Star Spangled Rhythm

Any film which features a star trio of Paulette Goddard, Dorothy Lamour and Veronica Lake warbling "A Sweater, A Sarong and A Peek-A-Boo Bang" has got to be OK with me! The women are singing about themselves of course, Lamour having made a career out of appearing in tropical island movies, and petite Lake distinguished by a fall of blonde hair that covered about a third of her face (which during the war she was requested to put in a hair net to set an example for women called to work with machinery).

During the darkest days of WWII, each studio made an effort to release an all-star entertainment package to let both the public and the troops know Hollywood was Doing Its Part, and "Star-Spangled Rhythm," like "Hollywood Canteen" and" Stage Door Canteen"and "Follow The Boys," was one of those.

The film's exceedingly slender plot concerns Betty Hutton passionate for meek sailor Eddie Bracken, merely an excuse for Bob and Bing, Dorothy Lamour, Alan Ladd and numerous others to strut their stuff in patriotic material or comic skits like "If Men Played Cards As Women Do," a risible exercise in stereotyped humor by today's standards of sex role.

To anyone largely unfamiliar with Paramount stars of the period, a good deal of this may look fairly silly, but there are still some funny moments, as when Bob Hope tries to hide in a shower from Jerry Colonna, or Hutton attempts to get over a wall with some military help. Other moments, like Bing warbling "Old Glory" with waving flags and Mount Rushmore behind him are perhaps a wee bit over the top for today's less patriotic world. To those who are familiar with these folks, I'd set aside a long Sunday, get plenty of popcorn, and watch two or three of these Stars of Parade extravaganzas just for fun!

Sailor Johnny Webster (Eddie Bracken) and his pals are on shore leave in California. Johnny's dad Pop (Victor Moore) is the head of Paramount Pictures, which is also where Johnny's girlfriend Polly (Betty Hutton) works. Only Polly and Pop have been lying to Johnny, as Pop is only a lowly guard at the front gate. They decide to try and continue with the ruse, which results in comic hi-jinks as they try to avoid the real studio chief Mr. DeSoto (Walter Abel). This all leads up to a big show put on by the stars of Paramount for the Navy boys.

As corny, frivolous, and plotless as these all-star wartime crowd-pleasers are, I still like them. Maybe it's the upbeat attitude, the stars goofing around, or the rapid pacing, I'm not sure, but they seldom fail to leave a smile on my face. Having Betty Hutton and Eddie Bracken as the leads in the main "story" doesn't hurt, either, as they are both manic and funny. One of the aspects of this particular extravaganza that stood out for me were the lovely ladies in energetic dance numbers.. Paramount kept this one in theaters longer than usual, and it ended up being one of the top ten hits of the year. It also nabbed Oscar nominations for Best Score (Robert Emmett Dolan) and Best Song ("That Old Black Magic").

At best, 1942 was a year of confusion because of World War Two. Perhaps that is why the movie is uneven. The movie was released before the first anniversary of the attack on Pearl Harbor which drew the United States into the war as a legal active participant. The purpose of this film seems two-fold: to entertain in time of war and to provide Paramount with a opportunity to do its part in the war effort in public. There are some extraordinary scenes, such as the dance number in the aircraft plant and Betty Hutton's singing during a jeep ride. In general, however, the movie promises more than it delivers, and the scene with Bing Crosby singing of "Old Glory" in front of Mount Rushmore (with a patriotic chorus) is simply too jingoistic. One bright result is the Bracken-Hutton screen relationship in this movie which blossomed into very good comedy in a later film, "The Miracle of Morgan's Creek."

In the 1930s and 40s, most of the major studios made films that featured a variety show, of sorts, with the contract stars. MGM struck gold with this in the early sound film "The Hollywood Review of 1929" and this film set the stage for quite a few followup films. This sort of film became especially popular during WWII, as these films were often sent overseas to entertain the troops--such as "Hollywood Canteen" and "Star Spangled Rhythm". "Star Spangled Rhythm" is a tad different in that there is more plot than many of these films. In other words, it's not just a variety show and this really doesn't begin until the film is at the half-way point.

The film begins as a sailor (Eddie Bracken) convinces a group of his friends on shore leave to come with him to Paramount Studios, as his father is head of production! However, his dad (Victor Moore) is NOT the boss but a lowly security guard on the lot. Now wanting to get caught, Moore and Betty Hutton (who plays Bracken's VERY energetic girlfriend) work together to convince the sailors (and a Marine they picked up along the way) that Moore indeed is the big kahuna! For me, this is the best part of the film, as the plot is pretty cute and gets funny when the real head of production walks into the middle of this--and thinks he's been replaced! Unfortunately for Moore, the boss finally does realize what's been happening and it looks as if the plan is about to fall apart. However, through some further finagling, Moore and Hutton are able to arrange a show for the servicemen to convince the fellas that nothing is up....that Moore IS a big-shot.

As far as the variety show goes, there are no major surprises but it's nice to see the actors and actresses play themselves in a series of nice cameos. What I actually struck me most about this was how incredibly short Dorothy Lamour, Veronica Lake (I did know she was 'diminutive') and Paulette Goddard were, as they were towered over by the other actresses in the first scene of the variety show. Not surprisingly, the three later sang a number together. In addition to these women, Bob Hope, Bing Crosby, Ray Milland, Franchot Tone, Fred MacMurray and many others were on hand for the show.

In addition to the show, you also get to see some stars walking around the studio lot. A few of these cameos are bizarre--and wonderful for cinephiles like myself. You get a rare role for Cecil B. DeMille and Preston Sturgis as themselves. Plus, in addition to seeing Bing Crosby walking about the lot, his son Gary is with him. I liked this very contrived "behind the scenes" look of the film. Sure, you know this is all for a fictional film, but it's pretty cool if you're into old films like me.

Overall, while not all the variety acts work well, many do. Plus the story that ties them all together is very good. The film may bore some (especially those who know nothing of the classic era in Hollywood), but is a treat for any 1940s film buff.

By the way, although the show is supposed to be done on stage live in front of the sailors, it's very, very obvious many of the acts were performed on a sound stage--with sound stage sets. Just suspend your sense of disbelief at these moments or they might just make your brain hurt! After all, the shower scene is obviously NOT done in front of the men but it is quite funny!

Shortly after the attack on Pearl Harbor, the US mobilized unlike any society before or since.

A large part of that was because of a very cooperative media, especially the new medium of movies. The White House asked them to rush some feel-good films into production and this was paramount's first response. It is a collection of skits wrapped in a thin story. Most of the skit material is in the form of a "show" for sailors, but many of them inexplicably use cinematic conventions that couldn't be staged.

Because this was stitched together so quickly, it is of widely varying tone and quality. I suppose the parts you like will depend on who you are.

There's a pretty big, lush production number (ostensibly a movie being shot that some sailors visit) that has atypically svelte and acrobatic girls. Later, there's a number where black straight man Rochester dances pretty well.

So far as comedy, there are two classic scenes here that made this enjoyable for me: This was Betty Hutton's first big role and she does Lucy better than Lucy I think. One scene is a hilarious attempt to climb over a wall with the aid of two men. It's amazingly physical, worthy of Keaton. Check her out in "Perils of Pauline," also directed by Marshall, who seems to have understood her.

The other comic bit worth seeing is Bob Hope trapped in a shower with William Bendix, and avoiding being discovered. Hope's not a great comic, in fact he falls flat elsewhere in this project. But this one skit is perfect for him.

Preston Sturges is one of the main figures in folded films (films about film), and he plays himself here, screening a film.

Ted's Evaluation -- 2 of 3: Has some interesting elements.