अपनी भाषा में प्लॉट जोड़ेंBiography of Robert Yancey, long-term district attorney in Lynchburg, Virginia.Biography of Robert Yancey, long-term district attorney in Lynchburg, Virginia.Biography of Robert Yancey, long-term district attorney in Lynchburg, Virginia.
- निर्देशक
- लेखक
- स्टार
Johnny Mitchell
- Jim Shirley
- (as Douglass Newland)
Erville Alderson
- Judge Fred Stuart
- (बिना क्रेडिट के)
Myrtle Anderson
- Yancey's 1929 Second Maid
- (बिना क्रेडिट के)
Hooper Atchley
- Juror
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
10Baronevl
A must see for all those movie lovers of good old time movies that have wonderful family values to portray and done in such a excellent manner. They don't make movies like this anymore which is very sad. An excellent performance by Frank Morgan and all the supporting cast. A young Kathryn Grayson plays a delightful role too. If you like the old time family values portrayed then this is a definite must.
"This is the story of a vanishing era when simple men so loved their country, their families that America became a better place to live." The setting is 1913 Lynchburg, Virginia. There, popular prosecuting attorney Frank Morgan (as Robert "Cap'n Bob" Yancey) resides with his large family. Likewise "old-fashioned" wife Spring Byington (as Rosa) is the mother. The couple have five children, led by high-pitched Kathryn Grayson (as Rebecca) and lawyer-like Natalie Thompson (as Margaret). The "girls" are ready to choose mates and careers, which gets to the film's intended sub-textual theme - the changing role of women in the 20th century...
There is a story here, but not the one you're expecting...
The possibility one of the daughters may become an attorney is addressed, although marrying a lawyer is preferable. Women do drive motor vehicles, without hysterics (transportation brackets the decades spanning film artfully); most significantly, a minor female character is portrayed as a relatively positive divorcée. Now contrast the "hints" of freedom permitted women with those afforded ex-slaves and you've got a more interesting film. Beloved family retainers "Aunt" Louise Beavers (as Emmeline) and "Uncle" Leigh Whipper (as Josh) know their place is happily slaving away their lives away for the white master. It's insightfully racist.
****** The Vanishing Virginian (1/23/42) Frank Borzage ~ Frank Morgan, Spring Byington, Kathryn Grayson, Louise Beavers
There is a story here, but not the one you're expecting...
The possibility one of the daughters may become an attorney is addressed, although marrying a lawyer is preferable. Women do drive motor vehicles, without hysterics (transportation brackets the decades spanning film artfully); most significantly, a minor female character is portrayed as a relatively positive divorcée. Now contrast the "hints" of freedom permitted women with those afforded ex-slaves and you've got a more interesting film. Beloved family retainers "Aunt" Louise Beavers (as Emmeline) and "Uncle" Leigh Whipper (as Josh) know their place is happily slaving away their lives away for the white master. It's insightfully racist.
****** The Vanishing Virginian (1/23/42) Frank Borzage ~ Frank Morgan, Spring Byington, Kathryn Grayson, Louise Beavers
I recently watched this movie on TCM (recorded from a few months ago). I became engrossed in the culture of Southern Virginia at turn of 20th century. This is a great movie (it does have a few foibles--such as making sure Kathryn Grayson gets to sing a lot). I have not seen many movies starring Frank Morgan, but he's great in this one (better than his performance in Wizard of Oz). So is Spring Byington--the two of them carry this story, with assistance from the rest of cast which is very good. I highly recommend this movie if you want a view into the life of an upper middle class family in this era, in Southern VA.
Based on the memoir of Rebecca Yancy Williams, 'The Vanishing Virginian' was seen in the first place for two reasons when it popped up as a recomemndation. One was that it was directed by Frank Borzage, always a sensitive director with many films well worth watching yet is still deserving of more credit. The other was for the cast, with Frank Morgan, Kathryn Grayson and Spring Byington all being great in other things. The idea of the story also intrigued me, despite not knowing an awful lot about it beforehand.
'The Vanishing Virginian' is another Borzage film that is well worth watching and does nothing to waste its cast talent. While it is not my definition of a great film, with a few foibles here and there, it is nonetheless an interesting one with more done right than wrong. Would not go as far to say that it is a must watch, but it is hardly a film to remain obscure. 'The Vanishing Virginian' is also largely successful in making an interesting story engaging and accessible, providing one doesn't mind films that are quite sentimental and sugary. Always a good thing when it's a story that is relatively new to you.
Maybe there could have been less sugar, it does get too much in places, as does occasionally the sentiment. Occasionally, the pace rambles.
Something that could have been solved by having a couple less of the songs. The songs are very pleasant, with "Steal Away" and "Auld Lang Syne" being classics and put to poignant use, and Kathryn Grayson sings her contributions beautifully (am one of those people who does like her voice, though it is a type of voice that's an acquired taste), but not all felt necessary to the storyline.
However, 'The Vanishing Virginian' is beautifully filmed, the production values being expectedly top-notch, and sensitively directed by Borzage. The music is very easy on the ears and doesn't sound syrupy or intrusive. The script is generally appealingly light-hearted with a humorous edge and lots of charm.
A vast majority of the story, while not perfect in execution, is warm, nostalgic and affectionate, making for a relaxing watch. Didn't find myself bored and did think that there was enough bite to the film's content to not make it too overly-idealised. The cast characterise beautifully in likeably written roles, Morgan and Byington are both on sparkling form and newcomer (at the time) Grayson more than holds her own with them.
Overall, definitely worth watching. 7/10 Bethany Cox
'The Vanishing Virginian' is another Borzage film that is well worth watching and does nothing to waste its cast talent. While it is not my definition of a great film, with a few foibles here and there, it is nonetheless an interesting one with more done right than wrong. Would not go as far to say that it is a must watch, but it is hardly a film to remain obscure. 'The Vanishing Virginian' is also largely successful in making an interesting story engaging and accessible, providing one doesn't mind films that are quite sentimental and sugary. Always a good thing when it's a story that is relatively new to you.
Maybe there could have been less sugar, it does get too much in places, as does occasionally the sentiment. Occasionally, the pace rambles.
Something that could have been solved by having a couple less of the songs. The songs are very pleasant, with "Steal Away" and "Auld Lang Syne" being classics and put to poignant use, and Kathryn Grayson sings her contributions beautifully (am one of those people who does like her voice, though it is a type of voice that's an acquired taste), but not all felt necessary to the storyline.
However, 'The Vanishing Virginian' is beautifully filmed, the production values being expectedly top-notch, and sensitively directed by Borzage. The music is very easy on the ears and doesn't sound syrupy or intrusive. The script is generally appealingly light-hearted with a humorous edge and lots of charm.
A vast majority of the story, while not perfect in execution, is warm, nostalgic and affectionate, making for a relaxing watch. Didn't find myself bored and did think that there was enough bite to the film's content to not make it too overly-idealised. The cast characterise beautifully in likeably written roles, Morgan and Byington are both on sparkling form and newcomer (at the time) Grayson more than holds her own with them.
Overall, definitely worth watching. 7/10 Bethany Cox
Others here have very ably and fondly described the movie's storyline, characters, and acting; however, there has not been attention paid to the music in this film, especially to Kathryn Grayson's talents
Miss Grayson's talents are well displayed, both as a singer and as an actress, and her amazing voice is put to good use here without seeming overly contrived, even to modern ears; the songs were appropriate to the scene, such as when Miss Grayson's character was entertaining two little girls by singing to them playfully, or when an impromptu ensemble joined on the home's front porch one evening, singing and laughing, which was not at all unusual in the days before air conditioning, televisions, and computers.
Individually and in ensembles, many of the cast contributed their vocal and instrumental talents, with two moments standing out as particularly touching: the congregation singing at the funeral (with Miss Grayson having a prominent role), and the town's men singing a heartfelt "Auld Lang Syne" at the film's closing scene.
No, this is not a musical, but like many films of that era and of this genre, there is music in it. It is not music that is merely incidental or music that underscores on-screen action, but music integral to the story and which is itself part of the dialogue -- part of the story.
"The Vanishing Virginian" is a gentle reminder of how the masters of a bygone era told their stories. Sometimes it seems we are missing a lot in more modern movies.
Miss Grayson's talents are well displayed, both as a singer and as an actress, and her amazing voice is put to good use here without seeming overly contrived, even to modern ears; the songs were appropriate to the scene, such as when Miss Grayson's character was entertaining two little girls by singing to them playfully, or when an impromptu ensemble joined on the home's front porch one evening, singing and laughing, which was not at all unusual in the days before air conditioning, televisions, and computers.
Individually and in ensembles, many of the cast contributed their vocal and instrumental talents, with two moments standing out as particularly touching: the congregation singing at the funeral (with Miss Grayson having a prominent role), and the town's men singing a heartfelt "Auld Lang Syne" at the film's closing scene.
No, this is not a musical, but like many films of that era and of this genre, there is music in it. It is not music that is merely incidental or music that underscores on-screen action, but music integral to the story and which is itself part of the dialogue -- part of the story.
"The Vanishing Virginian" is a gentle reminder of how the masters of a bygone era told their stories. Sometimes it seems we are missing a lot in more modern movies.
क्या आपको पता है
- ट्रिवियाThe character of "Marcia Marshall" is loosely based on Nancy Astor, who returned for a visit to Virginia in the 1920s after becoming the first woman member of the House of Commons.
- कनेक्शनReferenced in Fingers at the Window (1942)
- साउंडट्रैकThe British Grenadiers
(uncredited)
Music: 18th century or earlier
Lyrics anonymous
Parts are in the score during the opening credits and for the first scene
Sung in part a cappella by Frank Morgan twice
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Mr. Yancey of Virginia
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,99,000(अनुमानित)
- चलने की अवधि
- 1 घं 37 मि(97 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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