Her Highness and the Bellboy

This is a warm comedy and romance film with a very good cast that incudes two young stars who wouldn't have very long careers on the silver screen. As one or more other reviewers have noted, though, it's a bit strange for the time and setting and what it doesn't show. The film was made during World War II and released before the end of the war. Yet there's no sign of the war anywhere, including and especially the absence of any men in uniform. Well, that aside, the film has a nice story - sort of a mixture of smaller plots and some fantasy rolled together.

Austrian-born Hedy Lamarr plays a princess from one of those Hollywood mythical eastern European countries. But, she's been lonely and doesn't want to marry the count who's sort of been picked out for her, and she brings her entourage to the U. S. A. She hopes to rekindle a romance she had in the past with an American she had met in her home country. Of course, all of her court members are against her marrying a "nobody."

But, while she's staying at the unnamed swankiest New York hotel, she sneaks out to go for a walk on her own and bumps into Jimmy Dobson, a bellhop. He mistakes her for a new maid and discovers that she's a stranger and from a foreign country. So, he takes her under wing. On returning to the hotel after introducing her to hotdogs for lunch, he finds out that she's royalty. But, instead of his getting fired, he becomes her personal aid.

Now, before all this, Jimmy has been watching after an invalid neighbor, Leslie Odell, who lives with her aunt. June Allyson plays the young woman who had been a dancer but a shock of losing her parents left her unable to walk. Jimmy also acts like a big brother to Albert Weever, a not-too-bright but good-hearted thug of sorts. That's to keep him out of trouble. Albert had a bit of a record and some tough neighborhood boss wants Albert in his gang to pull a heist of some sort But, Albert likes Jimmy and sticks with him, and he also likes Leslie.

Well, with this somewhat convoluted plot of a few subplots, there's romance in the air. Leslie pines for Jimmy, Jimmy pines for the princess, the princess pines for her former beau, Paul MacMillan, Baron Faludi pines for the princess, and Albert himself pines a little for Leslie. The pining is further complicated by Jimmy's mistaken belief that the princess pines for him, and deep down, he really pines more for Leslie

It all works out in the end, but one has to watch the film to see how. The humor is mostly situational, with a peppering of some funny lines here and there. I mentioned two short careers - they were Lamarr and Walker. She was in 35 films and he in just 22 Lamarr was born in Austria and got her start in cinema in Berlin. She was discovered early and brought to the U. S. by MGM. She was one of the real beautiful women of Hollywood then. Not the glamorous but the natural beauties. She had some good roles and was popular to the time of this film, but her career waned after WW II and by the late 1950s she was done in films. She was married half a dozen times and died at age 85 in Florida living on a very small income.

Robert Walker was a very talented actor who had some very good roles. He could play comedy and drama equally well. He came from a broken family, which affected him emotionally for a long time. He played roles of characters who often suffered from anxiety and depression - his very problems. He died from an adverse reaction to a sedative that his psychiatrist administered after a bout of high anxiety.

In "The Princess and the Bellboy," Rags Ragland gives a superb performance as Albert, and June Allyson gives a very good performance as well. Here are some favorite lines from the film.

Jimmy Dobson, "Good evening, Miss Odell. How ae you this evening?" Aunt Gertrude Odell, "Poorly." Jimmy: Aw, that's too bad. I guess working nights doesn't agree with you." Aunt Odell, "Neither does workin' days."

Jimmy Dobson, "Well, you're a stranger here. A babe like you with a face like that - you've gotta be awfully careful in a world like this." Princes Veronica, "Careful of what?" Jimmy, "Ohhhh, things." Princess, "Things?" Jimmy, "Well... men. I'm sorry to say, but we can't be trusted."

Albert Weever, "I brought you some flowers - eh, fornot-me-gets." Leslie Odell, "Than you, Albert. I love fornot-me-gets."

Aunt Gertrude Odell, "I wish I'd been born a princess. Instead, I was born tired."

I turned this on almost reluctantly. Nothing else was on. I stuck with it and I'm glad I did. It's light, charming and totally predictable, but its stars make it much more than expected. Hedy Lamarr is, as everyone else says, gorgeous. She's what a European princess SHOULD look like, although few ever have. James Walker is a complete surprise to me. He's exuberant and very likable. But for me, it was June Allyson who stole the show. I've always thought she was cute and sweet, but in this movie, she's really lovely. There's no one in the movies today who's remotely like her, although I suppose comparisons might be made to an early Meg Ryan. She completely unaffected and natural. I would imagine that when this movie was released, every boy wanted a girlfriend like her.

Hedy Lamarr is a princess in love with a commoner - and Robert Walker thinks he's the commoner - in "Her Highness and the Bellboy," a delightful 1945 movie that costars June Allyson and Rags Ragland.

Walker is one of Hollywood's most tragic stories - a talented actor whose personal problems led to a year-long institutionalization and later, his sudden death shortly after his brilliant work in "Strangers on a Train."

Here, he is energetic, fast-talking, and adorable as Jimmy, a clumsy bellhop assigned to Princess Hedy while she's in New York with her aunt (Agnes Moorhead). Hedy is fantastically beautiful, as always, though her part isn't very showy compared to the others.

June Allyson plays an invalid who lives upstairs from Jimmy and his buddy, played by Rags Ragland. She's very young, pretty, and sweet as a lonely young woman whose life is brightened by the constant entertainment of these two men.

She's in love with Walker, and when he develops a crush on Lamarr, her heart breaks. Lamarr is in love with a columnist, (a wooden Warner Anderson).

This movie seemed on the long side, but it's very warm and entertaining fare. Six years later, Walker will look as if he's aged 20 years. He's a light that went out too soon, and it's nice to remember him at his most vibrant.

WARNING: This review may reveal portions of the film plot.

If you are a fan of old films simply for the sake of their age, then this might be a film you would enjoy. Most others would not be impressed with this film.

Unfortunately, the storyline is obvious, although I'll admit at the end of the film you aren't sure if the two people in love will figure it out in time. The movie seems to run a bit long as well, dragging out the inevitable ending.

If all that sounds like this is a bad film, it isn't. It is a typical love story of the 40s film genre, however there really aren't any "bad guys" in this film, which might account for some of where the film seems to run long. You want to cheer for the hero, but there is no villain for the hero to fight against.

All in all, the film is sweet, definitely what would be referred to as a "chick flick." If you catch it, that's fine, but you don't need to worry if you miss it.

Hedy Lamarr plays a foreign princess who travels with her entourage to New York City in the hopes of meeting up again with a former flame who writes a daily newspaper column (and detests royalty!); while staying in a swank hotel, the princess is befriended by a boyish, charming bellhop who develops a crush on her, despite the fact he's also playing big brother/boyfriend to a bed-ridden girl who lives in his walk-up. Very odd romantic comedy seems to lay the character eccentricities on a bit heavily...but once the mechanisms of the plot take hold, the players seem more at home within this scenario, which is jaunty and friendly more than funny. As the bellboy, Robert Walker doesn't seem to know whether to play his role like a grown-up or a klutzy kid--so he does both; he's very ingratiating with his double-takes and exasperated looks (he gives the hotel receptionist a beaut!), and a lengthy scene early on--with Walker reading a fairy tale out loud to his girl, and indeed the neighborhood--is very tricky yet easily pulled off by the actor. Lamarr is less successful; her royal visitor doesn't require a lot of joy or spontaneity, and she isn't reluctant to show her emotions, but still she's an awfully grim beauty, harboring love's disappointments. June Allyson has the strangest role, that of an invalid girl who can walk but chooses not to (?), but she beams like Judy Garland and her smile is a welcome relief after too much of Lamarr's scowling. There's a nice musical dream sequence that seems a little padded, yet the hotel staff, Agnes Moorehead's Countess, and Walker's cohorts are all a very likable bunch. Not a completely successful fantasy, but a well-produced, well-paced one with lots of happiness to go around. *** from ****