One Body Too Many

On the night of the reading of a will an insurance salesman arrives to sell a policy to the dead man. Confused for a detective he's hired to watch the body of his "client"...and then the gathered family members begin to die...

An okay comedy thriller that rises up a couple of notches by the use of occasional witty dialog, some good twists, and Bela Lugosi being wonderfully funny as a sinister butler and heir.(He should have done many more comedies)

The real problem with this film is the pacing which slackens about half way in. The problem is that in order to make the required running time bits, the wandering through the secret passages goes on way too long. Its a serious wound to what was a nicely paced movie. Its not fatal but it does diminish he enjoyment.

That said its worth a look. A good rainy night film for a double feature with a stronger movie.

These old "revolving panels and candlelight" mysteries are usually a mix of elements played for laughs more than shivers. Jack Haley is an insurance salesman mistaken for a detective hired to guard the corpse of a millionaire all night so that the provisions of the old man's will can be satisfied. The greedy heirs must stay in this mini insane asylum until morning or lose their inheritance. Midnight murders prevail, of course, with the usual wisecracks, jealous insults and idioms of the day (or night). Jack Haley is the reluctant hero of sorts in this wee hours fiasco, although he would rather be somewhere else. For the genre, however, it is true to form and worth a look.

The other reviewers here weren't too impressed by this, but I must admit to laughing practically all the way through. This film is very much a second-rate retread of the classic Cat & The Canary, with Jack Haley doing the Bob Hope schtick, yet it is far more entertaining than it has any right to be. Haley is a very entertaining & likable 'hero' and is well served by the witty script, which is brimming with snappy one-liners. Lugosi, whose performance will undoubtedly be the biggest draw for modern audiences, proves surprisingly adept at comedy; as the suspicious butler, he has a lot of fun sending up his image. I particularly liked the running joke involving the coffee that may or may not be laced with rat poison; by the end of the film, Lugosi's catchphrase line 'Anybody Want A Cup Of Coffee?' has become hilarious through repetition, especially since the dubious-looking coffee is always refused by everyone. I particularly enjoyed the following exchange (my wording) :

LUGOSI: "Would you like a cup of coffee?" HALEY: "Depends. There are two types of coffee, percolated or drip. What type have you got?" LUGOSI: "It is the percolated kind." HALEY: "No thanks, I'm a drip."

OK, maybe you had to be there.

Although the mystery & the comedy elements are not up to the standard of the 1939 Cat & The Canary, this is still a superior spooky-house thriller. The ne'er do well relatives waiting for their piece of the estate are a splendidly hateful bunch; the sequence in which Lyle Talbot's lawyer reads out the late millionaires' comments about each of his relatives sets up their characters beautifully. Talbot, of course, stops short of reading out the old man's comments about him ("I would trust him as far as I could throw...an elephant").

In short, I would recommend this to fans of old-fashioned spooky house thrillers & fans of Lugosi who'd like to see him trying his hand at playing for (intentional) laughs. It's streets ahead of most of his poverty row 1940s output, which is for the most part utterly dire, and I was surprised at how often I laughed out loud. I'm going to be very generous with this, as it made me laugh more than any other film I've seen recently, including a lot of modern comedies.

8/10

One Body Too Many is a production from Pine-Thomas Paramount B picture unit and after seeing it I'm convinced it was a script and story that was meant for Bob Hope. But old ski nose either rejected this one or was out entertaining the troops during the second World War. So Paramount gave the project to its B unit and got Jack Haley to play the lead.

Pine-Thomas assembled a nice cast in a project that was unusual for them, normally they did economical action/adventure stories. This is a comedy involving a late millionaire who was a firm believer in astrology, so much so that he requested to be buried in a glass covered mausoleum like Lenin at the Kremlin so that he would be always under the stars at night. After that the living relatives of whom he didn't have too good an opinion of would split up the estate. Until then they had to live at his house until the burial was done.

Poor Haley plays the Bob Hope like schnook who is an insurance salesman and keeps an appointment that he made with the old guy before he passed away. Haley arrives just in time for the reading of the will and the lawyer for the estate thinks he's a bodyguard he hired. Never mind Jack takes the job and the fun starts. If you think a couple of murders that follow is fun.

Also in the cast are Bela Lugosi and Blanche Yurka who are the butler and maid. I wish the film had a lot more of them. They look and act so sinister with some lovely eye twinkles. Lugosi had a nice gift for comedy that was too rarely seen on film.

The lovely cast of relatives of whom one is a murderer include Lyle Talbot, Jean Parker, Maxine Fife, Lucien Littlefield, Douglas Fowley and Dorothy Granger. Now who do you think is our killer in the cast?

One Body Too Many has some funny moments, but a lot of it is a rehash of material from better films.

So do you think Hope was busy with the USO or did he pass on this one?

Relatives and loyal servants are gathered to hear the reading of Mr. Cyrus Wentworth'S last wishes. As the lawyer reads the wishes Cyrus snubs everyone there. Then the sort of tontine plot is delivered. Some will be rich others may get $1.50. It all hinges on whether the deceased gets his wish and is laid to rest above ground so he can see the stars. Or wither some unscrupulous person(s) will bury him underground thus reversing the will.

Not trusting each other and wanting to get some sleep they hire a guard. Instead, an insurance salesman Albert Tuttle (Jack Haley) appears and is mistaken for the guard.

The fun begins.

All the standard clichés and scenarios are played out appropriately. The only exceptional part is waiting to see who will drink the coffee and Bela Lugosi's facial expressions.