Calling Dr. Death

Hypnotist's faithless wife is murdered and cops suspect him until a likelier suspect emerges who may or may not be guilty.

Old radio fans no doubt recognize the Inner Sanctum origins of this film and the series that followed. Those old radio half-hours emphasized the mysterious and the darkly psychological and were nearly always entertaining. (In fact, I think the origins of post-war noir lie as much in these radio shows as they do in the better-known movie precursors.) Fortunately, this series, like its radio namesake, trades on the offbeat and chilling, and though these programmers fail to reach the memorable level of Columbia's comparable Whistler entries, the Inner Sanctum movies have their own virtues and are worth catching up with.

This first entry doesn't really grab until the last 15 minutes or so. Then it takes off with a surprise ending and especially with the surreal dream sequence. There's one got'cha in the sequence that shows real imagination. Yes, the storyline doesn't always make sense and I'm still puzzled by some of the relationships. Then too, looks to me like Chaney's not too interested in his part as the psychologist. Catch that one confrontational scene with faithless wife Maria (Ames) where both deliver their lines like they've been woodenly memorized. Nonetheless, Ames is drop-dead gorgeous in her high-fashion gown circa 1943, while Morison (nurse Stella) has the most fetching over-bite this side of Gene Tierney. All in all, this hour of intrigue is spotty but does show promise for future entries.

(In passing—those Chaney voice-overs conveying his private thoughts are a carry- over from radio where they were necessary to prevent "dead air.")

Dr. Steele (Lon Chaney Jr.) is a psychiatrist married to a cheating wife who refuses to give him a divorce. He's in love with his nurse (Patricia Morison) who loves him back. Then he blacks out one weekend and awakens to find his wife was brutally murdered. Did he do it or is he being set up?

The first of Universal's "Inner Sanctum" series based on a popular radio show of the time. It's introduced by a floating head in a crystal ball (!!!!). Not a horror movie as believed but a murder mystery. It was made on no budget with a half hour script padded to an hour (notice how many times J. Carrol Naish's policeman hounds Chaney). Also I had the murderer figured out about 20 minutes in but I had no idea why. Still, for what it is (a low-budget B picture) it's not bad. Chaney is OK and Morison and Naish are actually very good. This is not some unsung cinema masterpiece just a quick, efficient B movie. There are worse ways to kill an hour.

1943's "Calling Dr. Death" began Universal's six film 'Inner Sanctum' series based on the thriving radio show, all but one included in the popular SHOCK! package of Universal classics issued to television in the late 50s. The first three definitely benefit from the ambitious direction of Viennese-born Reginald Le Borg, recently graduating to features after nearly 30 shorts in seven years. All six titles starred the studio's top horror icon Lon Chaney, who does look the part of neurologist Dr. Mark Steele, despite awkward dialogue and characterization. Playing his faithful nurse Stella is luminous Patricia Morison, in her element as cool femme fatales in such films as "Hitler's Madman," "Dressed to Kill," "Danger Woman," "Tarzan and the Huntress," and "Song of the Thin Man." Steele is married to the beautiful (and faithless) Maria (Ramsay Ames), who enjoys her wealth and stature, refusing to grant him a divorce. Naturally, he becomes the prime suspect when she's horribly murdered, struck dead by a fireplace poker, then her face destroyed by acid. The most striking element used by Le Borg comes when Steele arrives at the scene of the crime, the camera effectively 'becoming' the doctor as he slowly approaches the front door and meets Inspector Gregg (J. Carrol Naish). Alas, the mystery angle falls flat, the killer's identity fairly obvious, so it's up to Naish's tenacious investigator to maintain a faithful vigil on things, and his Columbo-like determination does not disappoint. There was a detective in all but one future Inner Sanctums, none of which enjoyed the stature held by Naish. Other notable roles are played by David Bruce ("The Mad Ghoul") and Fay Helm ("The Wolf Man," "Night Monster," "Captive Wild Woman"), while actor David Hoffman provided the same mysterio crystal ball introduction for all but the last entry, "Pillow of Death." Reginald Le Borg had made his feature debut with the still unreleased "The Mummy's Ghost" (also with Chaney and Ames), and did two more for this series (along with "Jungle Woman" and "Destiny") before moving over to PRC (later titles included "The Black Sleep," "Voodoo Island," "Diary of a Madman," and "So Evil My Sister"). "Calling Dr. Death" made four appearances on Pittsburgh's Chiller Theater- May 24 1975 (in the middle of a rare triple bill, preceded by 1940's "Chamber of Horrors" and followed by 1933's "Secret of the Blue Room"), Aug 14 1976 (following 1965's "Monster Zero"), Sept 10 1977 (following 1941's "The Wolf Man"), and Feb 19 1983 (solo).

Shot on a shoestring budget Calling Dr. Death is not a half bad murder mystery. It has elements of I Wake Up Screaming and it anticipates Alfred Hitchcock's Spellbound in its use of hypnotic sequences while a murder suspect is under.

Calling Dr. Death also gives Lon Chaney, Jr. a starring role in a film that's not a horror feature. Chaney plays a neurologist whose wife Ramsay Ames flagrantly steps out on him time and again. But when she winds up murdered it's her married lover David Bruce who winds up in the jackpot. Tried and convicted he's scheduled for execution. Still that doesn't satisfy police inspector J. Carrol Naish who thinks Chaney is the guilty party.

The mark of a good mystery for me is the fact that I did not pick the murderer out early on. In fact one of the strengths of this film is that it shifts your attention from one suspect to another just when you think you figured it out.

Calling Dr. Death is a cheapie from Universal's B picture unit. But it still delivers some fine entertainment.

Calling Dr. Death (1943) is the first of six Inner Sanctum films starring Lon Chaney, Jr. The film is a dark mystery-thriller about a neurologist named Dr. Mark Steel and his cheating wife Maria. Maria has a lover which has upset Dr. Steel. Dr. Steel and his nurse Stella Madden has developed a closeness but refrains themselves from a romance. Maria goes away for the weekend but has been found murdered. The police are investigating while Dr. Steel feels he may have murdered his own wife... the question is did he (Dr. Steel) kill her or was it someone else?

A good watch if you like film-noir, mysteries, and the Universal classic horror films.

8/10