Strange Affair

"Dangerous Blondes" (1943) was a very good and most agreeable mystery film starring Allyn Joslyn and Evelyn Keyes. So it's not surprising they would return them a year later for a sequel. But here's the odd part....it's NOT a sequel...but it also is! The names are not the same and Joslyn's character is no longer a crime fiction writer but an artist who has a crime comic strip. Why the changes? I have no idea...none. But the feeling and spirit of the films clearly is identical...a sequel! I scored the first film an 8....is "Strange Affair" also that good??

The film, naturally, features a murder and, naturally, the cops are really dumb (particularly the investigator's assistant)...so it takes an amateur to solve the case! This is THE blueprint for this sort of film....and Hollywood might have made 500 or more films like it. In many cases, it's a newspaper reporter (such as Lee Tracy), but it could also be a teach (Edna May Oliver) or any other non-police person who somehow knows more than trained cops!

When the story begins, Bill (Joslyn) meets Mr. Baumler. Oddly, later in a night club, he sees Mr. Baumler again...but it's a different person! Apparently, there is a faux Baumler. But before he can figure out WHY and WHO....the second Baumler dies right there at the table in the club! The police foolishly are quick to assume it's a heart attack that killed him. But Bill, being the know-it-all amateur, assumes he was poisoned...which they soon realize is the case. So what is really going on here and how will Bill and his lady friend (Keyes) get to the bottom of this case?

My feeling is that if you liked the first film, you'll like the second. This is because in both the mystery isn't as important as the interplay between Keyes and Joslyn...which is snappy and funny. Well worth seeing. And the best part...near the end when the dopey cops arrest Keyes. Her reaction is priceless!!

This was not a good attempt at recreating the success of The Thin Man series. Most of the stars from me are for Evelyn Keyes, who did a great job whenever she was on screen. Sadly, when she was not on screen the movie really had nothing going for it. Her physical comedy was great to watch, and she held nothing back in 'selling' her character. The three actors playing police clearly had a hard time holding on to her, when she was beating them senseless at the police station. The movie was short, and otherwise harmless enough, to watch once for one good performance. But then I do like the period movies.

Allyn Joslyn is fairly insufferable playing a cartoonist who continually annoys the local police while butting into their cases; as his better half, Evelyn Keyes yips and yelps with cartoonish abandon, trying to make something light and cute out of this script. Based on Oscar Saul's story "Stalk the Hunter", four screenwriters (Saul included) manage to turn this comedic murder mystery into a flighty "Thin Man" derivative (the opening sequence typifies the rest: a cute visual followed by outright silliness). Plot has a doctor poisoned at a social gathering, with another doctor the prime suspect. As usual, the law is always three steps behind the snooping marrieds, and the one-liners alternate between amusing and ridiculous. *1/2 from ****

This is the worse representation of women I have seen in a long time. Allyn does a terrible job. It is not funny just stupid. I would not recommend this to anyone.

Another in a line of successful comedy/mysteries for Columbia's B-film assembly, starring EVELYN KEYES and ALLYN JOSLYN who get into all kinds of silly business while trying to solve a doctor's murder.

All of it is played for humorous effects and some of it actually works pretty well. Keyes is pert and vivacious as a frisky blonde who is always trailing behind hubby Joslyn (lucky for him) and helps nab the culprits just before the wind-up.

MARGUERITE CHAPMAN does nicely as a sophisticated femme fatale and SHEMP HOWARD has a brief comic routine as a laundry truck driver. HUGO HAAS has a pivotal role as a doorman friend of Joslyn.

It passes the time, a programmer that played the lower half of double bills in the '40s. Keyes almost overdoes the many farcical turns of her role but manages to be charming nevertheless, giving her role the light touch it needs and Joslyn is in fine style as her long-suffering husband.