Johnny Doesn't Live Here Anymore

"Johnny Doesn't Live Here Anymore" is a wartime comedy that centers around the housing shortage. From the very beginning, the film falls flat for two reasons. Firstly, the star is Simone Simon, whose French accent is distracting. More importantly, her nominal understanding of the English language derails some lines that could be funnier if she knew where to place emphases.

But the bulk of the blame lies with the script, which might have done better as a play. Most of the gags are almost humorless. I doubt that any actress could have made a winner of this collection of overworked and uninspired lines.

The "hijinks" begin when Simon (Kathie Aumont) spills a salt shaker. A gremlin emerges and, as everyone supposedly knows, it curses her with seven weeks of bad luck. So begins her crusade to find a place to live. She locates a temporary residence, but her privacy is invaded by a long line of people who also have keys to the premises. She reacts to this in various ways that have no apparent rhyme or reason.

The film's ending, which is supposed to be a big reveal, probably had theatergoers saying "What?" or "So what?".

Johnny Doesn't Live Here Anymore is the repeated line that poor Simone Simon says because every time she turns around somebody else is using her apartment and lets themselves in with a key. The previous tenant William Terry was very generous with keys.

This film is a rather dated comedy because the housing shortage in the Washington, DC area during World War II was a temporary social phenomenon that few today might get. A more successful and long lasting film on this topic was The More The Merrier from a year earlier. But that one boasted major stars like Joel McCrea and Jean Arthur and an Academy Award winning Charles Coburn.

Like Jean Arthur in that film, Simone Simon is a girl from Quebec to explain her French accent who's come to work in one of the wartime agencies that sprung up overnight in the DC area. Why she didn't work in Canada is anybody's guess, but her original intention was to stay with her friend Dorothy Granger. But between the promise of a room and Simon's arrival Granger gets married to Grady Sutton. Personally I'd rather stay with Simon than Sutton, but that's the situation.

At this point the plot takes a lot out of Noel Coward's Designing Women which itself was pretty daring back in the day. In fact if this film was not a Monogram Picture I doubt it would have slipped by the censors. This film which was definitely not Code approved material would never have been made by one of the major studios.

She gets an apartment from William Terry who was leaving to join the Marines because of the impression she makes on Terry. But after that it's James Ellison and Chick Chandler and even the twin kids next door who have bathroom privileges. Simon ends up working by day and running her own hospitality suite for the Armed Services.

Robert Mitchum has a small supporting role as a Navy CPO who also gets a key expecting a little privacy for he and the wife. And two people who are really funny in this whole affair are Chester Clute and Minna Gombell. Minna is the best one in the film in fact she might have been who inspired Audra Lindley and Chester may well have inspired Norman Fell in playing the Ropers in Three's Company.

It all ends in a lovely fight that ends up before Judge Alan Dinehart who has to sort all the cast out in his courtroom. In fact Dinehart figures prominently in the very surprise ending the film has.

Because it came from Monogram Johnny Doesn't Live Any More got no attention from the censors and possibly the critics of the time. But it's a real comedy gem which is sparked by the ingenuous character that Simone Simon plays. Try to catch this one.

Fairly sharp script by Philip Yordan and John Kafka, from Alice Reeve's magazine story, about a working gal in Washington, DC who, because of the housing shortage created by returning WWII soldiers, accepts an apartment from a Marine on deployment. Unfortunately, he has also given copies of the key to all his buddies on shore leave, though our attractive heroine--Simone Simon, who keeps singing "Frère Jacques" to tell us she's a Frenchie--doesn't seem to mind the unwarranted drop-ins. For some odd reason, a comical Beelzebub (with what sounds like the uncredited voice of Mel Blanc) is injected into this merry mix-up of the sexes, as well as bratty twin boys who keep barging in unannounced to use Simon's bathroom! It all begins well enough before losing steam in the second-half, turning into a screwball romp with pie-in-the-face humor and the type of wrap-up in Night Court which seldom works. Noteworthy for an early appearance by Robert Mitchum (who has a funny bit flipping Simon onto a bed), but the laughs are spread pretty thin. *1/2 from ****

I adore Simone Simon. She's just as cute as a button isn't she? Obviously she's most remembered today for Cat People and (maybe) The Devil and Daniel Webster, but this is a rare starring role for her in a wartime romantic comedy. She plays a superstitious girl from Quebec who comes to Washington, DC to work at a defense plant. When her roommate gets married, she's left without a place to stay. She lucks out when she meets a Marine about to ship out. He gives her the key to his apartment to stay there while he's away. But what he fails to tell her is that he's also given keys to some of his friends so they have a place to crash when they are in town. This leads to several comedic situations where the men show up unannounced and the nosy neighbor lady gets all the wrong ideas. Then it's just a wait to see which lucky guy Simone winds up with in the end. You will NOT guess, let me assure you of that!

Simone is absolutely charming in this and funny, too. Her thick accent may make her hard to understand at times but who cares -- she's irresistible! James Ellison and William Terry play the main two guys who fall for her. Both seem kind of plain and uninteresting, which hurts the movie overall. Robert Mitchum appears in a small role that's been overstated in publicity due to his becoming a big star years after this. Horror movie staple Rondo Hatton has a 'blink and you'll miss him' bit as an undertaker. In a sad piece of trivia, this is the last screen appearance of Billy Laughlin, who played Froggy in the Our Gang shorts. Laughlin retired from movies after this and, four years later, was killed when a truck hit him while riding a motor scooter with a friend.

It's a flimsy story but it's helped greatly by Simone's sparkling screen presence and a great twist ending. Love the little bits of business involving the gremlin Rumpelstilzken, voiced by the legendary Mel Blanc. The lack of a strong male actor who had good chemistry with Simone is the film's biggest flaw. Still, if you're a fan of hers or just a fan of light comedies from the '40s, you will probably enjoy this one.

While a lot of unjustly forgotten films have been recently released on Warner Archives DVD, this one might have been forgotten for a reason. It's not exactly a terrible film, it just doesn't seem to work. The film's premise, about a woman who sublets an apartment from a Marine during a housing shortage, only to find that he's also issued a standing invitation for the use of the apartment to several of his male friends, has the potential for a wacky screwball comedy. Certainly Jean Arthur was able to turn a similar story line into classic comedy in "The More the Merrier". As this movie was the product of the low-budget Monogram Studios, someone of Arthur's caliber wasn't available, but the role might have been a good showcase for a reliable comedienne such as Lucille Ball or Betty Hutton. Instead, the role went to Simone Simon, who can't really milk the role for all its comic potential. It's hard enough sometimes just to understand her would-be wisecracks through her thick French accent.

The lead roles are played by James Ellison and William Terry, a pleasant-looking actor who deserved better roles than he generally got over the course of his career. The actors try their best to squeeze some laughs out of the material, but much of the comedy seems uninspired. The running gag of having a gremlin (a tiny little troll) appear throughout the story to sabotage everyone's plans may have seemed like a cute idea at the time, but it's just bizarre and unfunny.

Classic film buffs may appreciate seeing this mainly for the chance to catch some familiar faces, such as character actors Chester Clute and Minna Gombell as a pair of bickering landlords, and child actor Billy Laughlin in his only movie role (he was otherwise known as "Froggy" in the later Our Gang episodes). There's a brief, sad cameo by Rondo Hatton, an actor who capitalized on his severe facial deformities by appearing in B horror movies during the '40s. The gremlin is played by Jerry Maren, best known as one of the Munchkins from "The Wizard of Oz", although he's unrecognizable in the gremlin costume. The gremlin's voice is unmistakably that of Mel Blanc. And the film features an early appearance by Robert Mitchum, whose charisma shines through in a small role here. His character is described by one of the others as someone who "looks like a movie star," which in Mitchum's case is prophetic, as he would become a star just a few years after this movie was made.

Despite its mediocrity, this film has a truly surprising twist at the end. So, with a 78-minute running time, it just might be worth slogging your way through it to get to the finish. Just don't expect too much along the way.