अपनी भाषा में प्लॉट जोड़ेंA man is brought back from death at the same time a vicious criminal dies in the electric chair. However, the man's soul is now taken over by the electrocuted gangster, who embarks on a veng... सभी पढ़ेंA man is brought back from death at the same time a vicious criminal dies in the electric chair. However, the man's soul is now taken over by the electrocuted gangster, who embarks on a vengeful crime wave.A man is brought back from death at the same time a vicious criminal dies in the electric chair. However, the man's soul is now taken over by the electrocuted gangster, who embarks on a vengeful crime wave.
Kenne Duncan
- Jess Fowler
- (as Kenneth Duncan)
Jack Ingram
- Ed. Sporady
- (as Jack Ingraham)
फ़ीचर्ड समीक्षाएं
Every once in a while we have to make one of the guilty admissions. Here is one for me, "I like this movie." Plot concerns a nice young gentleman who is killed. A doctor has just perfected a technique that can revive him. His father nervously concedes and the doctor revives the young man. At the same time, a ruthless gangster is executed. The gangster's soul is transmitted to the young man.
Once "alive" again, the man has no recollection of his Goody-Goody old self and simply lives out his former role as a gangster, and a nasty one at that. A little similar to Black Friday except the young man never returns to his former self and once revived is 100% the mind and soul of the gangster.
For those who liked the old Monogram and PRC Horror films in the 1940's will probably enjoy this one. It lacks the star appeal, but I though Edward Norris was more than adequate in the victim/villain role.
Once "alive" again, the man has no recollection of his Goody-Goody old self and simply lives out his former role as a gangster, and a nasty one at that. A little similar to Black Friday except the young man never returns to his former self and once revived is 100% the mind and soul of the gangster.
For those who liked the old Monogram and PRC Horror films in the 1940's will probably enjoy this one. It lacks the star appeal, but I though Edward Norris was more than adequate in the victim/villain role.
A well directed gripping film with good performances. Moves at a good pace.
I started watching movies on TV around 1948. First one I can recall was The Ghost Goes West (1936). Another early one was The Man With Two Lives. My brother and I, around 11 and 8 years old respectively, watched it a few times because 1) there wasn't much else on that would appeal to us the way execution and "transmigration of souls" would and 2) they repeated it a few times. Even at that age we were not highly impressed, but it was better than the Small Fry Club and Howdy Doody. Another favorite (?) of ours was one in which a doctor, I believe, became afflicted with acromegaly, causing his fingers and other body parts to swell; the tip-off was when he became unable to play the piano. That one was scary enough to give me a healthy respect for dread diseases, and I was confirmed in this years later when, with a college education under my belt, I looked up "acromegaly" in the dictionary and found the film's depiction of it was truthful. Now what was the name of that film....
Engaging tale of transmigration of the soul, which apparently afflicts a young man after he's revived from death following a fatal automobile accident. Just so happens he's been resurrected the same night as a notorious and unscrupulous killer is executed - his subsequent criminal behaviour concerning to not only his family, oblivious to his double life, but also his new gang, who live in fear of his ruthless streak.
Norris is pretty chilling at times as the cold-blooded killer, who nonchalantly offs just about anyone who presents a risk to his authority. Keane, Burton and Sothern play the trio of elders who presided over his ill-fated re-animation, now desperately trying to understand the reasoning for his out-of-character behaviour, and mysterious disappearances. Addison Richards has a neat little side dish of a role playing a savvy detective with whom Norris shares a scene in which the two trade feigned small talk, in a game of brinkmanship till just one is left standing.
It's a surprisingly taut, violent and compelling picture the only real issue I took was with the dual ending, the almost post-script conclusion of which, in my opinion, was unnecessary and retrograde. Listen out for some memorable dialogue too like "he lets his rod off at every opportunity and doesn't care in which direction it's pointed". We're talking about a revolver obviously, but it still cracks me up.
Norris is pretty chilling at times as the cold-blooded killer, who nonchalantly offs just about anyone who presents a risk to his authority. Keane, Burton and Sothern play the trio of elders who presided over his ill-fated re-animation, now desperately trying to understand the reasoning for his out-of-character behaviour, and mysterious disappearances. Addison Richards has a neat little side dish of a role playing a savvy detective with whom Norris shares a scene in which the two trade feigned small talk, in a game of brinkmanship till just one is left standing.
It's a surprisingly taut, violent and compelling picture the only real issue I took was with the dual ending, the almost post-script conclusion of which, in my opinion, was unnecessary and retrograde. Listen out for some memorable dialogue too like "he lets his rod off at every opportunity and doesn't care in which direction it's pointed". We're talking about a revolver obviously, but it still cracks me up.
"A young man, recently engaged to be married, is the victim of a traffic accident and dies as a result of his injuries. His father, desperate to revive his son, agrees to let a scientist friend try his experimental soul transmigration process to save him. After the young man returns to life, the father and fiancée notice a dark and violent change in the young man's behavior, leading them to believe something went horribly wrong in the revival process," according to the DVD sleeve's synopsis.
At one point, Edward Norris (as Philip Bennett) is asked, "What do you think this is, Boys Town?" Mr. Norris should know, since he was in "Boys Town". "The Man with Two Lives " is more like "Black Friday" minus Karloff and Lugosi. You do the math. This film might have been a contender, with a re-worked script; it does feature an intriguing final act. After a tepid "shoot out", hang in for the drama to pick up with a well-played scene between star Norris and pursuing detective Addison Richards (as George Bradley).
**** The Man with Two Lives (1942) Phil Rosen ~ Edward Norris, Eleanor Lawson, Addison Richards
At one point, Edward Norris (as Philip Bennett) is asked, "What do you think this is, Boys Town?" Mr. Norris should know, since he was in "Boys Town". "The Man with Two Lives " is more like "Black Friday" minus Karloff and Lugosi. You do the math. This film might have been a contender, with a re-worked script; it does feature an intriguing final act. After a tepid "shoot out", hang in for the drama to pick up with a well-played scene between star Norris and pursuing detective Addison Richards (as George Bradley).
**** The Man with Two Lives (1942) Phil Rosen ~ Edward Norris, Eleanor Lawson, Addison Richards
क्या आपको पता है
- ट्रिवियाThe earliest documented telecasts of this film occurred in New York City Thursday 27 May 1948 on WCBS (Channel 2), in Chicago Wednesday 16 February 1949 on WBKB (Channel 4), in Los Angeles Sunday 27 March 1949 on KTLA (Channel 5), in Cincinnati Friday 17 June 1949 on WKRC (Channel 11), and in Salt Lake City Sunday 8 January 1950 on KDYL (Channel 4).
- साउंडट्रैकPiano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight'
(uncredited)
Written by Ludwig van Beethoven
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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- 1.37 : 1
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