Tortilla Flat

If you like comedies the whole family can see and enjoy. This is a movie for you. But it is more than a good comedy of life an wonderful characters in a poor Mexican community in Monterry California. First is the most improbable casting that worked so well. I can picture Spencer Tracy cast as most any character except for a Mexican passion, wise in somethings and dumb -- plain foolish -- in others. He managed the role wonderfully. Hedy Lamar -- a peasant girl looking for a man with a job who could make her a work at home mom with many babies. She pulled it off with a sizzle. Most of all it was a very thought provoking movie. If followed the ideas of the famous book by John Stienbeck most accurately. Showing how we tend to get into ruts in life and using the wonderful Northern California landscape to show some overlooked opportunities to live well. If you want to really get into this movie read the book first.

"Tortilla Flat" is a good movie. In some ways, it reminds me of "Juarez," another film in which John Garfield plays a Latino. The similarity is that both are good films that have contained within them really terrific scenes. I guess you could say that in these films, the parts are in some ways greater than the whole.

For me, the best scenes in "Tortilla Flat" revolve around Frank Morgan, who plays a sort of tramp (homeless man) who goes around with a bunch of dogs. Like Mr. Morgan, one of the dogs seems to have appeared in "The Wizard of Oz" -- yes, I think Toto is in "Tortilla Flat." Not surprising, since both films were directed by Victor Fleming.

But the most extraordinary scene is that in which Frank Morgan has gathered his five dogs, in the midst of the majestic Redwood Forest, and relates to the dogs the story of St. Francis. As he is telling the story, the dogs actually have a vision! As the vision hovers, and the dogs react, Morgan averts his eyes. When the vision passes, Morgan shouts to the dogs: "Did you see him? Did you see him? It was St. Francis! What good boys you must be to see St. Francis!"

I know of few other films that depict pure religious experience so effectively. It raises this good film onto another level.

I find it difficult to believe that this picture is not remembered more fondly by film critics and historians. I went into this film expecting nothing more than a few chuckles and a few yawns. I was wrong! This picture should be remembered in the same light as other great comedies of the 1940's such as THE LADY EVE, ARSENIC AND OLD LACE, and THE BANK DICK.

I grew up in Monterey and I vividly remember my father speaking of these characters when he was growing up. Steinbeck sought to place these men in a motif that was similar to that of the knights of the Round Table showing all their excesses, loves, and loyalty to each other. While the film shows 1940's insensitivities it also captures a great deal of Steinbeck's purposes. It might be helpful to remember that Steinbeck wasn't writing of chicano's or even Mexicans per se, but of the creollo or Californio, i.e. the Spanish and later Mexican vaquero who ruled and reigned in Californio long before the Mexican national arrived in California.

This work turned out to be an unexpected disappointment. Heres a film from a major producer, with a respected Director and top flight cast, that just ambles along without doing any of the characters full justice.

No-one seems able to convince the viewer they are whom they play. Tracys accent is near laughable, and Garfield tends to drop in and out of his, as if he feels silly putting it on. Nearly every major character is unlikeable, with greed and drunkenness almost their only motivation. It seems the only one that succeeds is Frank Morgan as the towns humble hermit and friend to all lost dogs.

Static studio backgrounds give the film a cheapened look. The best thing about this one is Franz Waxmans melodic Music score.

Some will enjoy, but I feel most will be left wanting better. KenR............