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In Which We Serve

  • 1942
  • Not Rated
  • 1 घं 55 मि
IMDb रेटिंग
7.2/10
6.8 हज़ार
आपकी रेटिंग
Noël Coward in In Which We Serve (1942)
This "story of a ship", the British destroyer H.M.S. Torrin, is told in flashbacks by survivors as they cling to a life raft.
trailer प्ले करें1:16
1 वीडियो
81 फ़ोटो
ड्रामायुद्ध

अपनी भाषा में प्लॉट जोड़ेंThis "story of a ship", the British destroyer H.M.S. Torrin, is told in flashbacks by survivors as they cling to a life raft.This "story of a ship", the British destroyer H.M.S. Torrin, is told in flashbacks by survivors as they cling to a life raft.This "story of a ship", the British destroyer H.M.S. Torrin, is told in flashbacks by survivors as they cling to a life raft.

  • निर्देशक
    • Noël Coward
    • David Lean
  • लेखक
    • Noël Coward
  • स्टार
    • Noël Coward
    • John Mills
    • Bernard Miles
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.2/10
    6.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Noël Coward
      • David Lean
    • लेखक
      • Noël Coward
    • स्टार
      • Noël Coward
      • John Mills
      • Bernard Miles
    • 77यूज़र समीक्षाएं
    • 37आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर के लिए नामांकित
      • 9 जीत और कुल 3 नामांकन

    वीडियो1

    Trailer
    Trailer 1:16
    Trailer

    फ़ोटो81

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    टॉप कलाकार59

    बदलाव करें
    Noël Coward
    Noël Coward
    • Capt. E.V. Kinross R.N. - Captain 'D'
    • (as Noel Coward)
    John Mills
    John Mills
    • Ordinary Seaman Shorty Blake
    Bernard Miles
    Bernard Miles
    • Chief Petty Officer Walter Hardy
    Celia Johnson
    Celia Johnson
    • Mrs. Alix Kinross
    Kay Walsh
    Kay Walsh
    • Freda Lewis
    Joyce Carey
    Joyce Carey
    • Mrs. Kath Hardy
    Derek Elphinstone
    • No. 1
    Michael Wilding
    Michael Wilding
    • Flags
    Robert Sansom
    • Guns
    Philip Friend
    Philip Friend
    • Torps
    Chimmo Branson
    • Midshipman
    Ballard Berkeley
    Ballard Berkeley
    • Engineer Commander
    Hubert Gregg
    Hubert Gregg
    • Pilot
    James Donald
    James Donald
    • Doc
    Michael Whittaker
    • Sub
    Kenneth Carten
    • Sub-Lieutenant R.N.V.R.
    John Varley
    • Secco
    Caven Watson
    • Brodie
    • निर्देशक
      • Noël Coward
      • David Lean
    • लेखक
      • Noël Coward
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं77

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    फ़ीचर्ड समीक्षाएं

    8jotix100

    The HMS Torrin

    The British destroyer HMS Torrin serves as the meeting place where men from all walks of life come together as they are called to do their duty for their country. The lives of the different men interconnect in amazing ways, in good times and during tragedy at sea.

    David Lean and Noel Coward shared the directorial duty in a film that is one of the best ones of the genre. It would appear impossible by today's egotistical standards that two men, like Mr. Coward and Mr. Lean, would even consent to work in a film project. The unity shown in the making of the film must have come from those trying days during the war days in England.

    The large ensemble cast put together for the film showcases some of the best talent of the British screen like no other of its kind. Noel Coward, who was a colossal figure in the East End stage, is seen as Capt. Kinross, the man at the helm of the Torrin. His wife is played by Celia Johnson, one of the best actresses of her generation, and who later would go to collaborate with Mr. Coward in what must be, perhaps, one of the best achievements in the English cinema, "Brief Encounter".

    In supporting roles we see a young John Mills playing Shorty Blake. Bernard Miles is seen as the kind Walter Hardy. His wife Katherine is portrayed by Joyce Carey, another excellent character actress who was always a welcome presence in any film in which she appeared. Kay Walsh, Michael Wilding, Daniel Massey seen as a young boy, and the baby Juliet Mills also appear in the film.

    "In Which We Serve" is still a pleasure to watch because it shows the valor of the men called to defend their country.
    101774.2246

    Portrait of wartime society

    "In Which We Serve" is more than a story told for propaganda effect about naval heroism and based on Mountbatten's wartime experiences. As the English film critic Barry Norman has put it: "Aboard Coward's fictional HMS Torrin there existed forties British society in microcosm. Here everybody knew his place... The one thing they all had in common was the knowledge that each of them, high or low, was expected to show unswerving loyalty and devotion to duty". The relationships between the men on HMS Torrin and the lives they lead at sea and at home (told through flashbacks) portray a wartime society ordered by class and intentionally defined by the traditional British virtues of duty and sacrifice. It is a society in which understatement and the stiff upper lip reign supreme. Emotions go largely unspoken. They simmer under the surface of the screen in the silences and in the flickering effort of concealment on the faces of the major characters. Personal suffering is borne with quiet forbearance, in the knowledge that it is borne in the service of a higher cause and that to bear it stoically is to set the right example to others. When the ship's chief petty officer is told of the death of his wife and mother in law in the blitz he first congratulates the sailor who brings him the news for becoming a father before going up on deck to bear his grief alone. The clipped style of speech of Captain Kinross played by Coward himself and the slightly shrill upper class accent of his wife played by Celia Johnson heighten the sense of feelings being stripped away from the words. Their conversation is a caricature of communication - the protagonists performing their dialogue in a choreographed ritual. Real communication is only hinted at - the underlying pain understood but never expressed. In "In Which We Serve" the captain and his wife are the models to which other men and women must aspire - in monologues they define the notions of duty and sacrifice to which each sex is bound. Both put duty before the pursuit of personal happiness (a theme David Lean and Coward return to in Brief Encounter). When the Captain talks of the need for a happy ship he is not referring to the right of individuals expressed in the Declaration of Independence. Here happiness is a collective duty in the interests of efficiency.

    For the men and women in Coward's vision HMS Torrin is much more than a ship - it is personified as the object of their devotion and jealousy. Above all it is a powerful symbol of the qualities and traditions that unite and must protect their vulnerable island at war. Outdated though this vision may be - part of a world left far behind through post-war socio-economic development and emancipation - it is nevertheless a compelling and entirely consistent vision which ensures the film retains a certain appeal to audiences even today and is a major reason why it can still be so highly rated as a piece of British cinema history.
    8secondtake

    graphic and moving and a reminder of what war is like from the inside

    In Which We Serve (1942)

    A curiously different and really moving film about World War II, directed by two top British talents, Noel Coward and David Lean. It's filmed in the thick of the actual naval war and so might be unofficially called a propaganda film. (Though not made by the government, there was a lot of influence and assistance.). It clearly has a sense of presenting the British war effort at its best. But it's also complicated, filled with sadness alongside heroism and, perhaps most of all, selflessness. Both by soldiers and by their women left behind. The war in 1942 was not looking great for the Brits.

    Coward co-directs but also is the leading man, and he's an established actor from both film and stage at this point. Lean, whose huge career as a director is all ahead of him, is in charge of the action sequences and this is his first attempt at directing--for which he won awards. If there is a sentimental side to some of the Coward directed scenes it's partly because of when it was shot. Try to imagine the audience suffering from bombings and having their loved ones in battle. We see it now with very different eyes.

    In fact, it is hard to imagine how a wife or mother could watch this at all. The basic structure is that the ship goes out to sea with a bunch of men and then disaster strikes, and the rest of the movie is a series of flashbacks to the home lives of the men, and to the women who are dreading seeing their men go off to sea. It's actually about the very sadness of the people sitting in the audience.

    The filming is rather different between the two directors. Coward understands a traditional kind of culture well, with conversation and interpersonal nuance. Lean captures a more direct emotional energy, and lots of vivid action. Normally two directors means problems, but here it's divided naturally.

    Eventually the movie wears its formula, back and forth with flashbacks, pretty hard. But it's so well done you don't much mind. An emotional, finely seen movie, and surprisingly valid even now.
    7KEVMC

    A British wartime classic - and no mistake!

    The story of British Navy Destroyer HMS Torrin, told in flashback by the surviving crew members as they await rescue in the Mediterranean, the ship having been sunk during a battle.

    This film was something of a tour-de-force for Noel Coward, as he produced, wrote and co-directed it (with a young David Lean). Considering its age, the film stands up quite well today. It obviously seems dated in some respects - the dialogue is quite clipped and stilted at times - but is saved by professional work all round and a clutch of strong performances, namely by Noel Coward himself, John Mills and Bernard Miles. Its also notable for the screen debut of Richard Attenborough (it was screened over the holiday weekend as part of a celebration of his upcoming 80th Birthday).

    While some may find it presenting an overly romanticised view of the Royal Navy at war, it should be remembered that at the time it was made, in 1942, victory over Germany was still far from certain. With that in mind, it surely must have achieved its aim of boosting the morale of those who saw it. Over 60 years on it remains good solid entertainment and an intriguing glimpse into the mindset of the day.
    didi-5

    patriotism for the British Navy

    A flag waver for the British navy (‘the story of a ship') in which we meet rough representatives of the three classes (upper, middle, working) brought together by circumstance and service.

    The working classes are represented by John Mills and Kay Walsh, who marry quietly during a leave and go to their honeymoon on a train. Mills plays a good sort, reliable, the usual depiction of the honest working Joe. Slightly above them in class (with a garden and refined accents) are Bernard Miles and Joyce Carey, both very fine performances. The top of the scale is naturally Noel Coward (who wrote, co-directed, and produced this) and Celia Johnson, with their luncheon parties and their two affected children (one is the actor Daniel Massey, then a little child).

    By weaving the stories of all three together we do go some way to understanding the (fictional) mind-set of the man at war, his worries, his triumphs and preoccupations. And as a morale-booster for our chaps at sea it must have done its job very well - it remains fairly touching all these years on.

    इस तरह के और

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    6.7
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      After about three weeks of shooting, Noël Coward realized that (a) Sir David Lean knew a lot more about filmmaking than he did, and (b) he didn't care much for the long hours. So Coward effectively handed the directorial reins over to his partner at that point.
    • गूफ़
      When the sailors are in the water, clinging to the life raft, a German aircraft strafes them with machine gun fire. This simply did not happen, with the Germans, when dealing with the British or American adversaries, especially when it came to naval targets. In fact, sometimes Germans would rescue stranded sailors in the water.
    • भाव

      Mrs. Alix Kinross: [Christmas dinner toast] Ladies and gentlemen. I'll begin by taking my husband's advice and wishing you all a very happy Christmas. I'm sure Elizabeth and June will back me up when I say I'd like to deliver, on behalf of all wretched naval wives, a word of warning to Maureen who's been unwise enough to decide to join our ranks. Dear Maureen: we all wish you every possible happiness, but I think it only fair to tell you in advance exactly what you are in for. Speaking from bitter experience I can only say that the wife of a sailor is most profoundly to be pitied. To begin with, her home life, what there is of it, hath no stability whatever. She can never really settle down. She moves through a succession of other people's houses, flats, and furnished rooms. She finds herself having to grapple with domestic problems in Bermuda, Malta, or Weymouth. We will not deal with the question of pay as that is altogether too painful. But we will deal with is the most important disillusionment of all, and that is that wherever she goes there is always in her life a permanently undefeated rival: her husband's ship. Whether it be a battleship or a sloop, a submarine or a destroyer, it holds first place in his heart. It comes before wife, home, children, everything. Some of us try to fight this and get badly mauled in the process. Others, like myself, resolve themselves to the inevitable. That is what you will have to do, my poor Maureen. That is what we all have to do if we want any peace of mind at all. Ladies and gentlemen I give you my rival. It is extraordinary that anyone could be so fond and so proud of their most implacable enemy - this ship. God bless this ship and all who sail in her.

    • क्रेज़ी क्रेडिट
      This film is dedicated to the Royal Navy "whereon under the good providence of God, the wealth, safety and strength of the kingdom chiefly depend".
    • कनेक्शन
      Featured in Film Review: Richard Attenborough (1968)
    • साउंडट्रैक
      Eternal Father, Strong to Save
      (uncredited)

      Lyrics by William Whiting

      Music by John B. Dykes

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is In Which We Serve?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 17 सितंबर 1942 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Hidalgos de los mares
    • फ़िल्माने की जगहें
      • Dunstable Downs, Hertfordshire, इंग्लैंड, यूनाइटेड किंगडम(picnic)
    • उत्पादन कंपनी
      • Two Cities Films
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • £2,40,000(अनुमानित)
    • दुनिया भर में सकल
      • $247
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 55 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Noël Coward in In Which We Serve (1942)
    टॉप गैप
    By what name was In Which We Serve (1942) officially released in India in English?
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