Spy Smasher

This action-packed serial never fails to amaze me--first-rate work by Kane Richmond in the lead and some of the best-choreographed action scenes to be found in any serial; the stunts are sometimes astonishing. Spy Smasher is as convincingly agile a serial good guy as I've seen; his falls from balconies during fights are truly breathtaking. Sure, none of the bad guys lose their fedoras during the intense fight scenes; but if you can't suspend disbelief during a serial, you shouldn't bother watching them in the first place. Several very clever cliffhangers are impossible to explain until their subsequent resolution in the succeeding chapter. The whole serial is stylish, exciting, fun, and even ends, notably, with the tragic death of a beloved favorite good-guy character. VERY HIGHLY RECOMMENDED!

The old-time movie serials should never be judged by the same criteria of other films, even those made at the same time period. The serials were invariably outrageous, over-the-top, often ridiculous. But unlike Adam West's 'Batman' the serials were never self-conscious or deliberately campy. Although many serials featured a mildly humorous characters such as Jimmy Olsen or Whitey Whitney to provide occasional comic relief, on the whole, the actors and directors played everything straight and extremely earnest, no matter how absurd the situation or the scene. They did their best at every test.

The old movie serials were made with practically zero budget and at a forced-march pace, shooting in two days what would take 6 months under modern conditions. Those factors, combined with the primitive special effects then available and outdated cinematic conventions, give movie serials a look and feel unlike anything made in the last 52 years.

The final thing a modern person should know before watching an old serial is that 1940's movies had a more realistic vision of the male body than modern Hollywood. The men of this era had survived the depression (and later, WWII). When they were hungry, they ate meat and potatoes. The tough guys of this period lifted barbells and did push-ups, but they didn't have Soloflex, Nautilus, implants or steroids. Think about the last time you went to the beach: how many real world guys were built like Daniel Craig? In summary, it is best to watch the old serials from the perspective that you are looking at some kind of alternate reality, so as to suspend some of the prejudices of the modern cinema. Or perhaps as though one were a tourist in a foreign country: rather than seeing the differences as bizarre or deficient, but instead as being novel, interesting, and sometimes wondrous.

I have seen about 20 serials in my life, and 'Spy Smasher' is hands-down the best. Kane Richmond made an excellent hero and pulled off the double (or is it triple?) role very nicely. The action is well-paced, the special effects and sets, are, by serial standards, excellent. The fight scenes, cliff-hangers, and escapes are all the absolute best I have seen in any serial. The creativity and ingenuity used to choreograph the fight scenes are truly wondrous. If you are familiar with the 'Indiana Jones' films, you can literally see numerous instances where Spielberg borrowed and extrapolated from Spy Smasher.

And although the fight scenes are masterfully choreographed and have great stunt-work, they are much more plausible (therefore more interesting) than the kind of CGI/steroid-assisted stuff you see in modern action movie, in which human beings no longer seem bound by any biological or physical limits, being instead endowed with the powers of a video game.

There are a number of dramatic surprises as well, including some understatedly somber moments. Without spoiling too much, I will say that mortality is a factor.

The opening credits to each chapter, which feature the Morse Code signal for Victory, the opening notes of Beethoven's 5th, and an image of searchlights crossing the sky, accurately evoke the Churchill/Roosevelt mentality of the dark early days of WWII, the summoning up of righteous courage. This undercurrent of the real war, the outcome of which could not yet be known, gives Spy Smasher a resonance not found in other serials. But despite the influence of the historical moment, Spy Smasher is still predominately an escapist joy ride. Which is a good thing.

The Movie Serial, at least since the advent of sound, has always been considered a sort of poor relative of the feature, if not an out and out bastard cousin. They were always sort of viewed with the cartoons as being strictly made for the Matinée, the juvenile trade. As a result, there really is no "CITIZEN KANE" of Serials. SPY SMASHER comes close.

To be sure,it is a product of Republic Pictures' "thrill factory"*, and has plenty of stock footage of explosions, fires, floods and other assorted calamities through out.All of these are skillfully woven into the final product. It still has a bright, vital out of doors look;as well as convincing indoor sets. It also has an excellent cast which is headed by energetic,athletic Kane Richmond. Next to Buster Crabbe, Mr. Richmond is probably the best leading man in the Sound Serials. He was also prolific,having been in several other serials.

We have over 100 Serials in VHS or DVD formats in our household.This one is a top notch film,period. See it, but don't expect any 'Camp Humor". It's just not there.**

NOTE* Republic adapted it from the popular comic book feature appearing in WHIZ COMICS. It was property of Fawcett Publications, whose CAPTAIN MARVEL was previously brought to the screen by Republc, in 1941.

NOTE **See also SPY SMASHER RETURNS (1966), the edited-down feature version made for Television.

The score for Spy Smasher, a variation on Beethoven's fifth symphony, is a fabulous reminder of the era in which this classic serial was made.

While Spy Smasher is certainly one of the top 5 adventure serials ever made at Republic, it also is a rousing WW2 propaganda film. Check out the title sequence -- three dots and a dash appear on the screen, coinciding with the first four notes of Beethoven's fifth. Three dots and a dash are Morse code for the letter "V," made famous by Churchill's hand sign as a determination to defeat the Nazis and their cronies. Twin searchlights in the title sequence freeze into another V. The coded messages abound in Spy Smasher--even on Spy Smasher's belt buckle.

The action here is top notch, the cast capable, the stunt work great (as always at Republic) and the special effects likewise. If you like Republic serials (Zorro's Fighting Legion, Adventures of Captain Marvel, etc.) you MUST take a look at this one. It is one of the very best. Kane Richmond later went on to play the Shadow in a couple of films, one of which featured a killer who pulled his victims to their deaths off of balconies using a bullwhip, a stunt which was first seen in Spy Smasher. One thing I love about this chapterplay is the acknowledgment that we would not win the war without suffering losses. Great pacing, great action, great serial!

This is an extremely well made serial. The cast is capable and the script is fast paced. Each chapter seems to contain at least one unexpected plot twist. There are no resolutions to cliff hangers which consist of the hero standing up, brushing himself off and walking away after experiencing a cataclysmic explosion, crash, fire, cave in, etc. Highly recommended.