Spies

The flow of the story and gags work perfectly in this one.

All has to do with Snafu trying not to reveal a secret to the spies that are following him.

This was made back when Germany and Japan was the enemy of America. So allot of the spies are mostly German, Japanese or just some sneaky looking fellas.

what also cool is it's the only Snafu cartoon with a cartoon version of Hitler himself.

Please note that this film is banned along with other Snafu shorts due to it having racist stuff on the Japanese.

So I won't recommend showing this to anyone who is Japanese or German to prevent any offending.

besides that it is a great WW2 short.

One of the best Private Snafu shorts. These cartoons were made for use by the U.S. Army during WWII as instructional films for soldiers. The hope was the grunts would learn what to do (and not to do) by watching buffoonish Snafu make mistakes in humorous fashion. Directed by Chuck Jones with a rhyming script from Dr. Seuss himself. Typically fine voice work from Mel Blanc. Nice black & white animation. The subject for this short is, as you can guess by the title, espionage. Specifically that soldiers should be aware that enemy spies are all around and not to be blabbing military secrets in public. To illustrate this, the short starts with Snafu bragging about having a secret that he can't tell. It doesn't take long before Snafu winds up telling the secret to a beautiful Nazi secret agent. This has disastrous consequences for the American fleet, which leads to a hilariously dark ending for Snafu.

I have no idea if this is typical of the Snafu series, many directed by Jones and written by Dr. Seuss, but I certainly want to see more even if this does not show either master at his very best. Here our private in question blabs his orders to anybody and everybody after vowing to keep it all secret, and of course all the voluptuous babes, bartenders, and even a little guy inside the telephone box end up being broadly caricatured Japanese, German and Italian spies. It all ends quite literally with a big bang and a trip to Hell. Propaganda at it's finest, if awfully frenetic and short.

The copy I watched was from "Treasures of American Cinema", volume I, a four-disc set of mostly early shorts and features, all beautifully restored and remastered, with excellent notes and music - an essential set for anyone who wants to better know the history of the American film.

This was my first look at a "Private Snafu" cartoon. All I know is I first see some nerdy- looking private walking around the Army camp and saying in rhyme, "I just a learned a secret; it's a honey, it's a pip, but the enemy is listening so I won't let it slip."

After that I thought this was going to be very corny and stupid, but it was anything but. Afterward, when I saw Theodore Geisel, a.k.a. "Dr. Seuss" wrote it and Mel Blanc did the voicing, I wasn't surprised it was entertaining.

Spies are everywhere, following Pvt. Snafu, even to the telephone in the town drugstore where our hero goes to call him mom. The German and Japanese stereotypes were typical of the day, so anyone who is offended watching today should not be. The Allies were not exactly fond of Germans and Japanese in 1943!

It wasn't just verses that were clever. If you look close, you see some quick sight gags like two moose heads on the wall crossing antlers making the Nazi insignia. There's also a good message about how liquor loosens up our "zipped" lips. The main message was for everyone watching this in the theaters during a very tense time in the world's history: be careful what you say, that one careless word could leave to many people getting killed.

This was a "From The Vaults" feature on the Looney Tunes Golden Collection Volume Three.

Chuck Jones's 'Spies' is one of the best Private Snafu cartoons made for the military. Used to instruct soldiers against certain behaviour by using Snafu to epitomise it, the Snafu cartoons were known for their bawdier nature inserted to keep the soldiers' attention. So 'Spies' features some prominent breast-based recording equipment, then-risqué use of the word "Hell" and a great horse's ass joke. Directed with great flair by Jones, 'Spies' main trump card is a cracking, witty script entirely in rhyme written by none other than the great Dr. Suess. Suess and Jones were a match made in heaven, as the classic 'How the Grinch Stole Christmas' would later attest, and this early collaboration between the two is a worthy forerunner. Though it only lasts about three minutes in total, 'Spies' packs in plenty of laughs and sneaks its message in amongst them so that the audience doesn't feel it has been crammed down their throats at the end.