Lucky Jordan

After Alan Ladd's success in This Gun For Hire and The Glass Key, roles more traditionally associated with him, Paramount decided to give him top billing in Lucky Jordan, a film remarkably similar to Humphrey Bogart's All Through The Night in which gangster Bogart foils a Nazi spy ring. Although Ladd does well in the part, this was something given Ladd's diminutive stature that James Cagney would have breezed through.

In the title role Ladd is a gangster who's most reluctant to go into military service and leave the lifestyle he's become accustomed to. His number one subordinate Sheldon Leonard is most anxious to see him leave so he can move in on everything including Marie McDonald. Ladd and lawyer Lloyd Corrigan try all kinds of gambits, the last being to hire an Apple Annie type to fake being Ladd's mother so he can claim he's her sole support. Mabel Paige who played the gin swilling old souse is the best one in the film.

Ladd finally goes in the army, but he crashes out like you would in a prison film and accidentally gets some secret plans for a new airplane in the car he hijacked. Furthermore Sheldon Leonard is doing business with people who'd like those plans as the old rackets are drying up do to the war. All this doesn't faze Ladd, not even the pleadings of Helen Walker who is an Army WAC, but when the spies beat up on Paige our boy is not about to see the institution of motherhood defiled.

Lucky Jordan is played tongue in cheek just like All Through The Night. It made a profit for Paramount and confirmed Ladd's box office appeal. But it's firmly rooted in the time and place that the story is set in and hasn't really aged all that well. During his years at Paramount in the Forties Alan Ladd made far better films than Lucky Jordan that have come down as classics. This one is quite a bit less than a classic.

This is one of my favorite wartime crime/espionage/comedies. It's played mostly straight, but a few of the comedy sequences are priceless. Ladd plays Lucky Jordan, a man who makes his living in the rackets. He is a bookie and also makes money in slot machines. Basically letting the saps gamble away their dough. Business is good, but there is a problem. Jordan has been drafted into the army. You know the film isn't taking itself totally serious when Lloyd Corrigan plays Lucky's lawyer.

Jordan looks out for number one and thinks the government should look after itself. He finds nothing but trouble in the army and decides to skip and hide out until the war blows over. He gets away but inadvertently comes into the possession of some blueprints of a new tank design. Spies are after the documents and so is Slip (Sheldon Leonard), his old partner. His main nemesis however, is a spunky idealist (Helen Walker), who wants to see Lucky suffer for his unpatriotic attitude.

Also in the cast is Mabel Paige, who is hired to play Lucky's long lost mother. This is where most of the best laughs are found. But also it becomes quite touching, when the two loners find they have someone they can trust. The spies end up with the blueprints, but they have to beat up Paige to get it. This makes Lucky decide to join the fight. As Lucky says in the film, "I don't want to see my country run by a bunch of guys who beat up old ladies."

Jordan gets a tip that Slip has a connection to Kilpatrick Gardens, a high end garden nursery. This is where the final fireworks will start as we learn that Kilpatrick's is a front for the spies. It's all breezy and filled with snappy patter. The two leads, Walker and Ladd, are beautiful and work well off each other. Ladd's role is very physical here and he's up to meet the challenge. He was a star athlete in high school and you can see it here.

Lucky Jordan is an entertaining movie, and it highlights the many talents of Alan Ladd. His deadpan comic delivery of funny lines was one of his great strengths as an actor. There are several of those instances in this production.

There is a romantic interest, of course, but it does not complicate the basic premise; Lucky is a wise guy hood who wants to beat going into the Army during WW2. Initially, he is willing to do anything to achieve that goal; even sell out his country to spies. But, we all know by this time, that Ladd will eventually see the light and make his past mistakes a thing ro forget. An entertaining hour and change of fantasy.

Paramount had enough confidence in ALAN LADD (after THIS GUN FOR HIRE and THE GLASS KEY) to give him solo star billing above the title for LUCKY JORDAN. He fits the role of the cynical, wise-cracking Jordan, every inch the cocky wise guy who keeps getting into one scrape after another until the fadeout.

Instead of Veronica Lake, we have HELEN WALKER as the WAC he's forced to kidnap when she threatens to report him to the authorities for minor infractions. It's Walker's first film and she handles her chores with great assurance.

But the scene-stealer is MABEL PAIGE as an old wino who is chosen to act as Ladd's mother, so he can call her a dependent and avoid the military draft. Trouble brews when Ladd's own henchman (SHELDON LEONARD) is part of a scheme to turn over military plans to the enemy during World War II. Ladd gets back at Leonard on a few occasions but really throws the book at the mob when they beat up "his old lady."

All of it is directed at a fast pace by Walter Tuttle. The script is full of one-liners that draw a laugh, most of them delivered in crisp style by Ladd himself. It's easy to see why his popularity as the hottest male star at Paramount was cemented with this film. He's very believable as the cynic with a heart of gold. It's an energetic performance that made the studio realize they had a good prospect for stardom on their hands.

Only quibble: The print shown on TCM was a poor one needing restoration.

This picture was fun to watch. Alan Ladd had a style as a gangster that counterpointed well with the wonderful Sheldon Leonard ("Hey, Buddy, ... C'mere!") Helen Walker presented an unusually perky, sexy look that was never really exploited in the movies. When she distracted the nazi spy he was not alone. I sat through the movie again to be distracted a second time. The picture may become a cult 'classic', if it has not already and I recommend most insistently that you view it. Ladd's involvement with the old 'bag lady' will touch you. Once again, for a light comedy, spy thriller (The Second World War was in full sway) it was away ahead of most of it's ilk. My favourite Alan Ladd movie.