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Murder, My Sweet

  • 1944
  • Approved
  • 1 घं 35 मि
IMDb रेटिंग
7.5/10
16 हज़ार
आपकी रेटिंग
Dick Powell and Claire Trevor in Murder, My Sweet (1944)
Trailer for this suspense film
trailer प्ले करें2:12
1 वीडियो
99+ फ़ोटो
Film NoirHard-boiled DetectiveCrimeDramaMysteryThriller

अपनी भाषा में प्लॉट जोड़ेंAfter being hired to find an ex-con's former girlfriend, Philip Marlowe is drawn into a deeply complex web of mystery and deceit.After being hired to find an ex-con's former girlfriend, Philip Marlowe is drawn into a deeply complex web of mystery and deceit.After being hired to find an ex-con's former girlfriend, Philip Marlowe is drawn into a deeply complex web of mystery and deceit.

  • निर्देशक
    • Edward Dmytryk
  • लेखक
    • John Paxton
    • Raymond Chandler
  • स्टार
    • Dick Powell
    • Claire Trevor
    • Anne Shirley
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.5/10
    16 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Edward Dmytryk
    • लेखक
      • John Paxton
      • Raymond Chandler
    • स्टार
      • Dick Powell
      • Claire Trevor
      • Anne Shirley
    • 149यूज़र समीक्षाएं
    • 77आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    वीडियो1

    Murder, My Sweet
    Trailer 2:12
    Murder, My Sweet

    फ़ोटो155

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 148
    पोस्टर देखें

    टॉप कलाकार30

    बदलाव करें
    Dick Powell
    Dick Powell
    • Philip Marlowe
    Claire Trevor
    Claire Trevor
    • Helen Grayle
    Anne Shirley
    Anne Shirley
    • Ann Grayle
    Otto Kruger
    Otto Kruger
    • Jules Amthor
    Mike Mazurki
    Mike Mazurki
    • Joe 'Moose' Malloy
    Miles Mander
    Miles Mander
    • Leuwen Grayle
    Douglas Walton
    Douglas Walton
    • Lindsay Marriott
    Donald Douglas
    Donald Douglas
    • Police Lt. Randall
    • (as Don Douglas)
    Ralf Harolde
    Ralf Harolde
    • Dr. Sonderborg
    Esther Howard
    Esther Howard
    • Jessie Florian
    Ernie Adams
    Ernie Adams
    • Bartender at 'Florian's'
    • (बिना क्रेडिट के)
    Bernice Ahi
    Bernice Ahi
    • Dancer at the 'Cocoanut Beach Club'
    • (बिना क्रेडिट के)
    George Anderson
    • Detective
    • (बिना क्रेडिट के)
    Edward Biby
    Edward Biby
    • Club Patron
    • (बिना क्रेडिट के)
    Jack Carr
    • Dr. Sonderborg's Assistant
    • (बिना क्रेडिट के)
    Tom Coleman
    • Police Clerk
    • (बिना क्रेडिट के)
    Ralph Dunn
    Ralph Dunn
    • Detective
    • (बिना क्रेडिट के)
    Sam Finn
    • Headwaiter
    • (बिना क्रेडिट के)
    • निर्देशक
      • Edward Dmytryk
    • लेखक
      • John Paxton
      • Raymond Chandler
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं149

    7.515.6K
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    फ़ीचर्ड समीक्षाएं

    dougdoepke

    Fine Cast, Messy Plot

    The hard-boiled dialog flies faster here than eggs at Easter. Then too, practically every line out of Marlowe's (Powell) mouth is a cynical figure of speech, making the 90-minutes one of the more corrosive in the private eye canon. No need to recap the plot since I couldn't, anyway. There're so many twists and turns on who did what to whom, you may need to call in the proverbial rocket scientist. But then, I think writer Chandler said something about reality being a lot messier than usual detective fiction. Judging from this, he wasn't kidding.

    Speaking of messy, catch the great Esther Howard as old lady Florian. No one was better at sloppy slatterns than the be-robed Howard, and when she says "no peeking" to Marlowe as her robe flops open, I'll bet a wave of shudders swept across theatres everywhere. At the same time, ex-song and dance man Powell shows he could do hard cases with the best of them, that is, when he wasn't jumping helplessly into another 'black pool'. And who knew hulking thug Mazurki could go from lion to lamb so quickly. It's really he who gives the film a heart.

    There's some great photography and art direction from RKO's expert production team. No wonder that studio became the one of record for post-war noir. In fact, this 1944 effort signals the emerging era of noir, bringing together the private eye and a chaotic world of shadows, as it does. I especially like those final beach house scenes, perched precariously beside a dark sea of eternity.

    Anyway, the movie's a fine piece of private eye noir; just don't try to figure out the plot, which is incidental, anyhow.
    stryker-5

    "I Don't Know Which Side Anybody's On!"

    Private dick Phil Marlowe is hired by a "paltry, foppish man" to accompany him on a midnight assignation. What follows is a glorious piece of Chandleriana, a ganglion of a plot involving a jade necklace, a jailbird who carries a torch for a showgirl, a "big-league blonde" with a rich old husband and an eye for private eyes, and more narrative twists and turns than a Restoration comedy on acid.

    Will Moose be reunited with Velma? Who's the brunette in the gulch? What is Anthor's precise relationship with Marriott? How many more times can Marlowe get slugged from behind without having his skull disintegrate?

    Golden tenor Dick Powell may not be the obvious choice to play Marlowe, but in fact he turns in THE definitive performance. Chandler once defined the ideal hero in one of his essays as a special man, but at the same time a man of the people. Not amazingly bright, subject to bouts of confusion and wrong-headed wilfulness, but for all that a tough, decent, dry-humoured guy who just happens to be as sexy as hell. Powell delivers.

    Watch out for a remarkable dream sequence after Marlowe is forcibly injected with heroin (yes, heroin). Expressionist cinema was never as evocative as here!

    All in all, the film is an example of a genre captured at its apex - "like lighting a stick of dynamite, and telling it not to go off"!
    7ccthemovieman-1

    Love The Wisecracks, But Wish It Was Easier To Understand

    This is considered one of the classic film noirs ever made and some think THE film noir. In recognizing that before I had seen it, perhaps I was disappointed because I expected more.

    What I found was a very confusing film, at least in the last third of the movie as everything started to be explained. It almost got ridiculous in the last 10 minutes when Dick Powell ("Philip Marlowe") explained the whole story. He talked too fast and it was next to impossible to follow. I guess I will have to view this more often to understand it better, or find someone who can explain it for my feeble brain.

    The best part of the film was the cinematography, which really comes to life on the DVD. Someone did a very nice job restoring this film. That, and the general dialog by Powell, were fascinating. You could make a short book with all the wise-guy remarks made by "Marlowe" in this film - a lot of great stuff. I just wish they had made a simpler story and made it easier for the viewer to digest all the facts at the end.
    bob the moo

    The second version of the story and the best, with atmospheric direction, tough dialogue, convincing characters and great performances

    Phillip Marlowe is tired and resting in his office when Moose Malloy comes to visit him and hire him as a private detective to investigate his former lover, Velma, who has gone missing in the past 8 years that Moose has been in jail. Without a great deal of luck early on, Marlowe takes another case, escorting a Mr Marriott. When Marlowe is knocked out and Marriott murdered, things begin to get more confusing. With the police suspecting him of being involved more than he is letting on, Marlowe investigates further, getting involved in other jobs for clients who want to find Moose Malloy for some reason. Murder follows murder as Marlowe finds himself right in the middle of it with only his link to Moose keeping him alive.

    Having recently seen a strange telling of this story in 'The Falcon Takes Over' I decided to go back and see the most famous version. Of course this actually involves going forward in time (the Falcon did it first by almost two years) but it is certainly a step up in quality as this version is much, much better since in the first version it was used as plot fodder within an existing formula. I have not read the book but for me everything works really well here with the right mix of plot, character and atmosphere. As I have admitted before, I'm not the smartest of men on this earth and, as a result, I do get confused by some of this type of film where the twisty plot is not that well explained (The Big Sleep always has me a bit spun) and here at times I was a bit unsure of who was what, but this comes good by the end and is clear with a satisfying ending to the piece. The atmosphere is tough considering the period and is more effective for being built tough on the characters and not by just writing lots of F words into the script. Dmytryk directs really well with the time honoured shadow and use of music, the camera also moves well even if some of the shots look a bit dated (well – it has been sixty years this year you know).

    The characters are well-written and convincing. Marlowe is a dead beat – cool but not so tough and together that it takes away from his status as being a downbeat. Powell is not someone who leaps to mind when I think about the noir genre but he is very good here and gets the character really spot on. Mazurki makes Malloy his own with a firm performance that shows Moose to be strong but also manipulated by the love he totally believes in. Trevor is very good, as are Shirley and Kruger. The dialogue is sharp and tough and all of them do really well with the lines and the characters they have (making them more than pigeon-holed genre clichés) but the film mostly belongs to Powell.

    Overall this is a very good film and is miles better than the first filmed version of this story. The film is atmospheric and looks great; the story is not afraid to risk losing the audience and is smart but pulls it all together and didn't lose me totally at any point. The dialogue is tough and quotable and is delivered by a collection of actors giving good performances, headed up by Dick Powell, doing his best to make us think of him first when we think of this story and the character of Marlowe.
    subzero6006

    Film Noir 101

    This is the movie that hooked me on "Film Noir." I first saw this on the late show while suffering a killer flu. Even through local TV editing and enough medicine to tranquilize a circus tent, it had me sitting at attention from start to finish. It wasn't until several years later that I got to see it uncut on cable that I got the full effect. Having grown up with Bogart's hard-boiled private eye archetype, Dick Powell was a complete revelation to me. If you double-bill this with Bogart's "Big Sleep," you see at once that Powell truly IS Phillip Marlowe (even Raymond Chandler thought so), and Bogart is much better suited to portray Hammet's colder, meaner Sam Spade. Powell gives Marlowe a vulnerable cynicism as well as a touch of the "everyman," that Bogart wouldn't be able to pull off until later in his career. Powell's background in romantic musicals gives him access to a far deeper emotional range, needed to play the complex and conflicted Marlowe; his cynicism, his humour, his loyalty to his code...it's all there. Powell manages to give extra resonance to some of Chandler's throw-away similes! No wonder he claimed this as his favorite role!

    The direction by Edward Dmytryk and cinematography by Harry Wild are perfect, giving the film a tight, economical yet alluring vintage "feel". Working on a tight budget, they manage to infuse it with all the seedy, chaotic topography that would serve as the touchstones for every film of this type from "Night of the Hunter" to "Blade Runner." While this isn't the first Noir film, it may well be the best.

    इस तरह के और

    Out of the Past
    8.0
    Out of the Past
    Crossfire
    7.3
    Crossfire
    The Killers
    7.7
    The Killers
    Gun Crazy
    7.6
    Gun Crazy
    Phantom Lady
    7.2
    Phantom Lady
    The Set-Up
    7.8
    The Set-Up
    Detour
    7.3
    Detour
    The Blue Dahlia
    7.1
    The Blue Dahlia
    Criss Cross
    7.4
    Criss Cross
    The Big Sleep
    7.9
    The Big Sleep
    The Postman Always Rings Twice
    7.4
    The Postman Always Rings Twice
    The Big Combo
    7.3
    The Big Combo

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      For the scene in which Marlowe is drugged, Edward Dmytryk showed Dick Powell falling through a sea of faces. He borrowed a trick from Saboteur (1942) by having the camera pull back from the actor to make it seem like he was falling. He also had the camera accelerate as it pulled back, to intensify the horror.
    • गूफ़
      In the opening montage the men sitting around the interrogation table are not wearing hats. The camera zooms in on a reflection of the lamp on the glass table top, but when it pulls back, all three other than Marlow are wearing hats. Actually, there are only three men's heads shown - Marlowe on the left without a hat and two others who do have hats and a fourth man, but only his hands can be seen. When the camera pulls back, Marlowe is now at the front instead of at the left.
    • भाव

      Philip Marlowe: She was a charming middle-aged lady with a face like a bucket of mud. I gave her a drink. She was a gal who'd take a drink, if she had to knock you down to get the bottle.

    • इसके अलावा अन्य वर्जन
      Exists in color-computerized version.
    • कनेक्शन
      Edited into American Cinema: Film Noir (1995)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल26

    • How long is Murder, My Sweet?Alexa द्वारा संचालित
    • Is "Murder, My Sweet" based on a novel?
    • Why did they change the name of the movie?
    • How closely does the movie follow the novel?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 फ़रवरी 1945 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Farewell my Lovely
    • फ़िल्माने की जगहें
      • Sunset Tower Hotel - 8358 Sunset Blvd, वेस्ट हॉलीवुड, कैलिफोर्निया, संयुक्त राज्य अमेरिका(apartment of Jules Amthor)
    • उत्पादन कंपनी
      • RKO Radio Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,00,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 35 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

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    Dick Powell and Claire Trevor in Murder, My Sweet (1944)
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    What is the Japanese language plot outline for Murder, My Sweet (1944)?
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