One Body Too Many

One Body Too Many is just quirky enough to be humourous and something a little different than the typical monster/mystery movie fare of the 1940s. Great? No way, but surprisingly very pleasant. Jack Haley plays an insurance man named Tuttle who comes upon a household seething with greed for the remains of the recently deceased Uncle Cyrus. What follows is the standard Haunted House genre stuff: creaky doors, numerous red herrings, endless secret passages, and a heroine in love with the newcomer. Okay, we saw this in The Cat and the Canary and The Bat and a whole slew of like films. One Body Too Many has some very clever moments though that make it enjoyable. Jack Haley is a funny man. He is just too off-key as a comedian to be very funny without seeming desperate for laughs. The scene with him in the coffin submerged in the pool was just one of his very clever efforts(as well as a nicely filmed sequence). Most people even attempting to see this film - myself included - will do so because Bela Lugosi is in it. The Lugosi completist will watch it, and I think appreciate it far more than some other Bela efforts(Scared to Death comes to mind rather quickly!). Lugosi doesn't have a large part, but he is in the picture throughout and has some very subtle comedic moments. He plays a butler along with maid Blanche Yurka(who could forget her Madame Defarge in A Tale of Two Cities?)who are always trying to get the sequestered suspects some coffee...maybe it is poisoned, maybe not. Some other inventive sequences include the finale with a telescope and Jack Haley with a hamper. A nice film done in a way that unfortunately is long gone.

ONE BODY TOO MANY (1944) ** (D: Frank McDonald) Jack (Tin Man) Haley is a likable funnyman in this film. Bela Lugosi's very small part as a butler is humorous as he keeps trying to poison people but to no avail. Decent little time waster, not as bad as you've heard.

You might not think so from the looks of it, but "One Body Too Many" actually is a hilarious spoof / comedy instead of an eerie horror film! Sure, it involves a creepy old mansion and Bela Lugosi as a suspicious butler, which both are elements that featured in nearly every typical horror movie made in the 1940's, but the screenplay is very comical and actually a lot better than all those poverty row horror movies that tried to be genuinely horrific...but failed. This totally unexpected surprise in tone feels very original and really forced me to love this little movie! The story opens with one of the greatest cliché in the genre, when a family of greedy bastards gathers in the old mansion to hear the will of deceased uncle Cyrus. The rich but eccentric uncle insisted on peculiar burial accommodations and, before they can be completed, the heirs & heiresses reluctantly have to spend a couple of days together. In case anyone leaves, or in case uncle Cyres doesn't get buried like he wanted to, the will is altered. Insurance agent Albert Tuttle is mistaken for a private detective but, at the request of lovely niece Carol, he stays to watch over the corpse. This film is FUNNY! The Albert Tuttle character is FUNNY! He's the perfect anti-hero; cowardly and always the wrong man in the wrong place at the wrong time. He has some of the most hilarious lines and his facial expressions more than once evoke spontaneous chuckles. "One Body Too Many" makes great use of the typical haunted-house setting with the endless network of secret passages and dark towers. The actual search for the mysterious saboteur is also quite interesting and full of neat twists and red herrings. Horror veteran Bela Lugosi is downright marvelous in his supporting role of butler. He constantly walks around the house offering people cups of coffee which, I think, is a homage/spoof toward the butler-character Boris Karloff played in "The Old Dark House" (always supplying the guests with more potatoes). I had very low expectations on this film but I really ended up loving it! Highly recommended!

The other reviewers here weren't too impressed by this, but I must admit to laughing practically all the way through. This film is very much a second-rate retread of the classic Cat & The Canary, with Jack Haley doing the Bob Hope schtick, yet it is far more entertaining than it has any right to be. Haley is a very entertaining & likable 'hero' and is well served by the witty script, which is brimming with snappy one-liners. Lugosi, whose performance will undoubtedly be the biggest draw for modern audiences, proves surprisingly adept at comedy; as the suspicious butler, he has a lot of fun sending up his image. I particularly liked the running joke involving the coffee that may or may not be laced with rat poison; by the end of the film, Lugosi's catchphrase line 'Anybody Want A Cup Of Coffee?' has become hilarious through repetition, especially since the dubious-looking coffee is always refused by everyone. I particularly enjoyed the following exchange (my wording) :

LUGOSI: "Would you like a cup of coffee?" HALEY: "Depends. There are two types of coffee, percolated or drip. What type have you got?" LUGOSI: "It is the percolated kind." HALEY: "No thanks, I'm a drip."

OK, maybe you had to be there.

Although the mystery & the comedy elements are not up to the standard of the 1939 Cat & The Canary, this is still a superior spooky-house thriller. The ne'er do well relatives waiting for their piece of the estate are a splendidly hateful bunch; the sequence in which Lyle Talbot's lawyer reads out the late millionaires' comments about each of his relatives sets up their characters beautifully. Talbot, of course, stops short of reading out the old man's comments about him ("I would trust him as far as I could throw...an elephant").

In short, I would recommend this to fans of old-fashioned spooky house thrillers & fans of Lugosi who'd like to see him trying his hand at playing for (intentional) laughs. It's streets ahead of most of his poverty row 1940s output, which is for the most part utterly dire, and I was surprised at how often I laughed out loud. I'm going to be very generous with this, as it made me laugh more than any other film I've seen recently, including a lot of modern comedies.

8/10

I've always liked those 1940s comedies where a bunch of people are stuck in a house on a stormy night. I don't consider this an especially good example of this sub-genre. Part of that is just personal preferences; I prefer the snappy wise guy to the jittery nebbish, the role played by Haley. Part of it is probably that I've seen so many of this that I'm pickier than I used to be. But mainly I just don't find this movie that funny. There is a cute running joke involving coffee, but outside of that this struggles just to be mildly amusing.

The film is also just poorly filmed. It may in part be a bad print, but much of it is so dark that you can't really tell what's going on. The movie also has the most convoluted premise of any of these movies, although that didn't really affect my enjoyment of it.