In Society

Abbott and Costello are plumbers who accidentally get themselves invited to a High Society social event. Like so many of their films, this one's got a good amount of funny bits to enjoy, but they also come at the price of enduring some musical interruptions (at least Marion Hutton sings "No Bout Adoubt It" better than she can deliver dialogue). But ignoring those, some of the best gags in this movie include: Bud and Lou trashing a ritzy bathroom with their plumbing incompetence; a hilarious sequence where a policeman beats Costello up for blowing a car's horn late at night while Abbott doesn't lift a finger to help (they often revamped this routine in other films as well as their TV show, but it was never better done than it is here); Costello jumps in a pool to save a man's life and gets berated for it; and the classic highlight of the picture -- the "Bagel Street" bit where Lou attempts to get directions to the Susquehannah Hat Company from all sorts of nutty people he meets on the street. **1/2 out of ****

"In Society" has a promising set-up - Abbott and Costello as bumbling plumbers who get invited by mistake to a high-society weekend party and try to act as if they belong there - but the film doesn't exploit this premise for all it's worth. At its best, the film approaches the surreal craziness of the Marx Brothers movies (the flooded room, the Susquehannah Hat Company sketch, etc.). But there are too many songs, 4 to be specific in a 70-minute movie (though at least one of them, "No bout adout it", has likably crazy lyrics - "I sove you lo much, I mean I love you so much"), the back projection during the big chase scenes couldn't be more obvious, and Abbott's character is thoroughly obnoxious. (**)

While I can't say this movie was on a par with "Hold That Ghost" or "Time of Their Lives", it was still funny and entertaining. Bud and Lou play Eddie and Albert, two plumbers who are hired to fix the sink at a wealthy estate during a costume party, (where Arthur Treacher plays the butler) and are driven there by cab driver Elsie Hemmerdingle (Marion Hutton), whom Albert's been dating. She, however, soon loses her heart to Peter Evans (Kirby Grant), who mistakes her for one of the elites, thinking her uniform is a costume. Meanwhile, Albert makes a shambles out of the bathroom, as Murphy's Law prevails!

Some highlights of the film are the two numbers Marion sings: "My Dreams Are Getting Better All the Time" and "No Doubt About It", and a crazy chase on a firetruck, as Eddie and Albert seek to clear their name of stealing a priceless painting.

Not a bad way to pass the time.

After previously reviewing Laurel & Hardy crashing High Society in From Soup to Nuts and Another Fine Mess, we're now seeing Bud Abbott & Lou Costello In Society. They're plumbers called to fix a sink leak in a mansion. With Abbott ordering Costello around, there's no way that will go well! Despite that, they accidentally get invited to a society party along with their cab driver friend Elsie (Marion Hutton, Betty's sister). Also coming, a loan shark (Thomas Gomez) and his chauffeur (Murray Leonard) are following along to steal a valuable painting. I'll stop there and just say some of the scenes are uneven due to obvious rear projection footage involving some chase scenes and at least one song-among many being performed usually by Marion-sung by Kirby Grant is one too many. Still, there's still some infectious fun especially when the "Bagel Street" routine is being performed. Some of the players above had or will team with Bud & Lou in other films which would also include Anne Gillis playing a rival for Grant here. Also, a couple of players associated with Laurel & Hardy also appear here-Dorothy Granger and Charlie Hall, though I admit I didn't recognize the latter anywhere in the picture. In summary, In Society is still worth a look for any A & C fan. With that, my next review will be Laurel & Hardy's Swiss Miss.

Years ago Alan King had a great line about plumbers that it was indeed a noble profession and should be celebrated the way astronauts are. Without plumbers King reasoned, we'd all be astronauts. But when you hire Abbott&Costello as plumbers you'd better be checked out in a space suit.

Bumbling plumbers Bud and Lou after wrecking the home of Thurston Hall and Nella Walker get invited to a big society bash when they get that instead of a threatening letter from Walker. When they went to that job they got a lift from their friend, Rosie the Riveteer cab driver Marion Hutton who was mistaken for a society girl in costume by Kirby Grant who was similarly attired. So begins Marion's Cinderella like odyssey.

In fact Marion and Kirby are given a great deal more screen footage than you would normally expect in an Abbott&Costello feature. I'm guessing that Universal was trying to turn Hutton into a big film star the way Paramount was doing with her older sister Betty. Marion was a lighter and sweeter version of Betty, maybe if she had a more distinct personality of her own she might have had a film career. In any event she was more interested in singing than acting. She got a couple of really good songs to sing, No Bout Adoubt It is in the style of her sister. And one of the big song hits of 1944 was introduced by Marion with My Dreams Are Getting Better All The Time. Television's future Sky King also has a fine number with What A Change In The Weather. This should prove a pleasant surprise to his fans who probably didn't know Kirby Grant started as a singer.

But Bud and Lou get their innings as well here as they make an ungodly mess of Thurston Hall's lovely home. And they do one of burlesque's celebrated routines, the famous Susquehanna Hat Company on Beagle Street. Who could possibly believe that such horrific events in people's lives could have happened on that street or been connected with that hat company?

The last chase sequence as society crook Thomas Gomez tries to steal a valuable painting on the fire engine is re-edited from W.C. Fields's Never Give A Sucker An Even Break. You'll recognize it of course if you are a fan of Fields, but it is certainly edited nicely into In Society.

This is one of the best A&C films from their early Universal period, a must for their still growing legion of fans.