Christmas in Connecticut

This romantic comedy stars Barbara Stanwyck as Elizabeth Lane, a woman who writes a lifestyles column for a popular magazine. Her publisher commands that she host and prepare a dinner for Jefferson Jones (Dennis Morgan), a sailor who was lost at sea for eighteen days. Because Miss Lane's own lifestyle is a literary fabrication, she resorts to an elaborate ruse. Her deception has consequences that complicate matters, leading to both romance and comedy.

There is a strong supporting cast, including "Cuddles" Sakall and Sidney Greenstreet, who is fun to watch in a comedic role.

Stanwyck and Morgan display a convincing chemistry that is the focus of the film.

At the time that this movie was made most housewives knew exactly who Barbara Stanwick was parodying.Today only some women over 50 probably remember Gladys Taber,whose column "Butternut Wisdom" ran in Family Circle Magazine from before World War II until the 1970's.She lived on Stillmeadow Farm in Conecticut,and her columns were collected into a number of books,Stillmeadow Seasons, Stillmeadow Daybook, etc. The lines that Barbara Stanwick recites as she types them for her column are quite typical of the ones that began a typical Gladys Taber column.Besides cooking and country living,she got rather nostalgic and philosophical at times.She talked a lot about her favorite dogs, mostly cocker spaniels.You might say that Martha Stewart is the Gladys Tabor of today.

Christmas is Connecticut may not be any cinematic masterpiece,but it is pleasant,lighthearted entertainment,soothing to the stressed out mind,and that is good enough

This is a screwball comedy disguised as a Christmas movie. I almost prefer Barbara Stanwyck in this than in the Lady Eve. She is a bit less restrained, a bit warmer. She moves with ease in an almost all male cast. The holiday theme is almost incidental, it definitely takes a sideline to the charade in the house of her being a domestic goddess. Barbara Stanwyck carries the movie right through to the end. Her extra slim figure is pleasing in very simply tailored clothes. Your heart almost sinks for her when she is going to be married to the very droll architect. The actual farm setting is fun and makes it more believable. Not very well known, but not to be missed.

Barbara Stanwyck could convey merriment, realization, longing and enchantment with a throaty chuckle, a knowing look, a downward glance and a dazzling smile. Boy, does she nail it all in this film. Christmas in Connecticut is one of the most romantic, fun holiday movies with even a cow that nudges the fireworks between Stanwyck, she a food writer with no actual culinary skills and an imaginary farm, and Dennis Morgan as the sailor sent to celebrate a swell ( but trumped up) holiday gathering at her home.

Dennis Morgan singing his gorgeous tenor voice in a spectacular living room overlooking a snowy landscape wishing Stanwyck was his, while Stanwyck decorates the tree, wishing he was hers, is a dreamy, fabulous scene. So is the hoedown on Christmas night as the two glory in promenading and meaningful looks and then escape to a sled, just to sit mind you, while the horse has other ideas and takes them for a ride on a starry night.

The supporting cast is a right-on combo. S. Z. Sakall plays the kindly restaurant owner who supplies Stanwyck with the succulent recipes, who is wise in picking up the vibes between Stanwyck and Morgan and supporting the match - the alternative is Reginald Gardiner, the loyal but boring boyfriend with the farm, who hopes to turn Stanwyck's made-up premise of farm and marriage into the real thing. The ins and outs of the plot are skillful and clever and there are even two babies in the mix adding to the belly laughs. It's a great holiday film that says goodbye to the war years.

It finally hit me watching my VHS of Christmas in Connecticut what other film this one reminded me of. If it weren't for the fact that the other was done 20 years later, I'd say it was a remake.

Just as Rock Hudson was a phony fishing expert for Abercrombie&Fitch who had to get some on the job training at a fishing tournament, Barbara Stanwyck plays an forties version of Martha Stewart.

Stanwyck's a cooking columnist who's built up this whole image of living on a small Connecticut farm with husband and baby cooking all these marvelous delicacies. Trouble is she's unmarried, childless, writes her column from her apartment in New York and doesn't know how to boil water. But her writing is a hit with the public.

Trouble comes when she's hijacked into cooking a home Christmas dinner for a war hero sailor played by Dennis Morgan who gets to sing a couple of songs as well. Got to keep up the image at any cost. And her publisher Sidney Greenstreet likes the idea so well that he invites himself to the dinner.

So with borrowed farm, baby, and Reginald Gardiner who'd like to make it real with Stanwyck she tries to brazen it through.

Christmas in Connecticut's now a Yuletide classic and deservedly so. The leads are warm and human and they get great support from the assembled players. S.Z. Sakall as the Hungarian restaurant owner/friend of Stanwyck from whom she gets her cooking information and Una O'Connor as the housekeeper have a nice chemistry between them. Reginald Gardiner and Stanwyck have no chemistry at all, obvious to all but Reggie and he's funny in his stuffed shirt way.

Most people remember this film as one of Sidney Greenstreet's few ventures into comedy. If he's not an outright villain, a cynical observer of life or a tyrannical tycoon, Greenstreet is few other things on screen. Christmas in Connecticut gave him a rare opportunity to burlesque his own image and he made the most of it.

In a biography of Barbara Stanwyck, she mentions she enjoyed making Christmas in Connecticut as a welcome change from some villainous parts like Double Indemnity she'd been doing recently. One of the things that made doing the film so enjoyable was that between takes, director Peter Godfrey and Greenstreet would do some impromptu entertaining of cast and crew with English Music Hall numbers. Made for a relaxed and warm set and the cast responded accordingly.

Now if only someone had been filming those numbers.