Micro-Phonies

This is one of the Stooges' best comedies, with a good variety of gags and constant laughs. The three are doing maintenance work in a radio studio when Curly gets mistaken for an opera diva (it sounds impossible, but you'll have to see how it happens). Before they can set things right, Curly is offered plenty of money to sing, and from then on the boys decide to fake it, with some hilarious results. Every sequence in this one is quite good, with some funny and creative situations, plus plenty of the usual Stooges-type humor. "Micro-Phonies" is one of their best films.

The boys are working outside a recording studio when they hear "the voice of an angel." That would be Miss Van Doren, auditioning and going under the name of Miss Andrews because her father doesn't approve of her being a "radio singer". However, she hopes a certain big-wig, Mrs. Bixby, a friend of her dad's will hire her, and then he will have to give his approval.

She leaves but within minutes the boys are running amok in the studio causing havoc and having other musicians out to kill them after they ruin the recording session. Finally things calm down. "Whew, we eluded them," says Moe. "Yeah, we got away, too," answers Curly.

The boys then fool around in the studio, put on Miss Van Doren's record and Curly gets dressed in women's clothes and pretends he's singing. Mrs. Bixby walks in, is impressed and hires "Seniorita Cucacha" on the spot! For an extra $500, she's asked to come and sing at their high-society party that night. The rest, as they say,is history as Curly pretends to be an opera singer with some funny results. Oh, by the way, he accompanied by "Senior Mucho" and "Senior Gusto."

What happens at the party is simply that the truth wins out, but not before a few slapstick antics take place. In all, a pretty good episode. I enjoyed it but wouldn't rate it as anything special.

At some point in late 1944 or early 1945, Curly Howard suffered the first of what was to be a long series of strokes. Due to this, his ability to function and to perform varied widely from day to day and week to week. Always-protective brother Moe insisted he check into a hospital, where the younger Howard was diagnosed with acute hypertension, obesity, and eye problems. He had also been a heavy drinker for years. The doctors (and Moe) insisted that Curly rest; as a result, the Stooges cut back production in 1945. Over the next two years, Howard's abilities varied greatly; the comedian often appeared sluggish, and many scenes had to be shot repeatedly. Nonetheless he made 16 more shorts in the interim, until a massive stroke on the set of "Half Wits Holiday" ended his career in early 1947.

Fortunately for Stooges fans, Curly was near the top of his game for "Micro Phonies," because it is one of the best that the trio made. With new director Edward Bernds at the helm, the film is put together well, with a good mixture of slapstick, music, and dialogue.

Observant viewers will notice that Curly is lip-syncing most of the actual words to "Voices of Spring" (which was actually sung by Christine McIntyre). The Italian aerie that Gino Carrado is trying to sing as the boys throw cherries into his mouth is "Vieni Sul Mar." And during excerpt from the recording of the Sextet from Lucia, while there is considerable clowning around,, you can actually see Larry and Curly lip-syncing many of the correct words of the their parts of the aria --- in Italian! This isn't surprising to Stooges fans, as all three were known to be perfectionists who took their craft, slapstick or not, seriously.

It should also be known that Moe was a good bass-baritone singer who was in casual quartets. Larry was a studied violinist and pianist, but he wasn't known as a singer.

Overall, "Micro Phonies" is one of the better Stooges works, and it deserves a look if you find it on TV or the internet.

This is one of my two or three favorite Stooges shorts, and undoubtedly Christine McIntyre's best performance with the trio. She is good in a number of other shorts, but here she is absolutely brilliant. Her singing is not funny at all, in fact it is downright beautiful, but the plot is constructed in such a way that the singing enhances the humor rather than detracting from it. We listen to McIntyre sing the entirety of Voice of Spring no less than three times, but it never gets old, partly because we don't tire of her voice, and partly because it blends so well with the Stooges' antics. The use of operatic soprano in a comedy is reminiscent of Kitty Carlisle's role in the Marx Brothers' "A Night At The Opera," but the singing is much more a part of the comedy here than in "Opera," and McIntyre (perhaps more in other performances than here) exhibited a comedic talent of her own that Carlisle never did. The Stooges' buffoonery, McIntyre's singing, and a well-constructed plot combine for 5 out of 5 stars.

Most Stoogephiles consider this to be the best Stooges short bar none, and they're right. Curly is a scream dressed up in drag as "Senorita Cucaracha", and Moe and Larry are in top form as "Senor Mucho" and "Senor Gusto", respectively. Christine McIntyre's beautiful operatic voice is given full rein--she actually was a trained opera singer--and it's wonderful. The great Gino Corrado is hilarious as a pompous Italian singer terrorized by the Stooges at a society party. Some truly funny gags, good direction and very tight editing make this rise to the very top of the Stooges' prolific output. What's even more amazing is that Curly was having severe health problems at the time, and in several of the shorts he made during this period, you can see that he is obviously ill; his timing is way off, he speaks very slowly and haltingly, and has trouble getting around. Fortunately, his health was in an upswing when he made this film, and it shows. Classic Stooge comedy, and enjoyed by even non-Stooge fans (I had a girlfriend who couldn't stand the Stooges, but even she laughed at this one). A must-see.