaries, a neat carry-over from the radio series of the same name. Nonetheless, the material cries out for a stylish director who can lift the last half beyond the merely familiar, and create the kind urban nightmare of the original (William Castle).
Dix is again effective as the mystery man. However, Carter's high-energy smile and bubbly personality seem better suited to a Betty Grable musical than this slice of psychic noir. I just wish the imagination of the first half had carried over to the second. Still, worth a look-see from an outstanding series.
Power of the Whistler, The (1945)
** (out of 4)
Third film in the series has Richard Dix being hit by a car and losing his memory. A card reader (Janis Carter) befriends the man as the two search for his real identity but who he turns out to be is the real shock. Based on a radio show episode, this film manages to be somewhat entertaining, although it seems long even at just 66-minutes. It takes a while for the story to get going but the twist in the man's identity comes out of no where and is handled very well. This is when the film really picks up and leads to a very good final act. Dix is very good in his role and Carter comes off good as well. Landers steps in to direct this one after William Castle handled the first two. I was a little letdown that he didn't keep the action moving better because he usually handles these B films a lot better. There's some nice humor scattered throughout and also a rather mean spirited side, which includes killing of a lot of animals.
** (out of 4)
Third film in the series has Richard Dix being hit by a car and losing his memory. A card reader (Janis Carter) befriends the man as the two search for his real identity but who he turns out to be is the real shock. Based on a radio show episode, this film manages to be somewhat entertaining, although it seems long even at just 66-minutes. It takes a while for the story to get going but the twist in the man's identity comes out of no where and is handled very well. This is when the film really picks up and leads to a very good final act. Dix is very good in his role and Carter comes off good as well. Landers steps in to direct this one after William Castle handled the first two. I was a little letdown that he didn't keep the action moving better because he usually handles these B films a lot better. There's some nice humor scattered throughout and also a rather mean spirited side, which includes killing of a lot of animals.
Columbia's B pictures were generally the worst of the major studios. It's hard to forgive them for those awful Jungle Jim films and producer Sam Katzman generally had no artistic quality in his product. Maybe his absence explains the relative excellence of the Whistler series, in particular this very early entry in the Psycho Killer stakes. More reminiscent of Val Lewton than Katzman, The Power of the Whistler foreshadowed many Hollywood psychological features of the next half century.
My father told me about the Whistler Series that ran on the Radio years ago in the 1940's and Richard Dix starred in this series. This film was directed by Lew Landers, a famous director who created many mystery films and especially this film which will keep you trying to figure out just what William Everest (Richard Dix) was after he received a bad blow to his head from a car running into him and he lost his memory and amnesia occurred. William Everest stops in for a drink at a bar and a young pretty blonde named Jean Lang,(Janis Carter) is playing with cards that a fortune teller would use and finds out that this man at the bar has about twenty-four hours to live and will probably die. There are many twists and turns in this dark mysterious film from the 1940's and there is a very dark side to William Everest and he always seems to attract the very pretty women. Enjoy.
Jean Lang (Janis Carter) reads the Tarot cards for a man (Richard Dix) she sees sitting at a nightclub. The Death card (ace of spades) comes up twice. She goes to warn him and finds out he's got amnesia and can't remember who he is or how he got there. She searches through his wallet and finds various names and addresses which they visit to try to piece together who he is.
Fast-paced and VERY atmospheric (especially at the end) thriller. Just simply a good tight B picture that you can watch and kill time for about 70 minutes. The acting is good too--Carter is very good and even Dix (who I never liked) is pretty OK. This is worth watching just for the thunder and lightning final sequence--it really does work on you. My only complaint is the rather abrupt ending. It's very amusing to see how people in the movie readily help a total stranger without a care! How times have changed. Worth catching.
Fast-paced and VERY atmospheric (especially at the end) thriller. Just simply a good tight B picture that you can watch and kill time for about 70 minutes. The acting is good too--Carter is very good and even Dix (who I never liked) is pretty OK. This is worth watching just for the thunder and lightning final sequence--it really does work on you. My only complaint is the rather abrupt ending. It's very amusing to see how people in the movie readily help a total stranger without a care! How times have changed. Worth catching.
क्या आपको पता है
- ट्रिवियाThe signature whistling at the beginning of each of the Whistler movies was provided by Dorothy Roberts, backed by the theme's composer Wilbur Hatch and his orchestra.
- गूफ़When William (George) and Jean get into the cab after her visit to the book store, a clear shadow of the boom microphone moves across the roof of the cab.
- कनेक्शनFollowed by Voice of the Whistler (1945)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Die Macht des Whistler
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 6 मि(66 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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