Hi Diddle Diddle

This film starts out differently, with an animated sequence before the opening credits. This is the first of several off-beat touches which makes Hi Diddle Diddle an enjoyable film. Pola Negri, former silent star from Valentino's day registers well here as a temperamental opera star. Not only is her voice understandable, but it is downright good here. She is also still quite beautiful in 1943, and it seems a pity that she did not have a bigger career in sound films. The rest of the cast, headed by Adolphe Menjou, Martha Scott, Dennis O'Keefe and Billie Burke are all in top form, and a special mention for a musical sequence featuring June Havoc singing along with herself on a soundie screen. There are some good belly laughs to be had and, all in all, this is a charming piece of forties fluff which will whizz by painlessly enough.

A B film but a very funny comedy starring Martha Scott and Dennis O'Keefe as newlyweds who get caught up in the schemes of daddy (Adolphe Menjou) as he tries to win back mama's (Billie Burke) money at a crooked roulette wheel. Not much on plot but very funny with Menjou's opera singer wife (Pola Negri in her first American film in more than a decade)) singing Wagner at any given moment.

The film rushes between standard comedy and weird comments to the camera. There's also a running gag about an actress who is only in the film because she's dating the director. And then there's that animated wallpaper.

Co-Stars include June Havoc, who steals the film as a nightclub singer who at one point sings a duet with herself, Walter Kingsford, Bess Flowers, Barton Hepburn, Georges Metaxa, Paul Porcasi, Harry Tyler, Matt McHugh, and Bert Roach. as the flustered cab rider.

The real interest here is of course Pola Negri in a talkie ... and she's very funny indeed and looks great.

This movie presents serious problems for me. First, I couldn't stand the fact that an admitted felon, a swindler (Barton Hepburn), was wandering through the movie without anyone thinking to call the police. Not only did he swindle Billy Burke of everything, but then proceeds to disrupt everyone's life and PEOPLE LISTEN TO HIM!!! I also have no patience for Ms. Burke's as a ditz. She is capable of so much more.

This period in American movies saw such delights as "Hellzapoppin". Here the actors bring to attention that they are playing in a film. They make faces at the audience, wallpaper comes alive, there is a woman who keeps popping up in scenes where she isn't even acting. The dialog and the plot move lightning fast and there's no time at all to waste in this pleasant and often hilarious comedy. There's a wedding reception before the wedding, fortunes earned and lost in a space of minutes, a married couple disunited throughout. What's not to like? This film has been in public domain and has been copied, often badly and on stock of poor quality, so viewer beware...

Even though I'm an old movie freak I'd never heard of the movie. I checked Maltin's Classic Movie Guide before catching the flick on the internet. Maltin didn't like it, so I wasn't expecting much. But, boy, was he wrong! It's a delightful chuckle-fest with a load of imagination, double entendre, and ditzy fast-moving plot. Okay, I can understand some folks finding it too silly. Still, for folks willing to move with the ditz it's a genuine novelty. So, can inventive Menjou gyp rascal Hepburn out of big bucks so as to pay back sailor son O'Keefe and new bride Scott before O'Keefe gets shipped out to fight the war. After all, Hepburn gypped Scott's mother Burke so, as the saying goes, what goes around, etc.

The result is a rapid-fire bang-around that couldn't bore a centipede. And catch the animated wallpaper, the playing to the camera, and songstress Haver singing even while she eyeballs her own performance. No realism here. Anyway, it's 1943 and I'll bet all those brave nervous guys in uniform got 70-minutes of sheer escape thanks to the enveloping results. Meanwhile, here's my 2001 salute to the cast,crew, producer and director. All in all, the flick's a low-budget sleeper, while Maltin needs to go stand in a corner.

(In passing- the famous German composer Wagner is somewhat mocked in the film. I expect that was a shot at the Nazis and their favorite composer. After all, it is the height of WWII.)