Spy Smasher

This action-packed serial never fails to amaze me--first-rate work by Kane Richmond in the lead and some of the best-choreographed action scenes to be found in any serial; the stunts are sometimes astonishing. Spy Smasher is as convincingly agile a serial good guy as I've seen; his falls from balconies during fights are truly breathtaking. Sure, none of the bad guys lose their fedoras during the intense fight scenes; but if you can't suspend disbelief during a serial, you shouldn't bother watching them in the first place. Several very clever cliffhangers are impossible to explain until their subsequent resolution in the succeeding chapter. The whole serial is stylish, exciting, fun, and even ends, notably, with the tragic death of a beloved favorite good-guy character. VERY HIGHLY RECOMMENDED!

Spy Smasher is a rather good chapterplay. It features a rather obscure character from Whiz Comics (the same book that spawned Captain Marvel). From an adaptation point of view, it isn't very good, but then very few comic book-to-screen adaptations are all that true to the source material.

The cliffhangers are all acceptable and explainable from chapter to chapter (using the "they-don't-show-us-all-the-action" angle)...and the storyline is action-packed. The villain, The Mask, is a typical one spawned of both serials and comics of the times. There also doesn't seem to be a lot of stock footage use (though there is a bit of footage reuse in later chapters).

Kane Richmond isn't too much of an actor, but he is quite adequate here as the dashing identical twins and Spy Smasher. The rest of the cast isn't too noteworthy...nor do they have performances of any real note.

This is definitely a good example of a good movie serial...12 chapters that are worth the time to watch.

This is the finest serial ever made. Kane Richmond plays twin brothers battling Nazi agents in America. With expert casting, stunt work and direction this is Republic's finest hour in cliffhangers. The serial never drags and the camera work and doubling creating the illusion of twin is peerless.

This 12-chapter action serial from Republic Pictures, based on the Fawcett comic book character, was directed by William Witney. Alan Armstrong (Kane Richmond), in the guise of masked hero Spy Smasher, battles Nazi bad guys in occupied France. He follows their trail back to the US, where a secret gang of Nazi villains, led by the Mask (Hans Schumm), plots a campaign of sabotage and terror. Alan enlists the aid of his twin brother Jack (also Richmond), as well as retired Admiral Corby (Sam Flint) and his plucky daughter Eve (Marguerite Chapman), to stop the German menace.

This largely forgotten costumed hero makes for a good serial, with some of the best stunt work put to film, supervised by the legendary Yakima Canutt. The serial is also exceedingly violent compared to others of the time, with lots of gun play, including by the hero, who isn't above machine-gunning a foe or running one over with a car. Speaking of vehicles, there's also a lot of nice action scenes involving car chases, high-speed boats, and Spy Smasher's custom motorcycle. Although the action is above-average, the script is weaker, with unmemorable characters and only a vague understanding of who's doing what and why. Still, this is one of the better serials, and is recommended to fans of such.

10-year-old boys must have really gobbled this up when it was a brand-new serial back in 1942. Even now it has the power to involve and entertain with its narrative flow, frequent spurts of action, and that pounding musical introduction from Beethoven's Fifth. Best of all it has Kane Richmond, (born in Minneapolis in 1906), who has all the looks and manner you want in a serial hero. He also has amazingly tough skin. In Chapter One he's captured by the Nazis, bound against the wall of a Gestapo dungeon, and given a vigorous whipping across his bare chest -- but hardly seems to suffer so much as a paper-cut! Actually, this is one of those floggings where the whip is never shown touching its victim. Instead, the impression of a flogging is given by means of editing together various visual elements. In any case, this scene ranks 18th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies."