अपनी भाषा में प्लॉट जोड़ेंThree British spies and a French resistance fighter sneak into occupied France to gather information about the German forces for a planned invasion.Three British spies and a French resistance fighter sneak into occupied France to gather information about the German forces for a planned invasion.Three British spies and a French resistance fighter sneak into occupied France to gather information about the German forces for a planned invasion.
- निर्देशक
- लेखक
- स्टार
Fritz Wendhausen
- General von Reichman
- (as F.R. Wendhausen)
Yvonne Andre
- Martine
- (as Yvonne André)
फ़ीचर्ड समीक्षाएं
4 intelligence agents - Williams, Mason (with French accent!), Culver and Wilding (just plain silly), go to France to see what the Germans are up to.
Very basic propaganda nonsense - all stiff upper lips and nazis all stupid and fresh out of pantomime with only Lehman and Culver retaining some little dignity. Like 'Allo, Allo' without the laughs - really not worth catching unless it's raining (heavily) and you've nothing better to do.
Very basic propaganda nonsense - all stiff upper lips and nazis all stupid and fresh out of pantomime with only Lehman and Culver retaining some little dignity. Like 'Allo, Allo' without the laughs - really not worth catching unless it's raining (heavily) and you've nothing better to do.
This otherwise routine propaganda piece, intended to lift spirits during the war, is redeemed by its focus on the personal effects of war. We can sympathize with the tough moral choices faced by the occupied French population, while we still have time for a laugh and a languid kiss before getting on with the serious business of outwitting the Nazis.
I'm sure that viewed during the war it was taken seriously but viewed today, with a critical eye, and I don't mean an aesthetic eye, its absurdity is what is called camp. It was only watching this film that I realized that the British TV series 'allo! 'allo! (1982-1992) was a broad parody. The central characters are two veddy veddy British chaps in trench coats wandering around in and out of the woods. Always in their trench coats. There's the cafe run by a Cockney in a beret always at odds with his wife. All we need is for the local flick to drop by and say "Good moaning". Even though people took this seriously at the time it boggles the mind to think people could really believe espionage
was actually conducted this way. For fans of the TV series this is a must not miss. I just wonder how stoned Croft and Lloyd were after seeing this film on TV 30+ years after having seen it in a West End cinema and realizing how absurd it all was and how they didn't notice 30 years before.
was actually conducted this way. For fans of the TV series this is a must not miss. I just wonder how stoned Croft and Lloyd were after seeing this film on TV 30+ years after having seen it in a West End cinema and realizing how absurd it all was and how they didn't notice 30 years before.
Films generally speaking fall into one of two categories: grevious disappointments and jubilant surprises. This lamentable effort falls squarely into category 1.
It has to be one of the most inept, ludicrous and unintentionally comic films across which this viewer has had the misfortune to stumble.
Harold French would not be on anyone's list of top rank directors but this is the bottom of the barrel.
It is probably best to draw a discreet veil over Michael Wilding's 'Mockney' and the 'Frenchie' of James Mason. Hugh Williams and Roland Culver are both immaculate but totally miscast and saunter through proceedings like guests at a garden party. Mr. Culver's cravat is singularly incongruous in occupied France. The 'romantic' interest is supplied by Carla Lehmann who is about as appealing as a plate of cold chips. All of the Germans, with the exception of Herbert Lom's medical officer, are complete and utter buffoons.
One can only assume that the devilishly subtle propogandist message here is that if the Huns are this stupid, how can we possibly lose?!
Harold French would not be on anyone's list of top rank directors but this is the bottom of the barrel.
It is probably best to draw a discreet veil over Michael Wilding's 'Mockney' and the 'Frenchie' of James Mason. Hugh Williams and Roland Culver are both immaculate but totally miscast and saunter through proceedings like guests at a garden party. Mr. Culver's cravat is singularly incongruous in occupied France. The 'romantic' interest is supplied by Carla Lehmann who is about as appealing as a plate of cold chips. All of the Germans, with the exception of Herbert Lom's medical officer, are complete and utter buffoons.
One can only assume that the devilishly subtle propogandist message here is that if the Huns are this stupid, how can we possibly lose?!
Apparently, as the film "Zero Hour" inspired "Airplane!", this routine propaganda film, "Secret Mission" from 1942 was the inspiration for a British comedy, "allo, allo." The film stars James Mason, Roland Culver, Michael Wilding, and Karel Stepanek.
Mason plays Raoul, a member of the Free French Army (and his accent is appalling) who returns to France to get German intelligence. He brings with him Captain Red Gowan and Major Peter Garrett (Roland Culver and Hugh Williams). Raoul brings him to his family's home, which his sister Michele (Carla Lehmann) is not happy about. The three also enlist the aid of a Cockney (Wilding) who is married to the owner of a café.
The story is pretty absurd, though done with a straight face. First of all, Red and Peter walk around this French village in trench coats like no one is after them, and they stick out like sore thumbs. They bluff their way into German headquarters as champagne salesmen and these dumb Germans give them a lot of info about troops, and leave them alone in the commandant's office so they can take a look at the map and write down targets.
The saving grace of the film is that it focuses on a family and the effect of war, and there, it does a decent job. These films were meant to keep people going during the war. I'm sure at the time no one noticed the more amusing parts. Evidently someone did later on, though.
I'd call this mildly entertaining, and if you know the show on which it's based, you'll love it. Kind of like seeing Zero Hour after you've seen Airplane!
Mason plays Raoul, a member of the Free French Army (and his accent is appalling) who returns to France to get German intelligence. He brings with him Captain Red Gowan and Major Peter Garrett (Roland Culver and Hugh Williams). Raoul brings him to his family's home, which his sister Michele (Carla Lehmann) is not happy about. The three also enlist the aid of a Cockney (Wilding) who is married to the owner of a café.
The story is pretty absurd, though done with a straight face. First of all, Red and Peter walk around this French village in trench coats like no one is after them, and they stick out like sore thumbs. They bluff their way into German headquarters as champagne salesmen and these dumb Germans give them a lot of info about troops, and leave them alone in the commandant's office so they can take a look at the map and write down targets.
The saving grace of the film is that it focuses on a family and the effect of war, and there, it does a decent job. These films were meant to keep people going during the war. I'm sure at the time no one noticed the more amusing parts. Evidently someone did later on, though.
I'd call this mildly entertaining, and if you know the show on which it's based, you'll love it. Kind of like seeing Zero Hour after you've seen Airplane!
क्या आपको पता है
- ट्रिवियाEarly in the film, Stewart Granger appears briefly opposite James Mason. They would subsequently co-star in "The Man in Grey" (1943), "Fanny by Gaslight" (1944) and "The Prisoner of Zenda" (1952).
- गूफ़When the air-raid siren sounds and the cast come out into the courtyard of the chateau via the flagstoned porch, the sound is that of feet clomping on a wooden set.
- क्रेज़ी क्रेडिटThe cast list in the opening and closing credits was followed by a line "etc. etc. etc.", as if to acknowledge collectively any uncredited extras.
- कनेक्शनReferenced in Terence Young: Bond Vivant (2000)
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