Sherlock Holmes and the Voice of Terror

SHERLOCK HOLMES AND THE VOICE OF TERROR (Universal, 1942), directed by John Rawlins, marks the return of Basil Rathbone and Nigel Bruce in their now legendary screen roles as Sherlock Holmes and his friend/associate, Doctor Watson. Having been last seen in a pair of 1939 releases ("The Hound of the Baskervilles" and "The Adventures of Sherlock Holmes") for 20th Century-Fox, this edition was an easy attempt for a new film series (1942-1946). Aside from its lead actors now performing their original roles for another studio, the Victorian characters of the 1890s have been modernized into the now contemporary locale set during the London blitz of World War II. For this rather drastic change, the opening title explains its reasoning for it: "Sherlock Holmes, the immortal character of fiction created by Sir Arthur Conan Doyle is ageless, invincible and unchanging. In solving significant problems of the present day, he remains - as ever - the supreme master of deductive reasoning." And there you have it. In true Hollywood fashion, Holmes and Watson, having moved fifty years into the future from a trip down the Time Tunnel, physically showing Holmes, Watson and their landlady, Mrs. Watson, all haven't aged a bit. The only change would be their clothing. Gone are the horse and buggy replaced by automobiles. Gone are the gas-lit street lamps replaced by electric light-bulbs. What retains here is Sherlock Holmes masterful reasoning of crime solving that never goes out of style.

For this newly formatted series opening, the story, based on Conan Doyle's "His Last Bow," starts off with a view of Germany before revealing those listening to a radio broadcast from an Axis enemy mastermind known as "The Voice of Terror" predicting various acts of sabotage that are to take place in their homeland of England. Sir Ryan Barham (Reginald Denny) of the British Inner Council, calls in ace detective Sherlock Holmes (Basil Rathbone) and Doctor Watson (Nigel Bruce) of 221B Baker Street, to help stop Nazi saboteurs working in England. During his latest assignment, Holmes soon finds his life threatened, followed by Gavin (Robert Barron) stumbling into his apartment to keel over with a knife in his back. His last words before dying is "Christopher." Later, Holmes and Watson, come to Limehouse in a very rough section of town to notify, Gavin's girlfriend, Kitty (Evelyn Ankers) of what has just occurred. Holmes acquires further assistance from the young girl whose determined to fight for England and get the one responsible for Gavin's death. Because of her secret meetings with R.F. Meade (Thomas Gomez - in movie debut), it is uncertain whether Kitty is secretly working for or against this supposed Nazi, adding more suspense to the story, which is the writer's intention.

Also in the supporting cast are Henry Daniell (Anthony Lloyd); Leyland Hodgeson (Captain Roland Shore); Montagu Love (General Jerome Lawford); Olaf Hytten (Admiral Fabian Prentiss) and Hillary Brooke (Jill Grandis, a female taxi cab driver). Mary Gordon as Mrs. Hudson appears with no screen credit.

Placing Sherlock Holmes in contemporary times is nothing new, having been done previously in some earlier screen adaptations, notably SHERLOCK HOLMES (Fox, 1932), where Holmes (Clive Brook) and Watson (Reginald Owen) are seen in 1930s Chicago. Universal's view of modernizing Holmes was to take advantage of its dated wartime propaganda theme commonly used in countless other films in the early forties. After a few more similar war-related themes, the writers of this series eventually had it phased out in favor of either original screenplays or those adapted whole or in part from the Conan Doyle stories. Many Holmes fanciers label Rathbone's initial Universal entry to be somewhat on the weak side, making its 65 minute presentation to feel a bit longer that it actually is, but overall, it does have some good points, too. Fortunately under Roy William Neil, who was to direct all future films in the series, some even improving from its predecessor, even to a point of reviving Holmes' arch enemy of Professor Moriarty such as THE WOMAN IN GREEN (1945) as played by Henry Daniell, the same Daniell who appears in this edition of THE VOICE OF TERROR.

Sherlock Holmes is ageless, and quite popular, proving so to what developed into a 16 film theatrical series that lead to Sherlock Holmes festivals quite commonly broadcast on television on any given weekend from the 1950s to 1980s, mainly those Universal editions that open with Holmes and Watson, with credits superimposed over their images as the camera follows them walking through the street of uncertainty.

Distributed to home video in the 1980s and later DVD, SHERLOCK HOLMES AND THE VOICE OF TERROR's most recent cable TV offering turned up on Turner Classic Movies where this, and others in that series, premiered December 26, 2009, to commemorate the release of the latest theatrical SHERLOCK HOLMES as portrayed by Robert Downey Jr. Though the 2009 edition of Holmes retained its turn of the century outlook, it's even more contemporary through its actions. Regardless of how many actors have played Holmes and Watson on screen, the best remains for many, to be the one and only Basil Rathbone and Nigel Bruce. Next installment: SHERLOCK HOLMES AND THE SECRET WEAPON (1942) (***)

This Sherlock Holmes feature, the first of Universal's series that took the two stars (though little else) from the two earlier 20th Century Fox Holmes movies, got the new series off to a good start with an involved, entertaining story and a very good supporting cast. It has its flaws, but they by no means keep it from being an enjoyable movie with good characters and plenty of action. Though the credits cite the Arthur Conan Doyle story "His Last Bow" as the source, it is actually an entirely new story with only a handful of minor elements remaining from the original.

The choice to move the stories from the original Victorian setting to the (then) present meant that the new series would never have quite the same feel as the Doyle originals, but as some compensation it allowed for Holmes to be portrayed battling enemies that were then foremost in viewers' minds. This story of "The Voice of Terror" makes full use of anxieties and unpleasant possibilities that must have been only too frequently in the minds of its original viewers. It still succeeds in building tension and interest with its tale of Nazi-created disasters and mocking threats.

The story is very interesting, although it has a few overly convenient turns and plot holes. It gave Basil Rathbone and Nigel Bruce a chance to perform the kinds of material that they had already gotten used to doing together. They are helped considerably here by the supporting cast, which includes Reginald Denny and Henry Daniell as the most prominent members of the government council that is employing Holmes's services. But it is Thomas Gomez and Evelyn Ankers who really make a difference. Gomez has one of his best character roles as a crafty enemy agent, and Ankers does a fine job as a woman of low standing who gets a chance to serve her country.

The series would get even better as it went along, as Rathbone and Bruce continued to develop their camaraderie and as the production team eased into a familiar formula that could be varied as needed. But this one already got the series off to a solid start with a good movie that is still worth seeing.

After two features produced at Twentieth Century Fox in 1939, Sherlock Holmes and Doctor Watson moved to Universal Studios in 1942. Like the original Conan Doyle stories, the two Fox films were set in the Victorian era, but when the master sleuth and his side kick worked at Universal, the plots were moved to the then-present day, which was World War II. "Sherlock Holmes and the Voice of Terror," the first of the contemporary features, is heavy on British patriotism and anti-Nazi propaganda; the audience is even advised to "Buy War Bonds" after the end credits have faded. In a script adapted from Conan Doyle's story, "His Last Bow," classified information from the Inner Council is finding its way to the Nazis and has led to train crashes, bombings, and other sabotage in war-town Britain. The Council, against the wishes of some members, enlists the help of Holmes and Watson to track down the leak.

Although often expounding patriotism and anti-Nazi warnings, Basil Rathbone always remains in character and fine form as Holmes; his iconic performance is unerring and solid. Nigel Bruce is equally fine as Doctor Watson, who ably supported his friend and provided comic relief through 14 movies. While the film's low budget is evident, the cast is full of pros and boasts some excellent character actors beyond the reliable Rathbone and Bruce; Bruce Denny, Montagu Love, and Henry Daniell among others show the talent and dedication to craft that kept them consistently employed in dozens of classic and not-so-classic movies. Elwood Bredell, the cinematographer, lensed the film with skill; the inky black shadows of Limehouse, the foggy streets of London, the crisp closeups of Rathbone and Evelyn Ankers, the female lead, elevate the film's visuals to near-A-picture status.

While far from the best in the Sherlock Holmes series and a step down from the two preceding entries at Fox, "Sherlock Holmes and the Voice of Terror" has enough moments and assets to satisfy Holmes fans. The propaganda and message are heavy handed, dated, and only pad the running time; the screeching voice of terror grates on the ear; and experienced watchers of who-dunnits will easily pick out the villain. However, the acting is top notch, the photography first rate, and the fun of watching Rathbone and Bruce solve a crime is unmatched.

Basil Rathbone's third appearance as Arthur Conan Doyle's eccentric sleuth and the first in Universal's series of 12 films in which the master detective is transplanted from Victorian England to the modern era in which the films were made. "Sherlock Holmes and the Voice of Terror" was not that unusual in that, until 20th Century Fox produced "The Hound of the Baskervilles" in 1939, most previous Holmes films had also placed our hero in contemporary society. It was not until this film, however, that the contemporary aspects were given such strong emphasis.

There's no Moriarty on hand this time, as Holmes and Watson (played, of course, by Nigel Bruce) join Britain in battling the Nazis. It's all a little awkward, but there is some fine atmosphere, especially in a scene in which Holmes and Watson visit a seedy pub in search of information. The cast is good, with Thomas Gomez as a very effective villain, Evelyn Ankers as the proverbial bad girl with a heart of gold, and, as a diplomat, the wickedly suave Henry Daniell who would return to play Professor Moriarty in "The Woman in Green." Best of all is Rathbone, who is razor sharp despite a very peculiar hairstyle that looks like it belongs in a gladiator flick.

The series improved considerably once Roy William Neill took over as director with the second film, and later entries that did not emphasize the "modern" concept, like "Spider Woman" and, most particularly, "The Scarlet Claw," are far superior, but "Voice of Terror" is still an entertaining show, perfect viewing on a rainy, fog shrouded night.

While the pleasures of watching BASIL RATHBONE and NIGEL BRUCE play those world famous consulting detectives is undeniable fun, the real enjoyment of SHERLOCK HOLMES AND THE VOICE OF TERROR is it's rich noir atmosphere. The stand out player in this UNIVERSAL programmer is cinematographer ELWOOD "WOODY" BREDELL. Bredell had a nearly 30 year career which began during the silents, and he really had an eye for composition and lighting. Much of SHERLOCK HOLMES AND THE VOICE OF TERROR is shot at night, or in low light circumstances, and really displays the near lost art of high contrast, hard, hot light cinematography at it's artful best. As SHERLOCK HOLMES films go, THE VOICE OF TERROR is entertaining, but as an experience of "film noir" this film could be a minor classic.