IMDb रेटिंग
6.4/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThis lurid exposé of the Hitler Youth follows the woes of an American girl declared legally German by the Nazi government.This lurid exposé of the Hitler Youth follows the woes of an American girl declared legally German by the Nazi government.This lurid exposé of the Hitler Youth follows the woes of an American girl declared legally German by the Nazi government.
- निर्देशक
- लेखक
- स्टार
Carla Boehm
- Magda
- (बिना क्रेडिट के)
Egon Brecher
- Mr. Müller
- (बिना क्रेडिट के)
Billy Brow
- Boy
- (बिना क्रेडिट के)
Bill Burrud
- Prof. Nichols' Student
- (बिना क्रेडिट के)
Bruce Cameron
- Storm Trooper
- (बिना क्रेडिट के)
Paula Corday
- Young Matron
- (बिना क्रेडिट के)
Yvonne Cross
- Bit
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I can see how this film would have created a stir when it was released in 1942.World War II was being fought and the Germans dominated Europe. The film is the story of two star crossed lovers: an American girl with German blood and an unfortunate young man who rises from the Hitler Youth and becomes a colonel in the Gestapo. Kind of an unusual take on the boy meets girl story but a good film just the same. Recommended for history buffs and Tim Holt fans.
War time propaganda films must be viewed in the context of the times in which they were made. It is sometimes difficult to appreciate a film because of the framework of propaganda. This film, made at the beginning of the war with Germany, attempts to depict what was happening in that country and the threat it posed to the world. It may be somewhat simplified but it gets the point across.
Bonita Granville, an appealing actress who began her career as a child star, does a fine job as the German/American young woman who is caught up in the maelstrom of Nazism. Tim Holt, as the German officer, seems miscast somehow.....I still see him searching for the Treasure of Sierra Madre with Humphrey Bogart but maybe that's just my problem. Kent Smith, a yeoman actor, whose face was everywhere during the 40's, is his usual bland self. The coup of casting is Otto Kruger as Tim Holt's mentor.....he was an underrated actor, who always gave good performances.....see him in "Murder My Sweet" as the sleazy Anthor to really appreciate his talents. Hans Conreid, usually thought of as a comic actor, plays against type here and it works well enough. Since hindsight is 20/20, we notice that some of the major atrocities of the Nazi regime, such as concentration camps (mentioned briefly) and the "Jewish question" are not addressed. View this film for what it is....propaganda....an attempt to show the audience that other world, where terrible things were happening and why America was fighting to preserve freedom. It's a piece of history that is worth watching.
Bonita Granville, an appealing actress who began her career as a child star, does a fine job as the German/American young woman who is caught up in the maelstrom of Nazism. Tim Holt, as the German officer, seems miscast somehow.....I still see him searching for the Treasure of Sierra Madre with Humphrey Bogart but maybe that's just my problem. Kent Smith, a yeoman actor, whose face was everywhere during the 40's, is his usual bland self. The coup of casting is Otto Kruger as Tim Holt's mentor.....he was an underrated actor, who always gave good performances.....see him in "Murder My Sweet" as the sleazy Anthor to really appreciate his talents. Hans Conreid, usually thought of as a comic actor, plays against type here and it works well enough. Since hindsight is 20/20, we notice that some of the major atrocities of the Nazi regime, such as concentration camps (mentioned briefly) and the "Jewish question" are not addressed. View this film for what it is....propaganda....an attempt to show the audience that other world, where terrible things were happening and why America was fighting to preserve freedom. It's a piece of history that is worth watching.
The very much critically acclaimed Hitler's Children is still quite a powerful film today. Potential lovers Tim Holt and Bonita Granville can never quite get together because of the Nazi ideology that Tim espouses.
The film has certain similarities to MGM's The Mortal Storm though without the A list cast of that one. The two go to different schools across the street from each other. Bonita is German born, but a naturalize American living with her grandparents while she attends the American school run by Kent Smith. Tim goes to the German all boys school for the new Hitler Youth and it was new when this film's action starts in 1933.
It's no accident that this was a boys school for the German youth. The Nazi ideology was firmly patriarchal and eloquently expressed the fact that women were child bearing vessels and nurturers of future Nazis and nothing more. No accident when you see Nazi rally newsreels for the young and old it's an all male cast. Hitler's Children explores that issue far more than most wartime films made by the Allies.
Kent Smith has the Nick Carroway narrative part in the story, we see it through his eyes up to the moment he departs for Paris and knowing full well the Nazis will be there shortly.
Holt and Granville are an attractive pair. Hitler's Children has aged far better than most American war films of the World War II era.
The film has certain similarities to MGM's The Mortal Storm though without the A list cast of that one. The two go to different schools across the street from each other. Bonita is German born, but a naturalize American living with her grandparents while she attends the American school run by Kent Smith. Tim goes to the German all boys school for the new Hitler Youth and it was new when this film's action starts in 1933.
It's no accident that this was a boys school for the German youth. The Nazi ideology was firmly patriarchal and eloquently expressed the fact that women were child bearing vessels and nurturers of future Nazis and nothing more. No accident when you see Nazi rally newsreels for the young and old it's an all male cast. Hitler's Children explores that issue far more than most wartime films made by the Allies.
Kent Smith has the Nick Carroway narrative part in the story, we see it through his eyes up to the moment he departs for Paris and knowing full well the Nazis will be there shortly.
Holt and Granville are an attractive pair. Hitler's Children has aged far better than most American war films of the World War II era.
I have always wanted to watch this movie if only for the title alone. Bonita Granville plays Anna, a young lass at the American school in Berlin. It is 1933, not a good year to be a German born Yank residing in the Deutschland (not a good year for anyone to be there). The film opens with our freedom loving friends fighting a bunch of Nazi Youth. During the fracas Tim Holt, a strapping example of Germany's future meets the spunky Bonita. He quickly succumbs to her cheeky charms and after a bit of resistance Bonita returns his affection.
Time passes and Holt rises in the Nazi machine while Bonita remains in Germany (why didn't she leave? Because then we would have no movie) Eventually Bonita ends up in a labor camp unwilling to renounce her loyalty to the USA and suffers fierce reprisals for her stubbornness. Holt ultimately allows his love for her to overcome his Nazi leanings. How does this turn out? Watch and find out.
This film made a lot of money for RKO in 1943 but today it seems like an obvious piece of wartime propaganda, melodramatic and shrill but for a few interesting moments. A close-up of Holt and Granville embracing in shadow was beautiful and a fine example of German Expressionism. There were scenes of Anna fleeing her enemies in the woods. These were lovely and evoked again those fabulous Universal horror films of the thirties. Nice film noir touches. Granville's flogging by the Nazi's was appropriately brutal. Otto Kruger and Hans Conried are always a welcome addition to any movie. H.B. Warner plays a very talkative Catholic priest.
Directed by Jules Dassin, it is interesting to see for that reason alone.
Time passes and Holt rises in the Nazi machine while Bonita remains in Germany (why didn't she leave? Because then we would have no movie) Eventually Bonita ends up in a labor camp unwilling to renounce her loyalty to the USA and suffers fierce reprisals for her stubbornness. Holt ultimately allows his love for her to overcome his Nazi leanings. How does this turn out? Watch and find out.
This film made a lot of money for RKO in 1943 but today it seems like an obvious piece of wartime propaganda, melodramatic and shrill but for a few interesting moments. A close-up of Holt and Granville embracing in shadow was beautiful and a fine example of German Expressionism. There were scenes of Anna fleeing her enemies in the woods. These were lovely and evoked again those fabulous Universal horror films of the thirties. Nice film noir touches. Granville's flogging by the Nazi's was appropriately brutal. Otto Kruger and Hans Conried are always a welcome addition to any movie. H.B. Warner plays a very talkative Catholic priest.
Directed by Jules Dassin, it is interesting to see for that reason alone.
A Nazi officer (Tim Holt) falls in love with a freedom-fighting American girl (Bonita Granville) in WWII Germany. Very dated (of course) but still worth seeing. The film pulls no punches is showing how horrible life in Germany was during the war. I especially like them showing German citizens as being against Hitler and unhappy also. It is naive (concentration camps are mentioned once and very casually) but, at the time this was made, that's all we knew about Germany. A big hit in its day--it's easy to see why.
Holt and Granville are good in the leads--especially Holt who has a powerful speech at the end. Also the film moves quickly and is never dull. A very good look at Germany during WWII. Well worth catching.
Holt and Granville are good in the leads--especially Holt who has a powerful speech at the end. Also the film moves quickly and is never dull. A very good look at Germany during WWII. Well worth catching.
क्या आपको पता है
- ट्रिवियाEdward Dmytryk in his autobiography 'It's a Hell of a Life But Not a Bad Living', states: "A friend of mine, Irving Reis, had prepared and actually started shooting a film called 'Hitler's Children', an exploitation B. Irving was rather headstrong and somewhat touchy - a bad combination in Hollywood. After a few days, he got into a fight with producer Doc Golden [Robert Golden]. Getting his back up, he quit the film, expecting, so he told me later, to win a quick apology and a free hand. Instead, the studio said, 'As you wish,' and asked me to take over the direction. He gave me his blessing, asking only that his name be completely removed from the film's credits. The studio was willing and I went to work. I finished on schedule, cut and dubbed it, and turned it over to the distribution department. None of us at the studio was sure of what we had."
- गूफ़Karl Bruner is wearing the four pips and strip on his uniform collar of an SS Obersturmbanfuhrer, or Lieutenant Colonel, when Colonel Henkel said he would be promoted to Captain (or Hauptsturmfuhrer) and should be wearing a collar tab with three pips (diagonally) and two stripes. Colonel Henkel's insignia is also incorrect. He is wearing the three oak leaves of a Brigadefuhrer (Brigadier General) when he should have only one leaf of a Standartanfuhrer (Colonel).
- भाव
The Bishop: [to the Nazi Major] No wonder you take away the breath of life so readily. The breath of death is already upon you.
- क्रेज़ी क्रेडिटDuring opening credits, the camera zooms in on a German book burning, and the book on top of the pile is "Education for Death" by Gregor Ziemer. That was another book by the same author of the novel on which this film is based.
- इसके अलावा अन्य वर्जनThere is an Italian DVD edition of this movie, distributed by DNA Srl. The movie was re-edited with the contribution of the film history scholar Riccardo Cusin. This version is also available in streaming on some platforms.
- कनेक्शनFeatured in Hollywood the Golden Years: The RKO Story: Dark Victory (1987)
- साउंडट्रैकFur Elise
Composed by Ludwig van Beethoven (1810)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Hitler's Children?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,05,000(अनुमानित)
- चलने की अवधि
- 1 घं 22 मि(82 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें