The North Star

The North Star (1943)

Made at the request of President Roosevelt, this fictional Sam Goldwyn independent production recreates the Soviet side of WWII by taking us into the lives of a small town family, apparently Ukrainian. The cast is stellar, with writing by Lillian Hellman, music by Aaron Copland, lyrics by Ira Gershwin (it's very musical)...you get the idea? This propaganda film pulled no punches. But it's troubled in a lot of ways, not the least of which is its goody-goody view of Russian life that makes Russian propaganda look accurate. Dana Andrews is a breath of fresh air, but really, do they have to have him singing and playing the balalaika while walking a country road? Smiling? But in uniform, which is key. Luckily, Andrews is thoroughly great in the rest of the film. But I decided to watch this film for another reason: James Wong Howe. Yes, his cinematography is quite stunning, and virtuosic through a range of styles. Much of the first part of the film is in a kind of brightly lit quasi-documentary style, with lots of hearty happy faces, all tightly framed and with some key moving camera to keep it real. Some of the family scenes inside are filmed with beautiful rich contrast. But what a quirky film in so many ways. It's heroic, for sure. When it gets to the war parts it's gripping and much more realistic. But there is consistent music, which was a surprise. Even Walter Brennan sings. But the bulk of the film is the war scenes, and they are impressive. Most of the film was shot at the Samuel Goldwyn studios, and it feels convincing. Walter Huston is commanding, and good old Erich von Stroheim takes on an ugly role with gusto. Lewis Milestone directs much of this mishmash with a feeling of a 1936 film, the characters simple and overly idealized as if fighting the Depression with dignity. The early war scenes (many shot with decent back projection) save the film, but in a way they are meant to be context for the human dramas of the town folk. It is when the war enters the village that the elements all meet and the movie rises up. By the end, it is the obvious writing that pulls the movie down and the stunning photograrphy that saves it.

I saw "The North Star" when I was a child of 6 or 7 and it made a lasting impression on me. I believe older cousins took me to see it while they were baby sitting. I will say without hesitation that it was not intended as a movie for children and that is as true today as it was in 1943. For years I could vividly remember scenes from the movie but did not remember the title. I happened to see it on TV by pure chance late one night during the '70s. I think it was about halfway through the film before I realized what I was watching, but from there on everything was as I remembered it.

It might correctly be labeled a propaganda film as it was made during a time when we were engaged in WWII. Germany was our enemy and Russia was our ally. As the saying goes, "war makes strange bed fellows." The Nazi war machine is depicted as evil and Russians are shown as innocent victims. Both are indisputable facts. The purpose of the film may have been to propagandize just how evil we believed the Nazis to be but we see films like that all the time. One example, "Empire of the Sun" (1987), a very fine film by Steven Spielberg. That was also an evil empire. Its not considered propaganda now because the war is long over. Its "art." Some might consider "JFK" as a lot of propaganda. Oliver Stone considers it "art".

If one is interested in films of historical periods, such as WWII, this might certainly be a film of interest.

The picture is set during Nazi invasion, on June 22, 1941, the Fuehrer sent his war machine crashing across the frontiers of the USSR , unleashing a furious Bltzkrieg. The Fuehrer,-known his hatred for Bolshevism-, described the assault on Russia as a crusade against communism, but he obviously was motived by a need for wheat, oil, and mineral supplies to enable him to defy the British blockade. This is flag-waving and propaganda film but at the time US and USSR were allied, it deals about an idyllic Soviet village. The first part describes life of a little town, a pacific village with good people, singing, dancing and living happily. When Nokya(Dana Andrews) and young villagers(Anne Baxter, Farley Granger, Jane Withers) go to Kiev are picked up by an old countryman(Walter Brennan). While they're singing and amusing themselves, then happen a Nazi invasion and they're bombed.The second part is quite starkly moving developing account of deeds that befall about the villagers and when they go into action.

The interesting film is a gripping war story with valiant villagers facing on Nazis.This unnerving epic depicts the horror war as Nazi atrocities and as the resistance fighters roam the Russian countryside attacking during the invasion. Although melodramatic moments in overall effects, also has moments of astounding power with some overwhelming sequences. Thought-provoking screenplay amid much feuding writer Lillian Hellman and producer/director , and Hellman told her disappointment on the adaptation. The credits are extraordinaries, prestigious actors, Walter Huston as the village medic, Dana Andrews, Farley Granger in his first role along with Anne Baxter, Erich Von Stroheim as usual official Nazi, Dean Jagger, among them.Cinematography supplied by the master James Wong Howe and score by the classic Aaron Copland with lyrics by Ira Gershwin.

The motion picture is well directed by Lewis Milestone, he was born in the Ukraine(where is set the movie), but emigrated to America at 18 and he served in WWI. He often made chronicles of wartime conflicts and persisted in showing horror war from the point of view of the ordinary soldier. As he showed WWI(All quiet on the western front), WWII(A walk in the sun,Purple heart, Halls of Motzuma,Edge and darkness) and Korean war(Pork Chop Hill); and directed several other excellent movies in different fields, drama(Of mice and men, Strange love of Martha Ivers), adventures(Mutiny on the Bounty) and heist-comedy(Ocean's eleven), among others.

The North Star is at least as good a propaganda movie as much of Hollywood's wartime output and the astonishing range of talent that helped in its making makes it important rather than brilliant. While not impossible, it would be difficult for this collection of top drawer movie makers to devise a real dog of a production and even the most rabid anti-commie could not put this movie into the same bag as say 'Hitler, Dead of Alive' or 'The menace of the rising sun'. The North Star was multi Oscar nominated and even factoring in the mores of the period, this cannot be dismissed entirely.

Reading the posts on the movie here, it appears to me that some commentators really miss the whole point of US propaganda at the time and condemn The North Star out of context. These responses suggest to me that The North Star's punch has lost none of its original power.

Director Lewis Milestone's "The North Star" shouldn't be viewed in embarrassed silence: it's a snapshot of a bleak period in World War II when Hollywood catered to the government's policy of portraying the recently despised and then of necessity embraced Soviet government and its population as heroic, implacable anti-Nazis.

Look at the credits: Anne Baxter, Dana Andrews, Two Walters (Huston and Brennan), Farley Granger, Dean Jagger and the aging but still chillingly evil Erich von Stroheim. And the screenplay - Lillian Hellman. Aaron Copland, the dean of American classical composers, provided a serviceable score that pales by comparison to the music that today is his contribution to the nation's music heritage.

"The North Star" tells the story, at any rate a story, of the resistance of Ukraine villagers to the thundering German blitzkrieg that brought incredible initial success following the launching of Operation Barbarossa in June 1941. There is little historically accurate about either the portrayal of the German advance or the rapid mobilization of patriotic and death-before-submission villagers who love their land with a fierce and unquenchable patriotism. In reality very many in the invaded areas initially hoped the Germans would liberate them from malign Stalinism and only the occupier's stupid and counterproductive terrorism awakened a staunch resistance movement. But this didn't happen overnight.

The characters are largely one-dimensional and wooden, each playing out a politically correct vision of the real events. Children are slaughtered, German doctors engage in unorthodox practices, villagers rally around men and women of strength and character.

Obviously 1943 audiences, targets of American government efforts to persuade them of the necessity and justice of arming the Soviet Union though Lend/Lease (actually Give/Never Get Back Anything), had a different experience than I had when I last saw this film (this morning on cable TV while devouring bagels with cream cheese accompanied by ample juice libations). But "The North Star" is a window not only into the history of World War II film but also into the germination of the postwar search for Communists and fellow travelers in Hollywood. What brought kudos in '43 led to scary and destructive investigations in the late forties and early fifties. "The North Star" deserves some credit for careers later ruined, lives destroyed and the Blacklist.

Sensing that times and tides had changed, an atrociously butchered recut of "The Dark Star" appeared in 1953 as "Armored Attack," the same film de-Sovietized. They had to cut the original from 105 minutes to a mere 82 to "cleanse" the film of the Red Menace. It's worth watching the two versions sequentially. They showcase the impact of the Cold War on Hollywood.

It's hard to give a rating to "The North Star." Except for the joy of seeing Von Stroheim roll out his patented dark side this is an artificially tame war film in the age of "Saving Private Ryan" and "Platoon." But as a history lesson it well rewards the time spent viewing this page from a perilous time.

Please, if you're going to rent this film, respect the original and don't get the "colorized" version.