In Which We Serve

A flag waver for the British navy (‘the story of a ship') in which we meet rough representatives of the three classes (upper, middle, working) brought together by circumstance and service.

The working classes are represented by John Mills and Kay Walsh, who marry quietly during a leave and go to their honeymoon on a train. Mills plays a good sort, reliable, the usual depiction of the honest working Joe. Slightly above them in class (with a garden and refined accents) are Bernard Miles and Joyce Carey, both very fine performances. The top of the scale is naturally Noel Coward (who wrote, co-directed, and produced this) and Celia Johnson, with their luncheon parties and their two affected children (one is the actor Daniel Massey, then a little child).

By weaving the stories of all three together we do go some way to understanding the (fictional) mind-set of the man at war, his worries, his triumphs and preoccupations. And as a morale-booster for our chaps at sea it must have done its job very well - it remains fairly touching all these years on.

When "In Which We Serve" was made in 1942, England was in the midst of its finest hour. We see a film of honor, devotion, and loyalty to the realm.

It is basically the story of a boat being torpedoed and the flashbacks of 3 sailors aboard the doomed wreckage.

Noel Coward, a brilliant talent, did not perform well here. His scenes with his children appear awkward and he is unusually cold towards them. While a war is going on, that strong sentiment of a loving friendly tie is missing.

Kudos go to Celia Johnson, as Alix, his wife in the film. She states in a memorable way that in the navy, devotion to the ship comes first. John Mills is also effective as a navy man. In a heart-wrenching scene, he must tell a fellow shipman that his wife and mother-in-law have been killed in the blitz.

The ending is poignantly done. A tear will come to the eye as Coward says goodbye to those who survived the torpedoed ship.

A film of valor and of the human spirit. England was certainly at its finest hour.

Naval men watch their ship sink as they cling to a raft and remember the lives they left in "In Which We Serve," a 1942 film starring Noel Coward, John Mills, Celia Johnson, and Bernard Miles. The story takes place in World War II and shows how the war affected the British soldiers and their loved ones. Noel Coward also wrote and co-directed this film with David Lean. Like Coward's Brief Encounter, there are no glamorous movie star types. This is the story of the common man bound together by war and by their ship. Coward is Captain Kinross, who has a wife (Celia Johnson) and two children. John Mills is "Shorty," a seaman who falls in love while on leave, gets married and has a short honeymoon. Bernard Miles is Walter Hardy, a happily married man whose wife hates having him go away. Each man reflects on his story in flashback.

The impact of "In Which We Serve" must have been very powerful when it was first released. The announcement of war by the Prime Minister which comes over the radio is met with a chilling silence that the audience feels along with the men. The devastation of a blackout, the impact of the bombs at sea are very real.

"In Which We Serve" is the story of a ship, the HMS Torrin, but we learn quickly that a ship is about its people, united in one cause and who share a special camaraderie. The captain's final speech to his men is highly emotional, all the more so because it is so restrained.

All of the acting is top-notch. Someone commented that Coward seemed stiff. I think his role called for a certain formality. Hard to believe John Mills was ever that young. Celia Johnson, in her first film role, is wonderful. Coward obviously had no problems attracting the best actors to the film, as every person fits his or her role perfectly.

Like many classics, despite changes in film technique, the core story remains compelling, especially today with so many soldiers in Iraq. In one scene, the camera falls on some of the seamen as they go to their stations to do battle. Each man was carefully chosen to show his extreme youth. It was a terrible time for the world, but somehow the film is strangely uplifting. A no-miss.

The British destroyer HMS Torrin serves as the meeting place where men from all walks of life come together as they are called to do their duty for their country. The lives of the different men interconnect in amazing ways, in good times and during tragedy at sea.

David Lean and Noel Coward shared the directorial duty in a film that is one of the best ones of the genre. It would appear impossible by today's egotistical standards that two men, like Mr. Coward and Mr. Lean, would even consent to work in a film project. The unity shown in the making of the film must have come from those trying days during the war days in England.

The large ensemble cast put together for the film showcases some of the best talent of the British screen like no other of its kind. Noel Coward, who was a colossal figure in the East End stage, is seen as Capt. Kinross, the man at the helm of the Torrin. His wife is played by Celia Johnson, one of the best actresses of her generation, and who later would go to collaborate with Mr. Coward in what must be, perhaps, one of the best achievements in the English cinema, "Brief Encounter".

In supporting roles we see a young John Mills playing Shorty Blake. Bernard Miles is seen as the kind Walter Hardy. His wife Katherine is portrayed by Joyce Carey, another excellent character actress who was always a welcome presence in any film in which she appeared. Kay Walsh, Michael Wilding, Daniel Massey seen as a young boy, and the baby Juliet Mills also appear in the film.

"In Which We Serve" is still a pleasure to watch because it shows the valor of the men called to defend their country.

"In Which We Serve" is not only a wonderful pastiche of British society during the second world war, but a complex, yet correct statement of a very simple theme -namely the duty of a country's citizens to defend the system it believes in. The simplicity of the story is one of the movie's key strengths, but the most appealing aspect of the film is, for me at least, the way in which each scene reflects the preceding and suggests the subsequent one. The motivation behind this may have been to demonstrate the unifying elements of the various different characters and their individual stories, but the skill with which this is done makes for a wonderfully satisfying experience. The film is excellently crafted, moving from a semi-documentary style that would have been instantly recognizable to cinema audiences of the forties, with the then common weekly news reviews; and then moving into everything from light-comedy to exciting action and pure drama. It is a film that for many will seem old-fashioned, but only in some of its sentiments, never its techniques or its wisdom. And the "old-fashionedness" of some of it -such as the love scene between John Mills and his girlfriend on the bench by the water- has a poignancy that is nevertheless almost painful in its innocence. Above all the film expresses one immensely important concern: dignity. It is reflected in the words and actions of all the characters, and shines through the film with the immense pride the film-makers (Noel Coward especially) put into making this film. It is an important film not least because it is not afraid of expressing loss -for many the thought of a film about a sinking British ship was a shocking risk to take in a time of war. And it is an entertaining film as well, in the best tradition of British cinema. Like the other main Coward/Lean masterpiece "Brief Encounter" this film can be enjoyed on so many levels that it demands multiple viewings. And like "Brief Encounter" you will discover new subtleties each time...