The Corn Is Green

The Corn is Green is definitely one of my favorite movies of all time. Thoroughly engaging and full of comic as well as dramatic moments. Bette Davis is fantastic and is backed up by a varied and talented cast. It's sentimental and sharp. A perfect blend. It gets overlooked so often by "best lists" and it's a shame. I remember the first time I saw it back in the late 1980's. I wondered how such a treasure could be ignored for so long. I hope it gets released to DVD soon. Unfortunately the current print that's on VHS and shown on Turner Classic Movies is worn and looks like it's falling apart. Maybe that print is all that's available. No matter. Don't pass up a chance on seeing this cinematic gem. This is great movie making and theatre all in one.

This fully vibrant adaptation of Emlyn Williams' successful stage play is at its best in its first half-watching Bette Davis sweep into a tiny town in the Welsh countryside and take over with her new world ideas makes you so grateful to see such a strong female character in such an old film (truth be told, seeing a strong woman was highly more likely in a wartime film in the forties, as opposed to the post-war-prosperity fifties when women were either Sandra Dee or Donna Reed). John Dall stars as the miner who turns out to be quite gifted in scholastic abilities, whom Davis pushes to reach for the stars academically. The second half of the film, which concerns itself with Dall's trying for Oxford and dealing with a few ‘domestic' problems, isn't as invigorating as the first, but on the whole it's a beautiful experience of a film, and one of the few Hollywood films of its time to accurately (if broadly) show a foreign culture and its common people. Remade with less success as a telefilm in 1979 with Katharine Hepburn and directed by George Cukor.

Bette Davis in her career got 10 nominations and two Oscars for Best Actress. I was amazed to learn that The Corn Is Green was not one of the ten. This has to be one of her five best films. And the interesting thing about it is that her performance as Ms. Moffatt contains none of the Bette Davis shtick we associate with her.

The Corn Is Green, a play by Emlyn Williams ran for 477 performances on Broadway between 1940 to 1942 and then in 1943 the road company was called back to Broadway to give another 56 performances during that season. The role of Ms. Moffatt the school teacher originated with Ethel Barrymore and three members of the Broadway cast repeated their roles for the screen, Mildred Dunnock, Rosalind Ivan, and Rhys Williams.

Because Ethel Barrymore would have been 61 at the time she debuted with The Corn is Green on Broadway and Davis only 37 of necessity the interpretations would have been different. Davis has been left some property in a Welsh village and she's unlike any woman who's ever come there. She has an MA from Oxford, the fact she can read and write strikes some as amazing. She resolves to teach the young folks in the village to do the same, a plan with which a lot of the villagers are opposed.

Most notably opposed is Nigel Bruce who plays the local titled gentry in the place and who prides the fact that the folks there call him 'squire' in many different tones of voice. He's a living embodiment of the Colonel Blimp character from Great Britain. He also is an owner of the local mine and he's quite frank in that if you start teaching people how to read and write who knows what kind of unrest it could lead to. He was my favorite character in the film. One scene in it is priceless how Bette Davis who first tells him what an oaf he is later decides to use a little flattery to get what she wants from him.

What she wants is his patronage for a certain young miner who shows great promise and a literary bent. That would be John Dall who if he can tear himself away from his drinking buddies at the tavern and the attentions of town tart Joan Lorring has a chance to go to Oxford, he's that intelligent.

Education was the theme here and a theme in that other Welsh classic How Green Was My Valley where the hopes and dreams of the Morgan family are wrapped up in Roddy McDowall going to school and getting an education to escape a life in the coal mines. But I found better comparisons with The Corn Is Green to a couple of modern classics, Good Will Hunting and All The Right Moves. Robin Williams reacted the same way in Good Will Hunting when he saw janitor Matt Damon do those math equations. Also John Dall wants to use his writing talents to escape the mines the same way Tom Cruise wants to use a football scholarship to escape the coal mines in Pennsylvania. And Cruise gets a lot of the same opposition that Dall gets from those jealous he has an opportunity to leave the mines.

Though Bette Davis was not nominated for anything, The Corn Is Green got two nominations John Dall for Best Supporting Actor and Joan Lorring for Best Supporting Actress. They lost to James Dunn and Anne Revere respectively.

Dall's career never got the momentum it should have from this film and from Alfred Hitchcock's Rope. He was very much in the celluloid closet and fear of exposure haunted him throughout a life that was given to a lot of substance abuse.

As for Lorring you have not seen too many low class tramps on the screen to match her. Dall gets her pregnant and her condition leads to the climax of the film. Lorring also never quite fulfilled the promise she showed in The Corn Is Green.

The themes of education and literacy are timeless, you can see it in the more modern films I've compared The Corn Is Green too. It's a film not to be missed or acquired if possible. And for Bette Davis's devoted fans, an absolute must. She would not get a part as good as Ms. Moffatt until she did All About Eve.

I profess that I have a love for good films about teaching. This one stars Bette Davis as Lilly Moffatt, a spinster schoolteacher, whose desires for elevating the minds of young people who are destined to a life of coal mining in a Welsh community, becomes focused on the promising talents of Morgan Evans, a young man who shows a spark of superior intellect.

Miss Davis is well suited to her role, a woman of restrained passions. While watching her, there are moments when I sense similarities with the acting style of Meryl Streep.

The rest of the cast is quite good. John Dall, in his film debut, plays Mr. Evans. It is an inspired performance that earned an Academy Award nomination.

Based upon a true story, TCIG invites comparisons to "My Fair Lady" and, especially, "Spencer's Mountain" in regard to the central story about molding a young mind.

I have one criticism. The singing vocals are so strong that they are distracting. A small group of young, work-weary miners should not sound like the men's chorus at the Met, for example.

Miss Moffatt might be seen by some as selfless in her dedication to higher principles. She denies herself of so much in her pursuit of education. But hers is a selfish campaign for transformation-of a man, a town, perhaps a country. She trades something of lesser value for something of greater value, so she does not sacrifice, even in her final dramatic decision. And it is her pursuit of a greater purpose that gives her story nobility. And the pleasure she finds in her achievements can only be seen as justifiable and virtuous.

Bette Davis offers an interesting, more restrained performance than usual as Miss Moffat, the schoolteacher determined to help a brilliant student (John Dall) reach his full potential. Although handsomely photographed, the film has the look of a photographed stage play with its studio-bound outdoor sets--but the performances are all so vibrant that they become more important than any other ingredient.

John Dall is excellent in what was his first major role, as is Joan Lorring as Bessie (the girl who takes his mind off his studies). Nigel Bruce, Mildred Dunnock and Rosalind Ivan create fully rounded performances under Irving Rapper's sensitive direction. But it is Davis, of course, who holds the spotlight with one of her most tasteful performances--intelligent and yet full of feeling and emotion.

As I said earlier, all of it shows its stage origins and the singing of the Welsh miners is a bit too perfect for reality--but the film is both entertaining and thought-provoking, dealing as it does with some serious issues. Ahead of its time, in its out-of-wedlock theme.