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अपनी भाषा में प्लॉट जोड़ेंSherlock Holmes and Doctor Watson must protect a Swiss inventor of an advanced bomb sight from falling into German hands.Sherlock Holmes and Doctor Watson must protect a Swiss inventor of an advanced bomb sight from falling into German hands.Sherlock Holmes and Doctor Watson must protect a Swiss inventor of an advanced bomb sight from falling into German hands.
Karen Verne
- Charlotte Eberli
- (as Kaaren Verne)
Rudolph Anders
- Braun
- (बिना क्रेडिट के)
Ted Billings
- Barfly
- (बिना क्रेडिट के)
Whit Bissell
- London Bobbie
- (बिना क्रेडिट के)
Veda Ann Borg
- Bar Singer
- (वॉइस)
- (बिना क्रेडिट के)
Paul Bryar
- Swiss Waiter
- (बिना क्रेडिट के)
John Burton
- RAF Officer
- (बिना क्रेडिट के)
Vicki Campbell
- Woman RAF Pilot
- (बिना क्रेडिट के)
Gerard Cavin
- Scotland Yard Man
- (बिना क्रेडिट के)
Harry Cording
- Jack Brady
- (बिना क्रेडिट के)
James Craven
- RAF Officer Watching Bombsight Test
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) have been hired by the British government to protect a Swiss scientist Dr. Franz Tobel (William Post Jr.). He has a bomb that the British want to win the war. Unfortunately the evil Dr. Moriarty (Lionel Atwill) is working with the Nazis and will stop at nothing to get the doctor--and his invention.
Moving Sherlock Holmes to the 1940s sounded like a stupid idea but it does work for one reason--Basil Rathbone. Arguably he is the BEST Sherlock Holmes ever put on the screen. He plays the character so well (and accurately) that it doesn't matter what era he's solving crimes. As for Nigel Bruce as Watson...everybody has problems with it. He plays Watson as a bumbling old fool...that is NOT the Watson of the books. You seriously wonder why Holmes puts up with him. Still, he does grow on you (in a way). Then there's Atwill having a whale of a time playing Moriarty--the discussions and battle of wits between him and Holmes are just great! I've never liked Dennis Hoey as Inspector Lestrade--he's such an idiot. Makes Watson look like a genius. And Post Jr. is pretty good as Tobel (even though his accent amusingly keeps changing!).
This movie is done elaborately and runs only a little over an hour. Still, it does have it's slow spots and I never understood the secret code section.
Still, worth catching if just for Rathbone and Atwill.
Moving Sherlock Holmes to the 1940s sounded like a stupid idea but it does work for one reason--Basil Rathbone. Arguably he is the BEST Sherlock Holmes ever put on the screen. He plays the character so well (and accurately) that it doesn't matter what era he's solving crimes. As for Nigel Bruce as Watson...everybody has problems with it. He plays Watson as a bumbling old fool...that is NOT the Watson of the books. You seriously wonder why Holmes puts up with him. Still, he does grow on you (in a way). Then there's Atwill having a whale of a time playing Moriarty--the discussions and battle of wits between him and Holmes are just great! I've never liked Dennis Hoey as Inspector Lestrade--he's such an idiot. Makes Watson look like a genius. And Post Jr. is pretty good as Tobel (even though his accent amusingly keeps changing!).
This movie is done elaborately and runs only a little over an hour. Still, it does have it's slow spots and I never understood the secret code section.
Still, worth catching if just for Rathbone and Atwill.
Sherlock Holmes (Basil Rathbone) begins this story in disguise, helping to smuggle famous physicist "Dr. Franz Tobel" (William Post) out of Switzeralnad and under the watchful eye of the Nazis, who want his bomb sight plans. The Allies obviously want it, too, and Sherlock is there to help. Dr. Tobel has invented an instrument which greatly aids in the accuracy of aerial bombardment.
Holmes and Dr. Tobel arrive safely back at Baker Street but the scientist would rather be alone, for some mysterious reason, although he had promised the English to help them, not the Germans. He stays true to that promise but there are some desperate moments for Holmes and the English along the way.
It's an entertaining film and one in which our famous detective uses not one but three different disguises. He needs all the help he can get when he goes up against his arch-rival, "Professor Moriarity." One complaint: if Moriarity was that evil, he would have dispensed with Holmes without batting an eyelash, instead of giving him openings to escape. It's pretty sad, too, when the usual dim-witted Dr. Watson (Nigel Bruce) has to rescue his boss from certain death a couple of times!
Yes, there are some credibility issues in this story but if you can put your brain on hold a few times, it's a fun film to watch....and it looks beautiful, thanks to the great restoration job done on this DVD. It makes the old print come alive with some wonderful visuals, particularly the night-time shots.
One other note: whoever did the English subtitles in here misspelled or misinterpreted at least a half dozen words. It's very sloppy work, and not the first time I've encountered this watching the entire series on the restored DVD set.
Holmes and Dr. Tobel arrive safely back at Baker Street but the scientist would rather be alone, for some mysterious reason, although he had promised the English to help them, not the Germans. He stays true to that promise but there are some desperate moments for Holmes and the English along the way.
It's an entertaining film and one in which our famous detective uses not one but three different disguises. He needs all the help he can get when he goes up against his arch-rival, "Professor Moriarity." One complaint: if Moriarity was that evil, he would have dispensed with Holmes without batting an eyelash, instead of giving him openings to escape. It's pretty sad, too, when the usual dim-witted Dr. Watson (Nigel Bruce) has to rescue his boss from certain death a couple of times!
Yes, there are some credibility issues in this story but if you can put your brain on hold a few times, it's a fun film to watch....and it looks beautiful, thanks to the great restoration job done on this DVD. It makes the old print come alive with some wonderful visuals, particularly the night-time shots.
One other note: whoever did the English subtitles in here misspelled or misinterpreted at least a half dozen words. It's very sloppy work, and not the first time I've encountered this watching the entire series on the restored DVD set.
It was an interesting enough idea, I suppose, to set a series of Sherlock Holmes films in the "modern day"...at the time, the WWII era...but those who are familiar with the first two Rathbone/Bruce films might be thrown off by it. When the rights passed from Fox to Universal, the two stars were retained, but apparently our two heroes stepped through a hole in the space-time continuum. The Fox films were Victorian period pieces, whereas Universal took the opportunity to utilize Sherlock Holmes in the series of modern-day B-movies into which this entry falls, several of which were fairly standard wartime propaganda...pretty much the order of the day for Hollywood films circa 1942-1945.
While the film may boast some entertainment value, the plot is actually quite silly. Sherlock Holmes (sporting a remarkably bad haircut) has been charged with the task of guarding Dr. Franz Tobel, the inventor of a bomb sight (which, when you see it, will give you an idea of what the film's budget was) that will apparently revolutionize airborne warfare. Holmes's task is to keep Tobel safe (at which he fails) and to keep the bomb sight out of the hands of the Nazis. When Tobel is abducted, Holmes must unravel a coded message before his arch-nemesis, Professor Moriarty does. Though the credits state that the film is an adaptation of Conan Doyle's story, The Dancing Men, only the code itself is taken from said story. And a small reference to another story, The Empty House, also shows up early in the film. Apart from that, you'll find no Conan Doyle here.
Interestingly enough, what makes Tobel's bomb sight so remarkable, apart from the fact that the bombs seem to land where they're supposed to, is never expounded upon...leaving the viewer to assume that both Allied and German bomb sights were abysmally inaccurate, as both sides are clamoring to get their hands on one that actually works. Probably not the best way to bolster confidence in the Allied fighting machine...but then, logic is scarce in this outing. Holmes relies just as heavily upon chance and educated guesses as he does upon deduction, and it's the bumbling Watson (who was never bumbling in the original stories) who inadvertently provides the solution to the major stumbling block (despite the fact that the solution should have been obvious to someone as brilliant as Sherlock Holmes).
All in all, this film has its moments, but fails to live up to the legend of the world's greatest detective. Rathbone is a fine Holmes and Bruce (despite the almost unforgivable dumbing down of the Watson character) does a good job, as well. But much of the supporting cast seem to be phoning in their performances. The production values are rather noticeably low and the script is fairly ludicrous. I still watch this one from time to time, and certainly prefer it over Sherlock Holmes and the Voice of Terror (the first Universal Holmes entry)...but I can't help but think that Sherlock Holmes deserves better than this.
Interesting sidenote - This film contains the series' one and only reference to Sherlock Holmes's hypodermic cocaine usage. As Holmes is describing to Moriarty an elaborate hypothetical death scenario involving an intravenous needle, Moriarty interjects "The needle to the last...eh, Holmes?" How this managed to slip by the censors at the Breen Office (which, at the time, strictly forbade such references) is perhaps the one great mystery to be found in this film.
While the film may boast some entertainment value, the plot is actually quite silly. Sherlock Holmes (sporting a remarkably bad haircut) has been charged with the task of guarding Dr. Franz Tobel, the inventor of a bomb sight (which, when you see it, will give you an idea of what the film's budget was) that will apparently revolutionize airborne warfare. Holmes's task is to keep Tobel safe (at which he fails) and to keep the bomb sight out of the hands of the Nazis. When Tobel is abducted, Holmes must unravel a coded message before his arch-nemesis, Professor Moriarty does. Though the credits state that the film is an adaptation of Conan Doyle's story, The Dancing Men, only the code itself is taken from said story. And a small reference to another story, The Empty House, also shows up early in the film. Apart from that, you'll find no Conan Doyle here.
Interestingly enough, what makes Tobel's bomb sight so remarkable, apart from the fact that the bombs seem to land where they're supposed to, is never expounded upon...leaving the viewer to assume that both Allied and German bomb sights were abysmally inaccurate, as both sides are clamoring to get their hands on one that actually works. Probably not the best way to bolster confidence in the Allied fighting machine...but then, logic is scarce in this outing. Holmes relies just as heavily upon chance and educated guesses as he does upon deduction, and it's the bumbling Watson (who was never bumbling in the original stories) who inadvertently provides the solution to the major stumbling block (despite the fact that the solution should have been obvious to someone as brilliant as Sherlock Holmes).
All in all, this film has its moments, but fails to live up to the legend of the world's greatest detective. Rathbone is a fine Holmes and Bruce (despite the almost unforgivable dumbing down of the Watson character) does a good job, as well. But much of the supporting cast seem to be phoning in their performances. The production values are rather noticeably low and the script is fairly ludicrous. I still watch this one from time to time, and certainly prefer it over Sherlock Holmes and the Voice of Terror (the first Universal Holmes entry)...but I can't help but think that Sherlock Holmes deserves better than this.
Interesting sidenote - This film contains the series' one and only reference to Sherlock Holmes's hypodermic cocaine usage. As Holmes is describing to Moriarty an elaborate hypothetical death scenario involving an intravenous needle, Moriarty interjects "The needle to the last...eh, Holmes?" How this managed to slip by the censors at the Breen Office (which, at the time, strictly forbade such references) is perhaps the one great mystery to be found in this film.
Sherlock Holmes (Basil Rathbone) smuggles a Swiss inventor of a new bombsight into England and out of Nazi hands. But when the inventor is kidnapped right from under the nose of Scotland Yard, Holmes discovers it's not just the Nazis he has to contend with but his old nemesis Professor Moriarty (Lionel Atwill) as well.
The second in Universal's highly enjoyable Sherlock Holmes series is also the first directed by Roy William Neill, who would direct every Universal Holmes film after this. This is also the first appearance of Inspector Lestrade (Dennis Hoey), a pleasant addition to the series. Rathbone and Nigel Bruce are excellent, as usual. Rathbone gets to dress up in a few disguises, which are fun. He's still sporting that silly haircut from Voice of Terror. Lionel Atwill is a good Moriarty. Not the series' best but still very good. Any movie that features Basil Rathbone vs Lionel Atwill is one where you will be entertained.
For some reason, as with other WWII Holmes movies, a lot of reviewers seem to really hate the idea of Sherlock Holmes fighting against the Nazis or for England. They claim Holmes was never intended for "propaganda" and that he should be left to simple detective stories. Someone should have told Sir Arthur Conan Doyle that when he wrote "His Last Bow," a WWI-era story which saw Holmes helping his country catch German spies.
The second in Universal's highly enjoyable Sherlock Holmes series is also the first directed by Roy William Neill, who would direct every Universal Holmes film after this. This is also the first appearance of Inspector Lestrade (Dennis Hoey), a pleasant addition to the series. Rathbone and Nigel Bruce are excellent, as usual. Rathbone gets to dress up in a few disguises, which are fun. He's still sporting that silly haircut from Voice of Terror. Lionel Atwill is a good Moriarty. Not the series' best but still very good. Any movie that features Basil Rathbone vs Lionel Atwill is one where you will be entertained.
For some reason, as with other WWII Holmes movies, a lot of reviewers seem to really hate the idea of Sherlock Holmes fighting against the Nazis or for England. They claim Holmes was never intended for "propaganda" and that he should be left to simple detective stories. Someone should have told Sir Arthur Conan Doyle that when he wrote "His Last Bow," a WWI-era story which saw Holmes helping his country catch German spies.
There are times when Holmes and Watson seem just a bit out of place in the World War II setting, but "Sherlock Holmes and the Secret Weapon" still has enough of the Holmes flavor to be worth watching. It's mostly enjoyable, with Holmes's usual deductions, disguises, and the like making up for the occasional war-time messages that come in from time-to-time. There are also some good moments of suspense, plus some pleasantly offbeat plot details, to keep your attention.
The plot gets pretty involved, with Holmes involved in protecting an inventor whose ideas the Nazis would like to get hold of. Some good turns follow as everything is played out in an interesting battle of wits. The supporting cast includes Lionell Atwill and Dennis Hoey, who are solid as Moriarty and Lestrade, respectively, plus Kaaren Verne.
Overall, most fans of the Rathbone/Bruce series should find it an enjoyable feature.
The plot gets pretty involved, with Holmes involved in protecting an inventor whose ideas the Nazis would like to get hold of. Some good turns follow as everything is played out in an interesting battle of wits. The supporting cast includes Lionell Atwill and Dennis Hoey, who are solid as Moriarty and Lestrade, respectively, plus Kaaren Verne.
Overall, most fans of the Rathbone/Bruce series should find it an enjoyable feature.
क्या आपको पता है
- ट्रिवियाThe set used for Prof. Moriarty's hideout was used as a pub/bar in Sherlock Holmes and the Voice of Terror (1942).
- गूफ़While Holmes is in Switzerland, disguised as a book collector, he drives in a car with the steering wheel located on the right side while driving on the left side of the road. In Switzerland (and in Germany, as well, so "the Nazi's own car" would also be configured the same way), people drive cars on the right side with steering wheels mounted on the left side. The only areas of Europe where cars are right-hand-drive and occupy the left-hand lane are the British Isles and Gibraltar. A probable explanation for this apparent discrepancy is the film's overall British overtone --- the tale's primary setting is London and many of the lead actors are from England, so this is likely why British-configured cars were used.
- भाव
Professor Moriarty: Brilliant man, Sherlock Holmes. Too bad he was honest.
- क्रेज़ी क्रेडिटOpening credits prologue: SWITZERLAND
- इसके अलावा अन्य वर्जनAlso available in a computer-colorized version.
- कनेक्शनEdited into Who Dunit Theater: Sherlock Holmes and the Secret Weapon (2016)
- साउंडट्रैकRule Britannia
(1740) (uncredited)
Music by Thomas Augustine Arne
Played in the score when London is shown
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Sherlock Holmes and the Secret Weapon?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 8 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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टॉप गैप
What is the German language plot outline for Sherlock Holmes and the Secret Weapon (1942)?
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