अपनी भाषा में प्लॉट जोड़ेंRadio crime show host "The Fox" finds himself on the trail of a serial killer while a suspect himself.Radio crime show host "The Fox" finds himself on the trail of a serial killer while a suspect himself.Radio crime show host "The Fox" finds himself on the trail of a serial killer while a suspect himself.
- निर्देशक
- लेखक
- स्टार
Rags Ragland
- Chester Conway
- (as 'Rags' Ragland)
Robert Emmett O'Connor
- Detective Leo Finnigan
- (as Robert Emmet O'Connor)
Steven Geray
- Whitey
- (as Steve Geray)
Pat Ankenman
- Pat Ankenman
- (बिना क्रेडिट के)
Morris Ankrum
- Blake - Newspaper Editor
- (बिना क्रेडिट के)
William Bishop
- Psychiatrist
- (बिना क्रेडिट के)
Billy Bletcher
- Announcer
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Whistling in Brooklyn was the last of three films that Red Skelton did as Wally 'The Fox' Benton, radio criminologist who keeps getting drawn into these real life mysteries via his reputation. Why he didn't just say that he was just an actor playing a role would have saved him a whole lot of trouble. Then again we wouldn't Skelton's Fox films, made at MGM, and they're pretty funny.
Among other things he never quite gets around to is marrying gal pal Ann Rutherford. If another Fox film had been done I'm sure they'll have not done the deed yet again.
There are some murders going on in Brooklyn, the last one being that of a police detective and after each one someone sends the Brooklyn Standard (Eagle) a note as to where the body is and signs it 'Constant Reader'.
At the same time Skelton and his lunkhead man Friday Rag Ragland whom he picked up from the last Fox movie Whistling in Dixie decide that he ought to give out with the publicity stunt that Skelton is really the Constant Reader. That sets up one long chase where Skelton, Ragland, Rutherford, and snoopy reporter Jean Rogers get to solve it all literally on the fly.
Whistling in Brooklyn is a fast paced comedy that is nice and personal for me and for the aging fans of the former Brooklyn Dodgers. There is an extended sequence where Skelton has escaped from both cops and bad guys and has disguised himself as a member of the semi-pro team the Beavers who are playing an exhibition with the Dodgers and they all wear beards. There was a team called the House of David where the players were just like that, they all looked like Hassidic Jews. It was their gimmick and they were an attraction.
MGM did some location work in Brooklyn and such Dodgers as manager Leo Durocher and players like Arky Vaughn, Joe Medwick, Mickey Owen, Billy Herman and Dolph Camilli played themselves. Skelton disguised himself as the Beavers pitcher and took his place on the mound against these guys and retired the side after hitting the first three batters. You've got to see how he does it.
Later on when he's up pitcher Bobo Newsom administers some chin music to Skelton at the plate. Newsom was almost as natural born a performer as Durocher who with this film started hanging around with show business types the rest of his life. Newsom had some right-handed sidearm delivery as you'll see. Those shots of the Brooklyn Dodgers and Ebbets Field are definite treasures that any baseball fan must see.
To tell the truth, the plot is kind of dopey, but the laughs are real enough. For Skelton and baseball fans, a must.
Among other things he never quite gets around to is marrying gal pal Ann Rutherford. If another Fox film had been done I'm sure they'll have not done the deed yet again.
There are some murders going on in Brooklyn, the last one being that of a police detective and after each one someone sends the Brooklyn Standard (Eagle) a note as to where the body is and signs it 'Constant Reader'.
At the same time Skelton and his lunkhead man Friday Rag Ragland whom he picked up from the last Fox movie Whistling in Dixie decide that he ought to give out with the publicity stunt that Skelton is really the Constant Reader. That sets up one long chase where Skelton, Ragland, Rutherford, and snoopy reporter Jean Rogers get to solve it all literally on the fly.
Whistling in Brooklyn is a fast paced comedy that is nice and personal for me and for the aging fans of the former Brooklyn Dodgers. There is an extended sequence where Skelton has escaped from both cops and bad guys and has disguised himself as a member of the semi-pro team the Beavers who are playing an exhibition with the Dodgers and they all wear beards. There was a team called the House of David where the players were just like that, they all looked like Hassidic Jews. It was their gimmick and they were an attraction.
MGM did some location work in Brooklyn and such Dodgers as manager Leo Durocher and players like Arky Vaughn, Joe Medwick, Mickey Owen, Billy Herman and Dolph Camilli played themselves. Skelton disguised himself as the Beavers pitcher and took his place on the mound against these guys and retired the side after hitting the first three batters. You've got to see how he does it.
Later on when he's up pitcher Bobo Newsom administers some chin music to Skelton at the plate. Newsom was almost as natural born a performer as Durocher who with this film started hanging around with show business types the rest of his life. Newsom had some right-handed sidearm delivery as you'll see. Those shots of the Brooklyn Dodgers and Ebbets Field are definite treasures that any baseball fan must see.
To tell the truth, the plot is kind of dopey, but the laughs are real enough. For Skelton and baseball fans, a must.
Another red skelton adventure. when a series of murders are committed, radio personality wally benton (Skelton) gets mixed up in them, and decides the only way to get out of it is to solve them himself. He and Carol (Anne Rutherford) will have to postpone their wedding. and there's a newspaper reporter (Jean Rogers) along for the ride. she was trying to get the scoop on the wedding, but now she's mixed up in it too! and so much screaming and screeching by the girls -- it quickly got annoying. some other fun names in here.. William Frawley (Fred !) is Detective Ramsey, Rags Ragland is Conway. Ray Collins usually turned out to be the bad guy. and somehow, they get caught up in a ball game with the actual players from the Dodgers. it's all silly, the usual red skelton goings on. not bad, but not great. directed by sylvan simon... they made a bunch of films together.
The overabundance of physical comedy in WHISTLING IN BROOKLYN is staggering. Most memorable moment has four of the principals hanging from an empty elevator shaft, each hanging on the the other for dear life and managing, somehow, to swing to safety at another level. It's probably the trickiest bit of physical comedy in the whole film, but the story requires a constant display of these sort of antics from its stars.
Once again, RED SKELTON is "The Fox", this time anxious to clear himself of a murder the mob is responsible for--with Red being mistaken for "The Constant Reader" due to a remark made by his chauffeur RAGS RAGLAND to newspaper reporter JEAN ROGERS. So, instead of going off on his honeymoon with ANN RUTHERFORD, Red is forced to spend the entire film on the lam from the police and the mob until he clears himself after a hilarious ball game at Ebbets Field with the N.Y. Dodgers, including Leo Durocher.
The slapstick is poured on so thick, it almost feels like a silent comedy with Buster Keaton at times. The storyline is slim, the gags fast and furious, and all of it is so far-fetched that it will strain the tolerance of some viewers.
But it does show that Red was a gifted comedian and that ANN RUTHERFORD and JEAN ROGERS were good sports to put up with all the shenanigans and stunts required of the cast--and both of them, by the way, show a flair for physical comedy.
But--not one of the best in the "Whistling" series.
Once again, RED SKELTON is "The Fox", this time anxious to clear himself of a murder the mob is responsible for--with Red being mistaken for "The Constant Reader" due to a remark made by his chauffeur RAGS RAGLAND to newspaper reporter JEAN ROGERS. So, instead of going off on his honeymoon with ANN RUTHERFORD, Red is forced to spend the entire film on the lam from the police and the mob until he clears himself after a hilarious ball game at Ebbets Field with the N.Y. Dodgers, including Leo Durocher.
The slapstick is poured on so thick, it almost feels like a silent comedy with Buster Keaton at times. The storyline is slim, the gags fast and furious, and all of it is so far-fetched that it will strain the tolerance of some viewers.
But it does show that Red was a gifted comedian and that ANN RUTHERFORD and JEAN ROGERS were good sports to put up with all the shenanigans and stunts required of the cast--and both of them, by the way, show a flair for physical comedy.
But--not one of the best in the "Whistling" series.
The gags fly thick and fast in this, the last of Skelton's Whistling series for MGM. The pace is so hectic you may have to check your fast-forward. But the first half-hour is near hilarious with the usual Skelton mugging and pratfalls, backed up by experts Rags Ragland and Ann Rutherford, along with clever quips galore, so stay tuned. As usual, the plot amounts to little more than a convenient hat-rack on which to hang Skelton's usual brand of madcap. And what better fare for wartime audiences than a chance to escape the horrors with this slapstick whirlwind. I really did wonder how they would escape the elevator shaft, one of those great moments when you don't know whether to laugh or hide your eyes. And, yes, that is Jean Rogers as the reporter, on a break from Ming the Merciless and his serial effort at conquering the universe and Flash Gordon all in the same breath. There's also a chance to scope out Ebbetts Field and the Brooklyn Dodgers before both were torn down and shipped to LA. All in all, good period fun, even this many years later.
If you like old-fashioned corny humor you'll love this. I'm hesitant to give a movie this silly, corny and stupid eight stars but I had to because overall it was fun to watch and provided a number of genuine laughs. In fact, some of the scenes were downright hilarious. A lot of it is innocent old-time slapstick and, if it entertains, it did its job.
This was my first look at early Red Skelton films (I had only known him through his TV show) and it reminded of some Bob Hope films except this one had more slapstick and action.
It inspired me to go out and buy other Skelton comedies on VHS but, unfortunately, none ever measured up to this one. The real star of film might not have been Skelton, anyway, as Rags Ragland, playing the chauffeur, had perhaps the highest percentage of funny lines. The baseball scene in here also was very good.
Yes, this is stupid, generally-speaking, but it's really entertaining. If only two people have reviewed it (as of my review) then apparently a lot of people haven't seen this. That's too bad, especially with the older crowd, because they've missed a funny movie.
This was my first look at early Red Skelton films (I had only known him through his TV show) and it reminded of some Bob Hope films except this one had more slapstick and action.
It inspired me to go out and buy other Skelton comedies on VHS but, unfortunately, none ever measured up to this one. The real star of film might not have been Skelton, anyway, as Rags Ragland, playing the chauffeur, had perhaps the highest percentage of funny lines. The baseball scene in here also was very good.
Yes, this is stupid, generally-speaking, but it's really entertaining. If only two people have reviewed it (as of my review) then apparently a lot of people haven't seen this. That's too bad, especially with the older crowd, because they've missed a funny movie.
क्या आपको पता है
- ट्रिवियाDuring the baseball game Red Skelton gets into an argument with "Durocher" from the other team. That other player was, in fact, the real life legendary baseball player and manager Leo Durocher. When this movie was made in 1943, Leo Durocher was a player/manager for the Brooklyn Dodgers.
- गूफ़When Rutherford's stunt double jumps off the table to save Skelton she is wearing sneakers instead of high heels.
- भाव
Wally 'The Fox' Benton: [referring to suitcase] Put that bag in the car.
Chester: You can't talk to Miss Pringle like that.
- कनेक्शनFollows Whistling in the Dark (1941)
- साउंडट्रैकAuld Lang Syne
(1788) (uncredited)
Traditional Scottish 17th century music
Lyrics by Robert Burns
In the score with sounds produced by the saw Wally uses to deflect objects thrown at him
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 27 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें