One Body Too Many

One Body Too Many is a production from Pine-Thomas Paramount B picture unit and after seeing it I'm convinced it was a script and story that was meant for Bob Hope. But old ski nose either rejected this one or was out entertaining the troops during the second World War. So Paramount gave the project to its B unit and got Jack Haley to play the lead.

Pine-Thomas assembled a nice cast in a project that was unusual for them, normally they did economical action/adventure stories. This is a comedy involving a late millionaire who was a firm believer in astrology, so much so that he requested to be buried in a glass covered mausoleum like Lenin at the Kremlin so that he would be always under the stars at night. After that the living relatives of whom he didn't have too good an opinion of would split up the estate. Until then they had to live at his house until the burial was done.

Poor Haley plays the Bob Hope like schnook who is an insurance salesman and keeps an appointment that he made with the old guy before he passed away. Haley arrives just in time for the reading of the will and the lawyer for the estate thinks he's a bodyguard he hired. Never mind Jack takes the job and the fun starts. If you think a couple of murders that follow is fun.

Also in the cast are Bela Lugosi and Blanche Yurka who are the butler and maid. I wish the film had a lot more of them. They look and act so sinister with some lovely eye twinkles. Lugosi had a nice gift for comedy that was too rarely seen on film.

The lovely cast of relatives of whom one is a murderer include Lyle Talbot, Jean Parker, Maxine Fife, Lucien Littlefield, Douglas Fowley and Dorothy Granger. Now who do you think is our killer in the cast?

One Body Too Many has some funny moments, but a lot of it is a rehash of material from better films.

So do you think Hope was busy with the USO or did he pass on this one?

I've always liked those 1940s comedies where a bunch of people are stuck in a house on a stormy night. I don't consider this an especially good example of this sub-genre. Part of that is just personal preferences; I prefer the snappy wise guy to the jittery nebbish, the role played by Haley. Part of it is probably that I've seen so many of this that I'm pickier than I used to be. But mainly I just don't find this movie that funny. There is a cute running joke involving coffee, but outside of that this struggles just to be mildly amusing.

The film is also just poorly filmed. It may in part be a bad print, but much of it is so dark that you can't really tell what's going on. The movie also has the most convoluted premise of any of these movies, although that didn't really affect my enjoyment of it.

One Body Too Many is just quirky enough to be humourous and something a little different than the typical monster/mystery movie fare of the 1940s. Great? No way, but surprisingly very pleasant. Jack Haley plays an insurance man named Tuttle who comes upon a household seething with greed for the remains of the recently deceased Uncle Cyrus. What follows is the standard Haunted House genre stuff: creaky doors, numerous red herrings, endless secret passages, and a heroine in love with the newcomer. Okay, we saw this in The Cat and the Canary and The Bat and a whole slew of like films. One Body Too Many has some very clever moments though that make it enjoyable. Jack Haley is a funny man. He is just too off-key as a comedian to be very funny without seeming desperate for laughs. The scene with him in the coffin submerged in the pool was just one of his very clever efforts(as well as a nicely filmed sequence). Most people even attempting to see this film - myself included - will do so because Bela Lugosi is in it. The Lugosi completist will watch it, and I think appreciate it far more than some other Bela efforts(Scared to Death comes to mind rather quickly!). Lugosi doesn't have a large part, but he is in the picture throughout and has some very subtle comedic moments. He plays a butler along with maid Blanche Yurka(who could forget her Madame Defarge in A Tale of Two Cities?)who are always trying to get the sequestered suspects some coffee...maybe it is poisoned, maybe not. Some other inventive sequences include the finale with a telescope and Jack Haley with a hamper. A nice film done in a way that unfortunately is long gone.

On the night of the reading of a will an insurance salesman arrives to sell a policy to the dead man. Confused for a detective he's hired to watch the body of his "client"...and then the gathered family members begin to die...

An okay comedy thriller that rises up a couple of notches by the use of occasional witty dialog, some good twists, and Bela Lugosi being wonderfully funny as a sinister butler and heir.(He should have done many more comedies)

The real problem with this film is the pacing which slackens about half way in. The problem is that in order to make the required running time bits, the wandering through the secret passages goes on way too long. Its a serious wound to what was a nicely paced movie. Its not fatal but it does diminish he enjoyment.

That said its worth a look. A good rainy night film for a double feature with a stronger movie.

These old "revolving panels and candlelight" mysteries are usually a mix of elements played for laughs more than shivers. Jack Haley is an insurance salesman mistaken for a detective hired to guard the corpse of a millionaire all night so that the provisions of the old man's will can be satisfied. The greedy heirs must stay in this mini insane asylum until morning or lose their inheritance. Midnight murders prevail, of course, with the usual wisecracks, jealous insults and idioms of the day (or night). Jack Haley is the reluctant hero of sorts in this wee hours fiasco, although he would rather be somewhere else. For the genre, however, it is true to form and worth a look.