अपनी भाषा में प्लॉट जोड़ेंWhen James Cagney wins the Oscar, Bugs shows a clip from "Hiawatha's Rabbit Hunt" (1941) and demands a recount of the voting.When James Cagney wins the Oscar, Bugs shows a clip from "Hiawatha's Rabbit Hunt" (1941) and demands a recount of the voting.When James Cagney wins the Oscar, Bugs shows a clip from "Hiawatha's Rabbit Hunt" (1941) and demands a recount of the voting.
Mel Blanc
- Bugs Bunny
- (वॉइस)
- (बिना क्रेडिट के)
- …
Robert C. Bruce
- Narrator
- (वॉइस)
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
What's Cookin' Doc? (1944)
*** (out of 4)
Entertaining short has Warner Brothers spoofing the Oscars as Bugs Bunny shows up to the award ceremony to pick up a trophy but instead he's beaten by James Cagney. After losing he demands a re-count and shows a clip from his film HIAWATHA'S RABBIT HUNT. Overall this is a nice little film, although there's no doubt that it's far from a classic and doesn't rank as one of the best Bugs shorts. I say that because the film shown within this film is actually so much better and we only get one brief clip from it. With that said, Bugs does give a good impersonation of a few legends like Edward G. Robinson and that alone makes this worth watching.
*** (out of 4)
Entertaining short has Warner Brothers spoofing the Oscars as Bugs Bunny shows up to the award ceremony to pick up a trophy but instead he's beaten by James Cagney. After losing he demands a re-count and shows a clip from his film HIAWATHA'S RABBIT HUNT. Overall this is a nice little film, although there's no doubt that it's far from a classic and doesn't rank as one of the best Bugs shorts. I say that because the film shown within this film is actually so much better and we only get one brief clip from it. With that said, Bugs does give a good impersonation of a few legends like Edward G. Robinson and that alone makes this worth watching.
One of the most famous of all Bugs Bunnies, in which our hero believes he's a shoo-in for a Best Actor Oscar. Behind the comedy is a laceratingly cruel satire.
The film opens with a traditional Voice of God introduction to the Oscars, as our narrator shows us the Hollywood sights before showing us the hotel where the event will take place, the crowds awaiting their favourite stars. Already Hollywood, the entity, the myth is reduced to a series of recognisable signs - the Hollywood Bowl, the Troccadero, the Chinese Restaurant etc.; the stars who exist only as their popular image, cemented in a ghostly pair of feet on some footpath.
Bugs is convinced that he will win because he can do impressions of all the stars. This is a stunningly versatile monologue as Bugs mocks everyone from Jimmy Cagney to Bing Crosby, but surely it's an insolence to think that mere mimicry can be as worthy as a great performance? But Bugs' point is precisely this - the Awards pretentiously think that they are rewarding high art, when these great actors are locked in stereotype and received image. They are the sums of their persona. Bugs IS greater than them because he can do an impression of Cagney AND Crosby; they can only do impressions of themselves. A list of Oscar winners from the period proves Bugs unerringly right (MRS. MINIVER, according to Oscar, is a far greater film than CITIZEN KANE.)
As a further treat we are shown a clip from Bugs' LITTLE HAIWATHA, in which a bathing Bugs realises that he is about to become rabbit-meat for a placid Indian/Elmer Fudd. This remarkable clip, stunningly self-reflexive about Hollywood ideology and racism, reveals Bugs' true worth, but for the Academy to reward him would be to admit their own worthlessness and fraudulence. So they stone him. He is awarded, however, the first Raspberry, moulded in his own image, which comes to life and kisses him. This is Hollywood's ultimate insult, but it's eventual proof of Bugs' superiority, his versatility, his embracing of fragmentation and metamorphosis at the expense of rigid, conservative, stereotypical, wholeness.
As animation, the short isn't as fleet-footed, violent or versatile as the great Tex Avery masterpieces, but there's a belligerent gaudiness of colour that suits the subject admirably.
The film opens with a traditional Voice of God introduction to the Oscars, as our narrator shows us the Hollywood sights before showing us the hotel where the event will take place, the crowds awaiting their favourite stars. Already Hollywood, the entity, the myth is reduced to a series of recognisable signs - the Hollywood Bowl, the Troccadero, the Chinese Restaurant etc.; the stars who exist only as their popular image, cemented in a ghostly pair of feet on some footpath.
Bugs is convinced that he will win because he can do impressions of all the stars. This is a stunningly versatile monologue as Bugs mocks everyone from Jimmy Cagney to Bing Crosby, but surely it's an insolence to think that mere mimicry can be as worthy as a great performance? But Bugs' point is precisely this - the Awards pretentiously think that they are rewarding high art, when these great actors are locked in stereotype and received image. They are the sums of their persona. Bugs IS greater than them because he can do an impression of Cagney AND Crosby; they can only do impressions of themselves. A list of Oscar winners from the period proves Bugs unerringly right (MRS. MINIVER, according to Oscar, is a far greater film than CITIZEN KANE.)
As a further treat we are shown a clip from Bugs' LITTLE HAIWATHA, in which a bathing Bugs realises that he is about to become rabbit-meat for a placid Indian/Elmer Fudd. This remarkable clip, stunningly self-reflexive about Hollywood ideology and racism, reveals Bugs' true worth, but for the Academy to reward him would be to admit their own worthlessness and fraudulence. So they stone him. He is awarded, however, the first Raspberry, moulded in his own image, which comes to life and kisses him. This is Hollywood's ultimate insult, but it's eventual proof of Bugs' superiority, his versatility, his embracing of fragmentation and metamorphosis at the expense of rigid, conservative, stereotypical, wholeness.
As animation, the short isn't as fleet-footed, violent or versatile as the great Tex Avery masterpieces, but there's a belligerent gaudiness of colour that suits the subject admirably.
Bob Clampett's 'What's Cookin', Doc?' is a brilliant cartoon with one major flaw. The premise here is that Bugs Bunny is attending the Oscars, confident that he will win a statuette for best performance. When the honour is instead bestowed upon James Cagney, Bugs blows his top and attempts to convince the voters to change their mind by showing a clip of one of his previous performances. This is where the problem comes in. Up to this point, 'What's Cookin', Doc?' has been a cartoon bursting with Clampett's trademark energy. The clip Bugs shows to the audience, however, is a poorly chosen extract from Friz Freleng's 'Hiawatha's Rabbit Hunt' in which very little happens. While this perverse choice was likely an in-joke of some kind, the segment from Freleng's cartoon severely slows 'What's Cookin', Doc?' down.
This little niggle aside, 'What's Cookin', Doc?' is a marvellous short. After the success of Chuck Jones's one character Daffy Duck cartoon 'Duck Amuck', a few attempts were made to create a solo vehicle for Bugs, resulting in the lacklustre 'Rabbit Rampage' and 'Baton Bunny'. This was entirely unnecessary since Clampett had already made the great one-bunny show with 'What's Cookin', Doc?'. While other characters are seen in silhouette or heard off screen, Bugs carries the bulk of 'What's Cookin', Doc?' entirely by himself with a remarkably energetic, shape-shifting performance. He impersonates Hollywood stars and pantomimes various acting styles, he shifts from smug, laidback nonchalance to disbelieving, ego-driven frenzy. Clampett makes this all characteristically beautiful. Bugs looks amazing here and snaps from one pose to another with breathtaking smoothness. Clampett tosses in a few of his trademark dirty gags too, one of which is the closing joke of the cartoon. 'What's Cookin', Doc?' is, in part, a masterpiece but its partial brilliance makes the unfortunate interruption from Freleng's uneventful excerpt positively infuriating.
This little niggle aside, 'What's Cookin', Doc?' is a marvellous short. After the success of Chuck Jones's one character Daffy Duck cartoon 'Duck Amuck', a few attempts were made to create a solo vehicle for Bugs, resulting in the lacklustre 'Rabbit Rampage' and 'Baton Bunny'. This was entirely unnecessary since Clampett had already made the great one-bunny show with 'What's Cookin', Doc?'. While other characters are seen in silhouette or heard off screen, Bugs carries the bulk of 'What's Cookin', Doc?' entirely by himself with a remarkably energetic, shape-shifting performance. He impersonates Hollywood stars and pantomimes various acting styles, he shifts from smug, laidback nonchalance to disbelieving, ego-driven frenzy. Clampett makes this all characteristically beautiful. Bugs looks amazing here and snaps from one pose to another with breathtaking smoothness. Clampett tosses in a few of his trademark dirty gags too, one of which is the closing joke of the cartoon. 'What's Cookin', Doc?' is, in part, a masterpiece but its partial brilliance makes the unfortunate interruption from Freleng's uneventful excerpt positively infuriating.
Whether What's Cookin' Doc? is one of Bugs Bunny's best cartoons overall I am not sure. But for me it was an interesting and hilarious one. I personally didn't see anything that offensive in the Hiawatha clip shown or in the overall cartoon(the portrayal of Indians was stereotypical but in my mind it wasn't racist), then again there have been times where it was probably back then but is actually not that bad now, and that was the case for me with What's Cookin' Doc. Not to mention there have been far more blatant cases of this in animation. The animation is beautifully done, it is very colourful and detailed and Bugs is drawn brilliantly. The music is full of energy, as is the pacing. The dialogue is deliciously witty especially with Bugs' mocking, which is unrelenting but funny and somewhat true, and the gags and caricatures(Carmen Miranda is always fun to spot) are imaginative. Bugs is spot on being arrogant and intelligent(one of the cartoon's funniest moments was his scream), and Mel Blanc's vocals superlative. In conclusion, I loved What's Cookin' Doc. 9/10 Bethany Cox
I found this cartoon under the heading "banned cartoons" on Youtube. Now if it's true that Warner Brothers DID pull this from circulation because it might be seen as culturally insensitive, then the people responsible for this are total idiots. While SOME older cartoons are truly insulting and awful in how they depict minorities (particularly awful films featuring the character "Black Sambo"), this one can only be seen as insulting to someone so devoid of a sense of humor and so politically correct that practically nothing is funny to them and everything is offensive. Sure, this is an Indian (the American-type, not the Apu-type) in the cartoon, but he's the basic Bugs Bunny foil--nothing more and nothing less. Does this mean that ANY depiction of Indians is forbidden in cartoons unless they are Earth-loving and noble like the film POCAHONTAS--which, by the way, was highly inaccurate and silly in how it portrayed the natives.
As for the cartoon itself, I saw this one several times over the years and it's a darn clever one that features an obnoxious Bugs Bunny trying to convince the Oscar people (A.M.P.A.S., by the way) to give him the award for Best Actor. While I wasn't thrilled with its use of a clip from a previous film, the odd style where Bugs appears in the real world with real people is pretty interesting and worth a look.
Don't believe the hypersensitive. This is a good cartoon and it probably won't offend the average sane viewer.
As for the cartoon itself, I saw this one several times over the years and it's a darn clever one that features an obnoxious Bugs Bunny trying to convince the Oscar people (A.M.P.A.S., by the way) to give him the award for Best Actor. While I wasn't thrilled with its use of a clip from a previous film, the odd style where Bugs appears in the real world with real people is pretty interesting and worth a look.
Don't believe the hypersensitive. This is a good cartoon and it probably won't offend the average sane viewer.
क्या आपको पता है
- ट्रिवियाWhen Bugs tosses the reels of his best scenes to the projectionist, he calls out "Okay, Smokey. Roll 'em." This is most likely a reference to Henry Garner, the cameraman and projectionist for the Leon Schlesinger studio, who was nicknamed Smokey.
- गूफ़The front page of The Hollywood Blah announcing the "Academy Award banquet to-night" is dated November 1, 1943. The Awards were actually held on March 4 in 1943. The next Awards, held on March 2, 1944, were the first not to feature a banquet.
- भाव
Bugs Bunny: [hurls reels at the projectionist] Roll 'em, Smokey!
[a stag film appears]
Bugs Bunny: HEEYYY!
- कनेक्शनEdited from A Star Is Born (1937)
- साउंडट्रैकA Cup of Coffee, a Sandwich and You
(uncredited)
Music by Joseph Meyer
Played during the opening credits
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Merrie Melodies #26 (1942-1943 Season): What's Cookin' Doc?
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $14,753
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $12,285
- 16 फ़र॰ 1998
- दुनिया भर में सकल
- $14,753
- चलने की अवधि9 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
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