Molly and Me

Probably the United Kingdom's most popular entertainer during the Thirties was Gracie Fields. She came over to the USA in the early Forties partly as a hands across the sea goodwill gesture and partly because of a scandal involving her new husband Monty Banks, real name Bianchini. Italians were not real popular over in the UK then, they were as bad as Germans, they never reached that degree of odiousness in the USA during World War II as Germans or Japanese.

In any event the American movie-going public got a real treat to see what our allies on the other side of the pond had been seeing for years. Molly And Me is very typical of the kind of character Fields did over there, the bright and chirpy working class woman with an every ready smile and song who solves everyone's problems. I only wish her work were more available here.

In any event out of work actress Gracie takes a job as a housekeeper for the rich and stuffy Monty Woolley who is expecting his son Roddy McDowall home. He and McDowall are distant from each other and while he's told Roddy that mother is dead, she in the person of Doris Lloyd is very much alive and living a sleazy life, divorced from Woolley. Monty wants to keep Lloyd away from their son.

When she arrives there after being hired by Reginald Gardiner the butler who is also a former thespian, Fields finds wholesale thievery among the staff and sacks the lot of them. She then hires a bunch of her former mates from the stock company she was with. Let's just say a whole lot of problems are solved before the film ends.

Gracie got to work with a few members of the British colony in America in Molly And Me. Yet the film from 20th Century Fox really did have the look and feel of one of her British films.

Despite good performances from Woolley, McDowall, and Gardiner, Molly And Me is totally a Gracie Fields production. I'm just glad this is available for American audiences. Do not miss this or any other of her work should TCM broadcast it.

An out of work troop of actors take over running a proper English gentleman home. They show the rather harsh man there should be more compassion for the only son he has.

While a lot of the humor is very deadpan, it's an interesting look at how simple the rich life was in the 30's and 40's.

The son Jimmy is played by a very young Roddy McDowall

What a wonderful and thoroughly entertaining film this is, this is my first experience of Gracie Fields and purchased this due to Monty Woolley being in this, suffice to say not only am I a fan Of Monty's, but Gracie's, too.

There's a good mixture of fun, laughter, slapstick, farce, singing and a terrific, entertaining cast, as well as Monty and Gracie the main cast members to stand out for me are a very young Roddy McDowall (as Monty's son) and Reginald Gardner (as the Butler), the rest of the cast are all excellent and together with me the cast were clearly having a ball too!! My one and only problem with the film is that I wish it were longer, it's only 76 minutes long and just wish it'd been at least another 10-15 minutes more, but it's always a sure sign just how much you've enjoyed a film when you think this way I guess, If you enjoyed Monty Woolley in this then please check out The Man who came to dinner with Bette Davis, it's a terrific comedy, sadly only available on Region 1 at the moment.

Good sound and picture too, I've purchased this film in the Gracie Field's silver screen collection and that version at least has no subtitles whatsoever.

Rather obscure comedy of manners from TCF. It's not a knee-slapper, but the situation's amusing enough along with a very capable cast. In fact I agree with another reviewer that the material is strong enough to warrant a longer film. Coming from moneyed studio TCF, I wonder why the oversight. Maybe it was because of the British cast and lack of a marquee name.

An unemployed crew of stage performers pretends to be household servants so they can become a rich stuffy old man's household help. The trouble is can they bring off the impersonation even as their amusing staginess keeps interfering with their act? The comedic potential between clashing personality types remains a rich one

The first part is a fairly mild set-up, comedy-wise, but the last reaches a level of madcap as the crew's real identities begin to show though-- they just can't help themselves. The latter furnishes a lot of chuckles, especially Gardiner's ditzy mugging. On the whole, Fields makes a persuasive chief conniver, while Gardiner and Schaefer get most of the laughs. Wooley, of course, makes a grandiose rich guy, stuffy and superior, a perfect foil for the stagy cut-ups. Then too, McDowall's estranged teen-age son adds a note of poignancy to the proceedings.

Anyway, the premise and cast are a compelling one even if the overall results add up to an under-achiever.

You don't like this, I don't like you. Recommended for old TCM fans and new generations exploring classic Hollywood fables. Gracie Fields, Monty Wooley and yes, that's Lovey Howell from Gilligan's Island.