Guest Wife

What a fantastic premise, and a great experiment to try in real life - if you're very brave. In Guest Wife, Don Ameche plays a fast-talking newspaper man who had put across the lie that he's a happily married man. When his publisher sets up a dinner party and invites Mr. And Mrs. Ameche, Don panics. Claudette Colbert is his best friend's wife, and when she gets "loaned" to Don for the party, it brings up a lot of emotions. It brings out her husband's loyalty and trust, it brings out Don's selfishness, and it brings out Claudette's hatred for Don! Or does it...?

This screwball comedy is hilarious, and since I don't normally like that genre, it must be good. It's interesting, and true to life, that you can be the best of friends with someone and not be able to stand his/her spouse. It also makes you think about marital security. Just because you're married, does that mean you can stop working on your relationship? By pretending to be someone else's spouse for a weekend, can you really get to know them? This movie argues yes, and whether or not you end up agreeing (I did), you'll certainly enjoy the ninety minutes it takes to explain it.

Guest Wife is directed by Sam Wood, written by Bruce Manning and John Klorer, and stars Claudette Colbert (Mary), Don Ameche (Joe) and Dick Foran (Chris). The story tells of a journalist, Joe, who claims to his boss that he is married because the company would like their employees to be as such, and Joe wants to take some vacation leave. But he happens to still be single. Something that's now a major problem since his boss requests the company of Joe and wife for the weekend! His pal Chris lends him his wife Mary so as to bluff his boss into agreement, however, things start to get complicated.

Obviously hampered by the strict censorship that existed at the time of its making, Guest Wife none the less is a cheeky little comedy that boasts fun acting and a safe and solid script.. Tho referred to as a screwball comedy in some quarters, I feel that doesn't quite do the film any favours. Yes the gags are breezy enough, but they are hardly of the whirlwind scattergun variety. The interplay between the wonderful Colbert and the charming Ameche is spot on, even if the heavy cloud of censorship tone downs stops the material from being fully realised into a classic comedy must see. There's an itch about just who we are supposed to root for since Chris is a nice guy and Mary clearly loves him, and of course Joe is a bit of a cad when one considers his deception. Yet we are in the company of Mary and Joe for the most part, which although it be a fake marriage, it's a nice coupling. So either way come the end some viewers will be left disappointed.

Safe and tidy, with the film as a whole more likely to leave you with a smile more than a beaming grin. 6.5/10

Guest Wife (Sam Wood, 1945) reunites the stars of the brilliant romantic comedy Midnight, as happily married Claudette Colbert ends up spending an inordinate amount of time posing as the wife of her husband's best friend (Don Ameche) in a bid to save the guy's job. It's OK, but the comic situations are often more stressful than funny, and the usually reliable Ameche is both cartoonish and flat. Still, Colbert does her best with the material, while character comedians Charles Dingle and Grant Mitchell work wonders in their supporting parts. Dozens of familiar faces crop up in small roles, including Irving Bacon, Harry Hayden and Chester Clute, playing a town gossip accused of voyeurism. The climactic sight gag is the best joke in the film.

Don Ameche steals the show in this black and white romantic comedy. Don Ameche is in wonderful form. He not only delivers his lines with perfection but his use of his eyes makes his character, Joe, come to life. This movie promises many laughs. Claudette Colbert also offers up a good performance as Mary, the wife that Joe borrows from his best friend Chris.

Married couple Chris and Mary are about to set out for a second honeymoon whenever Chris's old friend Joe comes to town. Mary doesn't like Joe because he always brings trouble and this time is no exception. It seems that Joe has been using a fictional wife to improve his job prospects – even sending pictures of his wife and letters from her to his boss to impress upon him what a great guy he is (in the eyes of his fictional wife). However when his employers request the presence of Mrs Parker in New York, Joe has to ask Mary to stand in. Being a good friend Chris says yes and, with him stuck in town, Mary and Joe head off together, apparently oblivious of the sheer amount of problems that they will create.

The basic idea behind this plot means that it is the Mary and Joe that have the best chemistry and spend the most time together on screen, this is a risk that it takes because it means the audience could have felt more for them as a couple rather than Chris as Mary's husband. This would have been a disaster (particularly at the time of release) but the film manages to keep it fresh and keep us engaged in the marriage while also enjoying the sparks between Joe and Mary. It cleverly makes a game to excuse the chemistry and stops us worrying about whether real love is blossoming or not. By doing this it keeps it light and enjoyable, consistently amusing and occasionally laugh out loud funny thanks to some sharp lines and jokes.

The cast match this effortlessly. Colbert has great fun with an increasingly playful role that shapes the film and the other characters; she is the lead and her comic performance is great. Ameche also changes across the whole film as well, going from playboy to "rabbit in headlights" easily and convincingly. Foran has the hardest role in terms of engaging the audience but he does pretty well with a rather simple lug of a character. Support from people like Dingle, Mitchell, Bacon and others in minor roles all help the generally comic air come over consistently.

Overall this is a bit of a balancing act and it is to its credit that it manages to pull it off and keep the audience onside. It is all light, fluffy stuff of course but it is surprising just how enjoyable it is if you are in the mood for it. If you're looking for something inconsequential and fun then you could do a lot worse than trying this film.