IMDb रेटिंग
7.4/10
1.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTom hears a ghost story on the radio and is spooked by it; Jerry notices this and takes advantage of it, using a variety of tricks to scare Tom.Tom hears a ghost story on the radio and is spooked by it; Jerry notices this and takes advantage of it, using a variety of tricks to scare Tom.Tom hears a ghost story on the radio and is spooked by it; Jerry notices this and takes advantage of it, using a variety of tricks to scare Tom.
- निर्देशक
- लेखक
- स्टार
Sara Berner
- Operator
- (बिना क्रेडिट के)
William Hanna
- Tom's and Jerry's vocal effects
- (वॉइस)
- (बिना क्रेडिट के)
Harry Lang
- Tom
- (बिना क्रेडिट के)
Lillian Randolph
- Mammy Two-Shoes
- (वॉइस)
- (बिना क्रेडिट के)
Kent Rogers
- Vocals
- (बिना क्रेडिट के)
Jack Sabel
- Jerry (speaking)
- (बिना क्रेडिट के)
Martha Wentworth
- Witching Hour Radio Announcer
- (वॉइस)
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Disclaimer: Unfortunately, the Tom & Jerry episodes I specifically talk about in this review aren't listed under one single title here, so the best I can do is just leave it under one of my favorite episodes of the era I had in mind typing out this rambling.
I will always have a soft spot for the Tom & Jerry circa 1967. I know that technically it includes three different eras: 1) The Classic MGM Theatrical Era (also known as The Golden Era) (1940-1958) created by the legendary William Hanna & Joseph Barbera. These two names will forever be imprinted in my brain. If I could, I would personally thank them for enriching my childhood with the most genuine laugh I've ever had. Every time I saw their names in the opening titles I knew the next 10 minutes will be GOLDEN.
2) The experimental period of the Gene Deitch Era (1961-1962). Thankfully, it only lasted for 13 episodes, but it wasn't as bad as some might percieve it to be. That being said, even as a kid I could see that something was off about these episodes and I wasn't a big fan of them - the animation was too jarring and dark for my taste, but I never skipped them on my bootleg DVD either - I was patiently watching them in eager anticipation of what I knew was coming next on this Tom & Jerry anthology disc of mine. No hard feelings towards Gene Deitch, though. This man had to produce all these episodes on his own from his little studio in Czechoslovakia.
3) And what was coming next was the Chuck Jones "Bronze" Era. It was almost as good as the episodes produced by William Hanna & Joseph Barbera.
Only when I revisited some of the episodes in my adulthood I realized what made Tom & Jerry so captivating - the music and sound effects. I can't think of any other piece of visual media that so heavily relied on the auditory aspect in its creation process - every frame is accompanied by the perfect selection of notes and sounds. I could argue that Tom & Jerry is actually more about what you hear than what you see, which is a crazy thing to say about a cartoon with barely any lines in it.
P. S. The reason I picked this episode is because out of over one hundred episodes of Tom & Jerry I've seen, this one stuck in my memory the most, especially the gag where a vacuum cleaner sucks all nine lives in the form of souls out of Tom. For some reason, this moment engraved in my memory like no other in the franchise - probably it's just that it perfectly encapsulates the very essence and absurdity of Tom & Jerry's humor.
P. P. S. Of course it's a shame what the franchise has turned into over the years, but that's beyond the scope of this little review and isn't reflected in the rating.
I will always have a soft spot for the Tom & Jerry circa 1967. I know that technically it includes three different eras: 1) The Classic MGM Theatrical Era (also known as The Golden Era) (1940-1958) created by the legendary William Hanna & Joseph Barbera. These two names will forever be imprinted in my brain. If I could, I would personally thank them for enriching my childhood with the most genuine laugh I've ever had. Every time I saw their names in the opening titles I knew the next 10 minutes will be GOLDEN.
2) The experimental period of the Gene Deitch Era (1961-1962). Thankfully, it only lasted for 13 episodes, but it wasn't as bad as some might percieve it to be. That being said, even as a kid I could see that something was off about these episodes and I wasn't a big fan of them - the animation was too jarring and dark for my taste, but I never skipped them on my bootleg DVD either - I was patiently watching them in eager anticipation of what I knew was coming next on this Tom & Jerry anthology disc of mine. No hard feelings towards Gene Deitch, though. This man had to produce all these episodes on his own from his little studio in Czechoslovakia.
3) And what was coming next was the Chuck Jones "Bronze" Era. It was almost as good as the episodes produced by William Hanna & Joseph Barbera.
Only when I revisited some of the episodes in my adulthood I realized what made Tom & Jerry so captivating - the music and sound effects. I can't think of any other piece of visual media that so heavily relied on the auditory aspect in its creation process - every frame is accompanied by the perfect selection of notes and sounds. I could argue that Tom & Jerry is actually more about what you hear than what you see, which is a crazy thing to say about a cartoon with barely any lines in it.
P. S. The reason I picked this episode is because out of over one hundred episodes of Tom & Jerry I've seen, this one stuck in my memory the most, especially the gag where a vacuum cleaner sucks all nine lives in the form of souls out of Tom. For some reason, this moment engraved in my memory like no other in the franchise - probably it's just that it perfectly encapsulates the very essence and absurdity of Tom & Jerry's humor.
P. P. S. Of course it's a shame what the franchise has turned into over the years, but that's beyond the scope of this little review and isn't reflected in the rating.
Tom is listening to a spook story on the radio (a form of entertainment I wish was still around) and is so wound up by the possibility of ghosts, that he jumps in fright at every sound. Taking advantage of this for his own personal fun, Jerry tries to freak Tom out by playing pranks on him, the main one being sticking a white sheet on a vacuum cleaner and pretending it's a ghosts. Obviously Tom becomes aware of Jerry's cruel tricks in the end.
It's very mildly funny though nothing really spectacular happens. I can really only recommend this to very young children as there is no real intelligence or wit to entertain an adult. Tom still looks a little rough, as he did in the early stages of his characters animation. Mammy-two-shoes shows up, but on the version I saw she was dubbed to make her sound more PC, as was common with Tom and Jerry cartoon manipulation in the early 90s.
It's very mildly funny though nothing really spectacular happens. I can really only recommend this to very young children as there is no real intelligence or wit to entertain an adult. Tom still looks a little rough, as he did in the early stages of his characters animation. Mammy-two-shoes shows up, but on the version I saw she was dubbed to make her sound more PC, as was common with Tom and Jerry cartoon manipulation in the early 90s.
This "Tom and Jerry" short from 1942 "Fraidy Cat" is one that builds up to some suspense chase and cat and mouse drama slowly! Tom is listening to a radio broadcast of the "Witching Hour" and the story has scared him, never fear his little mouse rival Jerry takes advantage of this and start to play ghost and phantom thru out the house! As the curtains blowing put fear in Tom it's like he feels chills and thrills all thru the night air! This episode is different and a little slower and may not be one of the best still it's memorable for it's ghost like and scary theme.
Now I liked Fraidy Cat in general, though it is quite slow even for a Tom and Jerry cartoon- usually Tom and Jerry goes at a breakneck pace- and there are times when the animation isn't always that great as Tom looks a little odd here. Plus Fraidy Cat could have done with being a minute shorter. Criticisms aside, what I do like about Fraidy Cat is that it is different. The story isn't humorous, but it is a macabre and effective one, and the music is really good. Even the sound effects are very effective, they added to the atmosphere almost flawlessly. Plus there are some good gags, despite the fact the cartoon isn't very funny. The nine lives gag was clever, and the ending with Mammy Two Shoes was a nice, fun surprise. Overall, decent but not great cartoon from our favourite cat and mouse. 7/10 Bethany Cox
Fraidy Cat is definitely different compared to most other Tom and Jerry shorts. Being a little more spooky and horror oriented compared to other shorts. But that makes this one unique, a curiosity, and fun. This short is great. The spookier nature makes it very enjoyable, with the radio show and Tom's constant reactions being a highlight for me. The voice acting for the radio show was great, and it was an entertaining start. The rest of the short is great. Jerry's attempts to scare Tom with the vacuum ghost were great, and the scene of all of Tom's lives coming out and biting him was hilarious. Even the end, with Jerry losing along with Tom, was entertaining and different from other shorts. The only downside is how slow some of it can be, but the spooks and differences compared to most shorts make it an entertaining watch.
क्या आपको पता है
- ट्रिवियाThe scary radio show that Tom is listening to at the beginning of this short - "The Witching Hour" - was an actual 1940's radio show. The voice that Tom hears on the radio was provided by Martha Wentworth, who hosted "The Witching Hour" as Old Nancy, the Witch of Salem.
- कनेक्शनEdited into Tom & Jerry: Cartoon Festival Vol. 4 (1984)
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विवरण
- चलने की अवधि8 मिनट
- पक्ष अनुपात
- 1.37 : 1
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