On Approval

This film of Frederick Lonsdale's play is one of my favorite movies of all time. Not because it breaks new artistic ground--it's simply as close to being perfectly cast and perfectly executed as one can imagine. It's Bea Lillie's most important work on film (and as far as I can tell, except for "Thoroughly Modern Millie", the only thing of hers available on home video....will someone PLEASE bring out "Doctor Rhythm"?), and it really does give us a sense of why she was so famous in her day. The amazing Clive Brook is her perfect foil, and Googie Withers is beautiful and utterly charming.

"On Approval" is full of small pleasures that, because of their perfection, are unforgettable. Who can forget Bea Lillie's perfect delivery of "You will find the dinghy by the jetty."? The bickering of Lillie and Brook ("Maria, I don't want to speak to you, but I must." "I don't want to speak to you and I won't!") .....Googie Withers refusing a proposal of marriage by asking the color of her eyes.....Bea Lillie doing vocal exercises at the piano....I could go on endlessly. It's exquisite fun.

Here is a look of one of England's foremost comediennes and entertainers, Beatrice Lillie. She was, for some unknown reason, shamefully neglected/ underutilized by Hollywood, and here she gives one of her fey, comedic performances for which she was celebrated on both sides of the Atlantic before and after the two world wars. She was primarily a stage actress and appeared in only seven movies.

In this one she is in a cast of four actors in a droll, upper class comedy of manners. Listen intently to the dialogue or you may miss a precious bon mot or a glossed-over aside. The script is delicious and keeps you waiting for the next hilarious remark at which Lady Peel had no peer. It was written and Directed by Clive Brook who also co-stars and gives himself too much to say and do, but you can't keep a good man (in this case, woman) down, and Bea Lillie emerges unscathed and triumphant. If you're a fan you must catch this one when you can.

Maria (Beatrice Lillie) invites Richard (Roland Culver) to stay with her in her house in Scotland for a month to see if they are compatible and thus suited for marriage. George (Clive Brook) and Helen (Googie Withers) come along as chaperones for their friends, Helen for Maria and George for Richard. The staff at the house walk out of the residence, leaving the four main characters to fend for themselves and find out about each other.....

This film is very amusing - a good example of dialogue-driven humour. The script is well written and the cast deliver it with precision. All four main characters are well suited to their roles and equally excellent. The only oddity is that Googie Withers, playing an American, couldn't be more English! At the beginning of the film, a narrator delivers an intro in a very British comedy cartoon fashion. Perhaps this segment could have been shorter. However, once the film starts properly, it immediately holds the viewer's interest and runs for a decent length. There is also a twist in the tale.

This is a send up about British society people set in the 1890's that not only keeps your interest but gets progressively funnier with time. Beatrice Lillie plays Maria and Googie Withers plays Helen, with Maria deciding to go for a trial marriage for a month's holiday in Scotland with Richard. George, a Duke, tags along and through a series of planned misadventures, all four of them end up in the same castle on an island they have to row to to reach. This film must have been a breath of fresh air in 1943, as the war was still going on. Sixty five years later, it is still fresh. I had a great time watching it, it is a well made farce, and the acting is terrific. If you like British comedy at all, this is absolutely essential.

"On Approval" is a comedy of manners and it delivers on its promise to delight. The dialogue is the thing--filled with insinuations, clever slights, and unabashed insults. The four leads make the most of the plot, which is about two men trying to marry into wealthier circumstances via two sisters.

One reviewer said this film is not up to Oscar Wilde's standards. Well maybe it is too tame to be Wilde, but it is still charming and filled with plenty of caustic throw-away lines and honest insights.

I think I will have to see it more than once to fully appreciate the film because of the sheer volume of memorable lines. That's a prospect I can bear to suffer.