The Scarlet Claw

Breathing a similar style to the earlier The Hound of the Baskervilles, The Scarlet Claw sees the great Sherlock Holmes in the middle of another supernatural themed adventure. While this yarn isn't quite up to the standards of The Hound of the Baskervilles, it still represents another success in turning the detective novels into films. This time round, we follow a remote village that is at the mercy of a mysterious ghost who appears to be killing them off. Not being a believer in ghosts, our logical protagonist, Sherlock Holmes, decides to take the case on and travels to the remote village to find, as usual, that there's more going on than meets the eye. Once again, this story is riddled with inventive twists and a plot that is constantly full of suspense and, as usual, it makes for great viewing. While the plot doesn't have any depth or substance, it doesn't matter at all because this film is made for pure entertainment value, and on that front it certainly delivers!

Once again, Basil Rathbone takes the lead role as the super-sleuth Sherlock Holmes and, as usual, does excellently with it. He does so well at playing this character that you when you think Sherlock Holmes, it's Rathbone's image that instantly pops into your mind. While this may have hindered the rest of his career a little, it's definitely a good thing while you're watching a Sherlock Holmes movie. Also reprising his role from previous Holmes movies is Nigel Bruce in the role of Dr Watson. He too makes great use of the role, and again it's hard to imagine anyone else playing Dr Watson. The supernatural elements of the story are nice, and seeing the numerous atmosphere scenes is always a treat. The black and white cinematography helps to create a foreboding atmosphere, which compliments the story nicely. The ensemble of characters surrounding the mystery are well done and the film throws in a number of red herrings in order to keep the conclusion from the audience until it is finally time to give it away. All in all; great stuff!

This sixth entry in the Universal Sherlock Holmes series was the third which defied the initial conception of the franchise. Universal had envisioned Sherlock Holmes as a sort of archetypal hero who, transported into the modern era of WWII, could be put on the government payroll, as it were, to work as a contract agent to hunt down Nazi spies on behalf of the Allies. Perhaps somewhat unexpectedly, this idea met with a great deal of consternation, not only from serious Sherlockians, but also from film critics whose knowledge of Doyle's work was marginal at best.

Granted, most of the Holmes films made up to that point had been updated to their respective eras (in fact, only Fox's two Holmes features with Rathbone and Bruce had taken place in their appropriate time period), but in those cases, the modernization was all on the surface. Automobiles, telephones, and the fashions of the day were all on display...but that was, for all intents and purposes, scenery. The stories, though changed (sometimes drastically) from their original forms, had a timeless quality about them. The first three Universal films, however, were very timely, with plots focused explicitly on the events of the Second World War. This took Holmes out of his element...not only in the literal sense of removing him from Victorian/Edwardian London (as previous films had done), but in transforming the character of Holmes from a consulting detective into a spy-hunter. Indeed, at times, there is more James Bond than Sherlock Holmes in this character. This trend peaked (or bottomed out) with Sherlock Holmes in Washington...the final straw for critics and audiences alike. The film was a critical and box office flop and Universal saw fit to alter the series' direction from that point on.

Though still taking place in the 1940s, the subsequent films did their best to place Holmes back in his proper role, solving intricate mysteries with deductive reasoning...rather than the pure chance and intuition that often guided him in his forays into international espionage. This may (or may not) be accredited to the director Roy William Neill (who directed all but the first entry in the series), who, with the fourth film, Sherlock Holmes Faces Death, became the associate producer...a title he would retain throughout the series' run. From that point on, the films became more Gothic in tone, in many ways more closely resembling the Universal horror films of the era than the first three Universal Holmes pictures. This decision yielded immediate positive results. Sherlock Holmes Faces Death was easily the best of the first four entries, and subsequent films topped one another until peaking with The Scarlet Claw.

Oddly enough, the film is set in a French province of Canada...for no discernible reason. The setting is completely superfluous to the plot, which could easily have played out anywhere (ideally Great Britain). This is made all the more puzzling by the fact that the predominant accent present in the film is British, rather than French Canadian...even American actors threw on Brit accents, despite the fact that American accents would have been more sensible in Canada. But no matter. This slight idiosyncrasy aside, The Scarlet Claw is the ultimate Rathbone/Bruce Universal outing. Not adapted from any of the original Doyle tales, (though borrowing heavily from The Hound of the Baskervilles), The Scarlet Claw is dripping with atmosphere. Fog-wreathed marshes are the setting as Holmes tracks a ghostly apparition that has graduated from sheep mutilation to murdering humans. The local villagers believe the culprit to be supernatural, but level-headed Holmes rejects the idea out of hand, and sets himself to the task of finding the murderer.

Rathbone, as Holmes, is at the top of his form here...cold and detached, clinical in his reasoning. And Bruce's Watson, even in this dumbed down incarnation, is a pleasure to watch. Crisp direction, beautiful cinematography (particularly for a B-film), plenty of twists and turns along the way, and no small amount of deductive reasoning from Holmes, make this the strongest entry in the Universal series. The later films were often good, but none ever matched the achievement of The Scarlet Claw...which is simultaneously Gothic, suspenseful, and very, very Holmesian. It is not without its logical flaws, but the flaws are justified by the picture's enormous entertainment value. And of all the films in the series, this one is, by far, the most entertaining.

Roy William Neil continued to direct this series, and this is one of the best. Story is not adapted by a Sir Arthur Conan Doyle tale, but instead tells an original one. Holmes & Watson are in Quebec Canada to attend a conference when they are called upon to investigate a murder of Lady Penrose, who had in fact already contacted Holmes, but was too late to save her. Locals believe it to be a supernatural creature at work, but Sherlock knows better. Atmospheric and exciting entry seems inspired by earlier "The Hound Of The Baskervilles", but is better handled here. The series was at its peak now, and in the next two entries as well.

Universal's Sherlock Holmes series brought the characters into the 20th Century. Many of the were related to World War II, stories in which Holmes went in pursuit of spies and counterspies; others tried to mimic the original Arthur Conan Doyle stories with a presentation of mental puzzles. Although generally well executed, seldom did any of the titles rise above the level of "B Pictures"--but on the rare occasions that they did, they did so with a vengeance, and THE SCARLET CLAW is such a case. Directed at a fast clip by Roy William Neill, memorably photographed by George Robinson, and sporting an expert cast in a particularly clever script, this is easily among the best of the series.

The story hearkens back to such titles as THE HOUND OF THE BASKERVILLES. Lord Penrose (Paul Cavanaugh) is convinced that his small, Canadian town is beset by an evil spirit--and is indeed giving a lecture on psychic phenomena when his wife is found murdered, presumably by a apparition that haunted the town many years before. Convinced that it is the work of an otherwordly being, he does not welcome the arrival of Sherlock Holmes (Basil Rathbone), who is convinced that there is nothing ghostly about the matter in the least.

The Universal films counted a great deal on the chemistry between Basil Rathbone and Nigel Bruce as Holmes and sidekick Dr. Watson, and indeed that chemistry is on full display in this particular title. But the overall cast is remarkably fine, not only the aforementioned Cavanaugh but most particularly Gerald Hammer, who frequently appeared in these films and here offers a uniquely memorable turn as the fearful postmaster. And, unlike most other films in the series, the solution to the crime is indeed a shocker.

The restoration is very handsome and the DVD comes with two nice bonuses, a short documentary on the challenges faced by those who restored the series (THE SCARLET CLAW receives particular mention) and an erudite audio commentary by film historian David Stuart Davies. If you've seen one or two films in the series and been unimpressed--give this one a try to see what Rathbone and company could do when when they had all the right makings. Recommended.

GFT, Amazon Reviewer

The setting in this Sherlock Holmes adventure is Canada, and features a nice tribute to my neighbors in the north at the end of the film with a quote from Winston Churchill.

I was glad to see a movie debunk all this occult nonsense that the film world usually embraces, or at least is fascinated by. The characters are interesting and Dr. Watson (Nigel Bruce) is his normal mumbling and bumbling entertaining self. There are a couple of good suspense scenes, too.

This is one of the better SH thrillers and looks super on the restored DVD. It's hard not to enjoy all the Basil Rathbone Sherlock Holmes movies. They are real treasures.