The Forest Rangers

Fred MacMurray is the chief of a forest ranger crew who get plenty of action fighting forest fires. Susan Hayward runs a logging operation down the road a ways. She has her eye on Fred but he thinks of her as one of the boys.

When Fred meets extremely cute Paulette Goddard riding in a parade over in town, he falls for her quickly and they are married in a snap. Poor Susan isn't too thrilled and sets about figuring a way to send Paulette packing for the city she came from.

Okay, so it's kind of a lame plot....Luckily, it really isn't developed too seriously. A typical scene is the one in which our main characters get stuck overnight in the woods with only one blanket for the three of them: lying on the forest floor, they jockey for position for about five minutes, both of the women wanting to cuddle up to Fred. It's kind of amusing in a silly way.

A subplot involves the rangers' investigation into a rash of forest fires—is logger Albert Dekker the local arsonist? The supporting cast also includes Lynne Overman as MacMurray's old-timer right hand man and Regis Toomey as a pilot who flies over fires and radios in intelligence.

Despite the mediocre story line, MacMurray, Goddard and Hayward all look great and give lively performances. The Technicolor is gorgeous and there are some intense forest fire scenes—so why bother about plot?

Also entertaining: As far as I can tell, that really is Fred MacMurray singing a ballad called "Tall Grow the Timbers."

Whoever thought the beautiful, sexy Susan Hayward would start her career playing a character named "Butch"? In The Forest Rangers, she's not the romantic lead. Paulette Goddard is the beautiful love interest to forest ranger Fred MacMurray, with masculine Susan Hayward waiting in the wings. This love triangle is amusing enough to justify renting this movie, so if you're as much a Susan Hayward fan as I am, I recommend watching it one afternoon for a good laugh.

With tons of special effects combined with real footage of forest fires and controlled burns, The Forest Rangers is a pretty impressive movie for 1942. Stunt doubles are used and abused, and the blue-screen effect is very well edited for the time period. The plot is interesting and fast-paced, and there's both a surprise and a good laugh in the end. It's a little more light-hearted than you'd expect, but it's pretty cute. Plus there's a funny scene between Fred MacMurray and Eugene Pallette straight out of any classic comedy: Fred has been out all night with Paulette, Eugene's daughter, and neither man knows who the other is. So, while Eugene is laughing about Fred's conquest, he has no idea that the girl in question is his daughter!

I really love the film, but it is the one film I can't obtain a personal copy. Amazon has been able to fulfill all my requests and searches, but for this single film, it doesn't even stream. Highly disappointing, I'd like to know the reason why. Paulette Goddard, as always, was superb, Fred MacMurray makes a fine lead, and Susan Heyward is excellent in her efforts to foil Miss Goddard. The supporting cast is fine as well. Much of the appeal for me is that growing up in Oregon (though the film is not set there), the story has high resonance as Forest Management, and its related industries are an historic and integral part of our culture and economy. Another fine such film is "The Tall Trees" starring Kirk Douglas, which I highly reccomend.

When this movie came out in 1942, technicolor was still a novelty. No new process has surpassed this technique. The star quality of the actors was of the highest order. The story line, while a bit contrived, was and still is entertaining compared to other vehicles of similar themes. The scope of the movie, which includes cast, sets, costumes and scenery, can hardly be duplicated today. It is an outstanding icon of what movies used to be,

Sit back and enjoy a movie that makes good use of the particular talents of Fred MacMurray, Paulette Goddard and Susan Hayward. Each has a role totally fitted to their screen persona and they make the most of their opportunities. What helps considerably are the lush production values--but don't expect too much credibility in the script that has the female stars fighting rather predictably over the hero while the subplot (about an arsonist methodically setting forest fires) gives the story some additional sparks. A particularly amusing sequence has the trio spending the night in the woods sharing the same blanket--rather risque stuff for '42!!

There's grandeur in the technicolor photography and stunning close-ups of Susan and Paulette to keep their fans happy. A catchy song number called "I Got Spurs That Jingle, Jangle, Jingle" became a top hit on the hit parade at time of the film's release.

Only real weakness is the ending which has Susan's character doing a real switcheroo--but it's not a film to take seriously in the first place and only meant to be entertainment--which it is.

Susan shows the kind of grit and spirit that enabled her to take on more complex roles later in her career and Paulette Goddard has a role tailor-made to show off her own brand of sophisticated charm. MacMurray is himself, nothing more, and it works every time.