The Fighting Seabees

Saying this film is "propaganda" is not an insult. No, it was deliberately crafted to encourage Americans that we can and will win the war if we stand firm. And what better image of this than the ever-vigilant John Wayne--the embodiment of the Hollywood image of heroism.

This film reminds me a lot of The Flying Tigers, though the plot isn't so melodramatic. It's about a crew of civilian engineers sent overseas to do construction for our troops (such as building runways and other projects). BUT, the evil Japanese in the movie take advantage of the fact that these are unarmed civilians and butcher them at every opportunity. So, what is The Duke and his trusted pals to do? Take up arms and use their own equipment when necessary to beat the stuffing out of the Japs! Yes, guys with bulldozers and clubs NEVER could have inflicted the casualties you witness in the movie, but man if it isn't entertaining to watch--particularly the explosive ending.

My father, who was a Seabee in the Pacific during World War II, always considered this film to be 99% absolute rubbish. He insisted that the only aspects of this movie that had any basis in fact were that the Seabees actually did recruit professional engineers and construction workers, that many of them were considerably older than other service men, that they were occasionally called upon to defend themselves, and that they really could build anything. In his day the Seabees did not yet have their own training facilities, so they did their basic military training not with the Navy but with the Marines. The way to tell the difference between a Marine base and a Seabase base was that the Marines were all 18 years old and lived in pup tents, while the Seabees were mostly in their forties and fifties and their encampments always had heat, hot and cold running water, washing machines, shower facilities, stills, and all the other comforts of home, all of which the Seabees manufactured themselves in their spare time.

Ended up being a pretty good war film. A bit more acting cred for John Wayne than in his Westerns, which is fine. Some really good combat scenes, by the standards of the time. And Susan Hayward provided the much-needed eye candy. Sitting here in the hyper-polarized polity of today, it's a little hard to wrap one's mind around the wartime unity. And yes, I noticed the depictions of Japanese soldiers that are considered racist in today's oh so sensitive times. But it's never fair to judge personages or art from the past by a politically correct standard of which they knew nothing. Sort of like criticizing Jesus for admonishing slaves to obey their masters.

Having watched this in the wee hours of Veterans' Day, I just wanted to point out that rating it and other WWII propaganda films on the basis of artistic merit is beside the point entirely. The people that made these didn't have the luxury of crafting meticulous stories and memorable characters; most of the movies had been contracted by the government and had to be turned out QUICKLY. Movies like "The Fighting Seabees" were made for one reason alone: as propaganda pieces designed to bolster public support for our fighting men overseas. As such, they were an important part of the war effort, and helped ensure that fifty years later, we'd have the luxury of sitting at our computers and hashing about their qualities as movies.

With all that in mind, "The Flying Seabees" is really pretty good.

Werner's rather tepid 6 out of 10 evaluation of THE FIGHTING SEABEES notwithstanding (I'd have given the film much higher, but that is just opinion), the allegation that Wayne failed to perform military service during World War II owing to "disabling restrictions" is simply not true. Accounts vary in accounting for his lack of military service, but none of them have to do with disabilities of any kind. As a married man with four children, he was exempt from the draft. His daughter Ayssa reports that Wayne was eager for military service but that pressure from Republic Pictures (with whom he was making enormously profitable films) convinced him not to volunteer for military service. A less flattering picture emerges from Gary Wills JOHN WAYNE'S America: THE POLITICS OF CELEBRITY in which evidence seems to indicate that Wayne (who was no physical coward by any stretch of the imagination) made a complex decision based on his growing stature in the film industry, his value as a propaganda symbol, his increasing paycheck, and the fact that he found film-making so rewarding. Whether an outside observer finds this an appealing portrait or not, there is ample evidence to suggest that Wayne always regretted thereafter not having served on active duty.