The Pride of the Yankees

Pride of the Yankees is still the greatest baseball movie ever made. It is the true story of the legendary Lou Gehrig, the "iron man" of baseball who was struck down suddenly by what whould later be known as Lou Gehrig's disease. Sterling performances by Cooper and a talented cast which included Thresa Wright, Walter Brennan,Dan Duryea and a guest appearance by Babe Ruth himself. There are many touching scenes in this film, especially the last one in which Gehrig says goodbye to his fans and team-mates at a tribute in Yankee Stadium. Try to rent the black and white original version. You won't be sorry!

A lot of non-baseball fans still liked this movie a lot, and that's probably because it's more about a nice guy than it is about a ballplayer. New York Yankee great Lou Gehrig is the subject. Gehrig was often in the shadow of the great Babe Ruth, but was tremendous player in his own right and a far better human being.

It's tough to find many nicer movies than this one: a totally inoffensive, sentimental and old- fashioned film about a super-nice guy, played by a popular actor: Gary Cooper. Except for one sportswriter, there were no villains or nasty people in this movie.

Teresa Wright plays "Eleanor Twitchell," who becomes Gehrig's wife and Walter Brennan plays sportswriter and friend, "Sam Blake." The real Babe Ruth played himself, which was nice to see.

Even though Gehrig died at a fairly young age of a disease now named after him, overall this was a feel-good movie of the highest sort. This was so nice a story that even the cynical critics dared not criticize it. It leaves you with tears in your eyes at the end.

Being a lifelong Yankee fan this movie is my all time favorite. At times it can be a bit "hokey", but that is part of the charm. Even though you know the eventual fate of Lou Gehrig you cant help feeling that somehow he would get better.

My favorite scene was after his marriage to Eleanor and they were in the car driven by Walter Brennan heading to Yankee Stadium. When the motorcycle cop pulled them over for speeding. It was so "campy" but I loved it.

This movie hit all the emotions you can have! I dare anyone to tell me that after his farewell at Yankee Stadium they didn't get a lump in their throat.

Superior biography of Lou Gehrig who had everything before ALS paid him a visit.

Gary Cooper is terrific as Gehrig. He was the embodiment of a plain, aw shucks guy who made it big in baseball. Teresa Wright had the right flavor as Eleanor, his loving wife.

There are fine supporting performances by Elsa Janssen and Ludwig Stossel as his parents.

The film is great because it shows a warm, loving family, poor financially but rich in spirit.

Rather than concentrate on all his baseball achievements, the film deals with Gehrig, the man and what a great, kindly gentleman that he was.

Walter Brennan, who made so many films with Cooper, appears again this time as a sports writer. He befriends him and becomes a close family friend. Dan Duryea, as a cynical reporter, is quite effective in a small role. He seems to have it in for Lou but succumbs like everyone else during that famous farewell speech.

What also made this film a classic was the use of Babe Ruth and other Yankees play themselves. Had the Babe lived, he could have been in films.

A definite film detailing the human spirit. When Gehrig meets the boy that he had "hit 2 home runs" for years later, your heart will go out. That scene, along with the farewell speech, was poignant.

Gary Cooper may have won his Oscar for SERGEANT YORK--but I think he deserved it even more for PRIDE OF THE YANKEES. I've never seen him give a more heartfelt, natural and completely likeable performance than I have here. And Teresa Wright is glowing as his sweetheart.

It tells Lou Gehrig's story in a simple, straightforward manner with only an occasional bit of Hollywood corn, the kind so typical of the 1940s. But the main storyline is carried by Cooper and Wright with some great assist from Walter Brennan. Brennan drops a lot of his cornball mannerisms (the kind he uses he in all his Western roles) and plays it straight here--with excellent results.

But it's Cooper's achievement--no doubt about that. If the last twenty minutes of the film don't move you to tears, you're made of stone. Cooper gets across the panic and fear that hits him with the first signs of his illness--with a subtle show of facial expressions. He's really into his character here and gives one of the best performances of his career.

Knowing someone who died from this disease, I was especially moved at how the first signs of illness were shown here.

Douglas Croft does a fine job as the young Lou--and by the way, whatever happened to him? He played Ronald Reagan as a boy in KINGS ROW and did several other films in the '40s. And how come Dane Clark received no billing in the credits? He was only seen early on in the film but he had a line of dialogue as one of Lou's fraternity pals. He had no credit in Alan Ladd's THE GLASS KEY too--he's the man Brian Donlevy shoves through a plate glass window. A year later he was being given the star buildup at Warner Bros.

A great film and a wonderful tribute to Lou Gehrig.