What's Cookin' Doc?

Whether What's Cookin' Doc? is one of Bugs Bunny's best cartoons overall I am not sure. But for me it was an interesting and hilarious one. I personally didn't see anything that offensive in the Hiawatha clip shown or in the overall cartoon(the portrayal of Indians was stereotypical but in my mind it wasn't racist), then again there have been times where it was probably back then but is actually not that bad now, and that was the case for me with What's Cookin' Doc. Not to mention there have been far more blatant cases of this in animation. The animation is beautifully done, it is very colourful and detailed and Bugs is drawn brilliantly. The music is full of energy, as is the pacing. The dialogue is deliciously witty especially with Bugs' mocking, which is unrelenting but funny and somewhat true, and the gags and caricatures(Carmen Miranda is always fun to spot) are imaginative. Bugs is spot on being arrogant and intelligent(one of the cartoon's funniest moments was his scream), and Mel Blanc's vocals superlative. In conclusion, I loved What's Cookin' Doc. 9/10 Bethany Cox

What's Cookin' Doc? (1944)

*** (out of 4)

Entertaining short has Warner Brothers spoofing the Oscars as Bugs Bunny shows up to the award ceremony to pick up a trophy but instead he's beaten by James Cagney. After losing he demands a re-count and shows a clip from his film HIAWATHA'S RABBIT HUNT. Overall this is a nice little film, although there's no doubt that it's far from a classic and doesn't rank as one of the best Bugs shorts. I say that because the film shown within this film is actually so much better and we only get one brief clip from it. With that said, Bugs does give a good impersonation of a few legends like Edward G. Robinson and that alone makes this worth watching.

"What's Cookin' Doc?" probably looked a lot funnier when they first created it, but the racist portrayal of Indians will probably make most people cringe in the 21st century. Aside from that, there's some pretty funny stuff, as Bugs Bunny hopes to win an Oscar but loses to James Cagney, and tries to make the audience change their mind by showing a short movie starring himself.

Watching this cartoon nowadays, I realize that they mentioned people like Edward G. Robinson. I don't know whether or not any six-year-old children would have recognized that name in 1944, but I can guarantee that as a six-year-old I wouldn't have recognized that name.

Anyway, pretty interesting, but just be sure that you understand the racist portrayal of Indians.

'What's Cookin' Doc' is partly cartoon, partly live action. First we get a live action introduction to the Academy Awards. Then we go inside and meet Bugs Bunny who thinks he is up for the Best Actor award. When the winner is revealed it is not Bugs but James Cagney who takes the honors. Then we see Bugs explaining why he should have win the award. To make his point he shows a piece from a cartoon he starred in.

I liked this short film, although there were no real laughs. A lot of smiles and chuckles, especially in how Bugs is mocking the Academy. There is quite some truth in what is said. The cartoon is one of the censored (which basically means banned) cartoons since it depicts Native Americans in an offensive way. I understand why that is, but on the other hand it is quite innocent. Judge for yourself.

One of the most famous of all Bugs Bunnies, in which our hero believes he's a shoo-in for a Best Actor Oscar. Behind the comedy is a laceratingly cruel satire.

The film opens with a traditional Voice of God introduction to the Oscars, as our narrator shows us the Hollywood sights before showing us the hotel where the event will take place, the crowds awaiting their favourite stars. Already Hollywood, the entity, the myth is reduced to a series of recognisable signs - the Hollywood Bowl, the Troccadero, the Chinese Restaurant etc.; the stars who exist only as their popular image, cemented in a ghostly pair of feet on some footpath.

Bugs is convinced that he will win because he can do impressions of all the stars. This is a stunningly versatile monologue as Bugs mocks everyone from Jimmy Cagney to Bing Crosby, but surely it's an insolence to think that mere mimicry can be as worthy as a great performance? But Bugs' point is precisely this - the Awards pretentiously think that they are rewarding high art, when these great actors are locked in stereotype and received image. They are the sums of their persona. Bugs IS greater than them because he can do an impression of Cagney AND Crosby; they can only do impressions of themselves. A list of Oscar winners from the period proves Bugs unerringly right (MRS. MINIVER, according to Oscar, is a far greater film than CITIZEN KANE.)

As a further treat we are shown a clip from Bugs' LITTLE HAIWATHA, in which a bathing Bugs realises that he is about to become rabbit-meat for a placid Indian/Elmer Fudd. This remarkable clip, stunningly self-reflexive about Hollywood ideology and racism, reveals Bugs' true worth, but for the Academy to reward him would be to admit their own worthlessness and fraudulence. So they stone him. He is awarded, however, the first Raspberry, moulded in his own image, which comes to life and kisses him. This is Hollywood's ultimate insult, but it's eventual proof of Bugs' superiority, his versatility, his embracing of fragmentation and metamorphosis at the expense of rigid, conservative, stereotypical, wholeness.

As animation, the short isn't as fleet-footed, violent or versatile as the great Tex Avery masterpieces, but there's a belligerent gaudiness of colour that suits the subject admirably.