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L'assassin habite... au 21

  • 1942
  • Not Rated
  • 1 घं 23 मि
IMDb रेटिंग
7.3/10
3.8 हज़ार
आपकी रेटिंग
L'assassin habite... au 21 (1942)
Trailer for The Murderer Lives at Number 21
trailer प्ले करें1:57
2 वीडियो
71 फ़ोटो
Whodunnitअपराधकॉमेडीकोज़ी मिस्ट्रीथ्रिलररहस्य

अपनी भाषा में प्लॉट जोड़ेंInspector Wens moves into a Paris boarding house to catch a serial killer.Inspector Wens moves into a Paris boarding house to catch a serial killer.Inspector Wens moves into a Paris boarding house to catch a serial killer.

  • निर्देशक
    • Henri-Georges Clouzot
  • लेखक
    • Stanislas-André Steeman
    • Henri-Georges Clouzot
  • स्टार
    • Pierre Fresnay
    • Suzy Delair
    • Jean Tissier
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    3.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Henri-Georges Clouzot
    • लेखक
      • Stanislas-André Steeman
      • Henri-Georges Clouzot
    • स्टार
      • Pierre Fresnay
      • Suzy Delair
      • Jean Tissier
    • 31यूज़र समीक्षाएं
    • 37आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो2

    The Murderer Lives at Number 21
    Trailer 1:57
    The Murderer Lives at Number 21
    THE MURDERER LIVES AT NUMBER 21 (Masters of Cinema) New & Exclusive Trailer
    Trailer 1:55
    THE MURDERER LIVES AT NUMBER 21 (Masters of Cinema) New & Exclusive Trailer
    THE MURDERER LIVES AT NUMBER 21 (Masters of Cinema) New & Exclusive Trailer
    Trailer 1:55
    THE MURDERER LIVES AT NUMBER 21 (Masters of Cinema) New & Exclusive Trailer

    फ़ोटो71

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    + 66
    पोस्टर देखें

    टॉप कलाकार33

    बदलाव करें
    Pierre Fresnay
    Pierre Fresnay
    • L'inspecteur Wenceslas Wens
    Suzy Delair
    Suzy Delair
    • Mila Malou - la maîtresse tapageuse de Wens
    Jean Tissier
    Jean Tissier
    • Triquet, aka professeur Lalah-Poor
    Pierre Larquey
    Pierre Larquey
    • Monsieur Colin
    Noël Roquevert
    Noël Roquevert
    • Docteur Théodore Linz
    René Génin
    René Génin
    • Alfred, l'ivrogne
    Jean Despeaux
    • Kid Robert
    Marc Natol
    Marc Natol
    • Armand, le valet de chambre
    • (as Natol)
    Huguette Vivier
    Huguette Vivier
    • Mademoiselle Vania
    Odette Talazac
    Odette Talazac
    • Madame Point
    Maximilienne
    • Mademoiselle Cuq
    Sylvette Saugé
    • Christiane Perret, la poule
    Louis Florencie
    Louis Florencie
    • Commissaire Monnet
    André Gabriello
    • L'agent Pussot
    • (as Gabriello)
    Raymond Bussières
    Raymond Bussières
    • Jean-Baptiste Turlot
    • (as Bussières)
    Antoine Balpêtré
    Antoine Balpêtré
    • Albert, le ministre de l'Intérieur
    • (बिना क्रेडिट के)
    Paul Barge
    • Le garçon de café
    • (बिना क्रेडिट के)
    Léon Belières
    Léon Belières
    • L'impresario
    • (बिना क्रेडिट के)
    • निर्देशक
      • Henri-Georges Clouzot
    • लेखक
      • Stanislas-André Steeman
      • Henri-Georges Clouzot
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं31

    7.33.8K
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    फ़ीचर्ड समीक्षाएं

    8oOgiandujaOo_and_Eddy_Merckx

    Survivalist masterpiece

    This was Clouzot's directing debut, having graduated from being a screenwriter feeling that his script for Le dernier des six was implemented by Georges Lacombe to the letter, and yet not being satisfied with the result. It's a murder mystery based on a novel by the same author behind Le dernier des six, Clouzot adds comic touches which act as kindling to set the fire alight.

    Stylistically they're very different, and yet it feels like Paul Verhoeven and Henri-Georges Clouzot were cut from the same philosophical cloth. It seems under-remarked upon that L'assassin habite a 21 is a pretty anti-clerical movie, there's blasphemous jokes about the celibacy of Catholic priests and the Holy Trinity. You also get the feeling, from this movie made under the Occupation, that this is a "Clowns to the left of me, jokers to the right" kind of movie, where the French characters are shown with acid misanthropy, but also, that the allusions to the Nazis, really trivialise them, in the manner of Lubitsch. The final scene of the movie contains a quite hilarious snub of the Nazis that is brazen but too droll for any Nazi to catch.

    Clouzot worked for Continental-Films, which was controlled by the Nazis, its chief Alfred Greven reporting directly to Max Winkler the Reichsbeauftragter (Reich Commissioner) for German films. Clouzot attended parties with Greven and his mistresses, with his own mistress Suzy Delair (Mina Milou, the female lead of this movie). I get this feeling like with some of Verhoeven's characters in Black Book, that they were riding the tiger's back, trying to survive and enjoy themselves in a world of mad people. There's a feeling when a character dies that it's a Darwinian incident, that you're an idiot if you flash money around and wander the streets at night when there is a spate of robbery homicides going on in your district.

    There's a swagger to the direction of this film, a boastful assuredness that I found really refreshing. There is also a balance to the characteristic misanthropy of Clouzot's film, an offsetting humour. I think Clouzot belongs up there with Nabokov and Verhoeven as supremely competent individuals laughing in the dark. L'assassin habite a 21 was quite the guilty pleasure for me!
    7gbill-74877

    Entertaining mystery

    Director Henri-Georges Clouzot's first film is an Agatha Christie style mystery, with the murderer constrained to the set of people in a boarding-house and a detective (Pierre Fresnay) investigating them. It's a playful script, buoyed by the perky Suzy Delair who is both his mistress and an aspiring opera singer (and in an interesting side note, Delair, a year younger than Olivia de Havilland, is as of this writing also still alive). The subject matter of a serial killer who leaves a calling card on his victims is of course serious, but it's presented here in a pretty light way, a bit like a stage play. It's also a little hokey in how its investigation proceeds and it's not all that kind to the French police who seem a bit foolish, but the resolution to the mystery is excellent and hard to see coming.

    The film was made when the Nazis were occupying France, so Clouzot was working for the German production company Continental Films, and undoubtedly walking a tightrope (one that would get him into trouble with his countrymen in his next film, Le Corbeau). Some critics read veiled commentary about the Nazis in aspects of the plot (e.g. a murder shot from the perspective of the killer early on, or how heavy-handed police interrogations that border on torture can elicit a false confession), but I didn't see it quite as symbolically. The possible reference to a Nazi salute is intriguing though, and regardless, it's mind-boggling to think of this light mystery being made at this point in French history.
    8Xstal

    An Inspector Calls...

    On a street, there is a house at 21, several residents reside, each has a room, and one contains a killer, in this extremely thrilling (in the sense of enjoyable) chiller, but do not pre-empt the culprit, do not presume. Inspector Wens decides to take one of the rooms, as the killings continue, suspects assumed, they're arrested and locked up, but cadavers still pop up, though the suspects are reduced, so you assume.

    A wonderful piece of whodunit filmmaking that leaves you scratching your head while smiling at the antics of L'inspecteur Wenceslas Wens and his partner Mila Malou, as they sift through the curious souls who inhabit number 21, in their search for the murderer, Monsieur Durand.
    7gridoon2025

    Delicious comedy-mystery with ingenious resolution

    Henri-Georges Clouzot's solo feauture-length directing debut (which he also co-wrote) was certainly an auspicious one; the film is closer to American "commercial" entertainment than to French "art" cinema, but that's not a bad thing. Lots of humor (like an early scene depicting the bureaucratic ladder of the French police), some great POV camerawork, a terrific music score that bursts out at key moments, a delightful Suzy Delair as the French equivalent of Lucille Ball, and above all a totally surprising resolution that I almost guarantee you will not guess ahead of time. Highly recommended. Only flaw: a hurried final scene. *** out of 4.
    10dbdumonteil

    Clouzot's brilliant debut.

    In 1941,Georges Lacombe made "le dernier des six",adapted from a Stanislas André Steeman book.Clouzot wrote the script,and introduced his girlfriend Suzy Delair (Mila Malou, a character whom he created from start to finish,Steeman's sleuth M.Wens was a bachelor).

    So here we are again:a new Steeman detective story (probably his masterpiece),Fresnay as the sleuth,and Delair a pain in the neck of a singer.(She had begun to "launch " her " career" of chanteuse in "le dernier des six";I recommend this earlier work to all these who enjoyed the 1942 movie)Steeman did not like the adaptation.The couple Delair/FResnay was not his cup of tea,and anyway,like Hercule Poirot doesn't investigate in "and then there were none",M.Wens (therefore Mila Malou,Clouzot's invention)is absent from the novel "l'assassin habite au 21".But what infuriated Steeman,twas mainly that his story was set in London,and Clouzot (German Occupation) was compelled to film in Paris.

    What's the matter?Clouzot's first opus,is a gem,one of these mysteries with the ending you'll never guess.Agatha Christie's fans will relish watching that!Shall I give a clue ?Mathematically,it's a ternary notation.Computers,you can forget it!For the rest,my lips are sealed.

    All Clouzot's work ,all that he will brilliantly develop in subsequent works is already here :a rotten microcosm (the boarding-house with a lot of wicked old people predates the school in "les diaboliques" and the small town in "le corbeau".His sarcastic humor shines here there and everywhere.He asserts his extraordinary skills by detailing the supporting characters.Of course a diabolical suspense (and admire the elegance of Clouzot's style,when Fresnay/Wens finds out what's been going on.)

    In a nutshell,a serial killer is rampant in town:they discover his address.Alas it's a boarding-house!So whodunit?Sometimes I wonder whether this charming thriller might not be superior to the renowned "le corbeau" which was released the following year.With it,a director who influenced countless ones was born.

    इस तरह के और

    Le corbeau
    7.8
    Le corbeau
    Quai des Orfèvres
    7.7
    Quai des Orfèvres
    La vérité
    7.6
    La vérité
    Manon
    6.8
    Manon
    Le Dernier des six
    6.6
    Le Dernier des six
    Les inconnus dans la maison
    7.0
    Les inconnus dans la maison
    La belle équipe
    7.5
    La belle équipe
    Hôtel du Nord
    7.5
    Hôtel du Nord
    Panique
    7.9
    Panique
    Le mystère Picasso
    7.5
    Le mystère Picasso
    Les diaboliques
    8.1
    Les diaboliques
    La prisonnière
    7.1
    La prisonnière

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      There is a poster for this movie displayed in the theatre in Quentin Tarantino's Inglourious Basterds (2009).
    • गूफ़
      Near the beginning, before Wren's boss goes into his office looking for him, a shadow of the boom microphone is visible on the wall behind him in the hallway.
    • भाव

      Mila Malou - la maîtresse tapageuse de Wens: [Being arrested in police station] Call my friend.

      Police officer: I don't give a damn.

      Mila Malou - la maîtresse tapageuse de Wens: But my friend is...

      Police officer: Even if he's the Pope!

      Mila Malou - la maîtresse tapageuse de Wens: I don't sleep with the Pope! I'm a God-fearing, decent girl.

    • कनेक्शन
      Featured in La vie sera belle (2007)
    • साउंडट्रैक
      Je Sais bien que tu Mens
      Music by Maurice Yvain

      Lyrics by Albert Willemetz

      Performed by Suzy Delair

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is The Murderer Lives at Number 21?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 अक्टूबर 1943 (स्वीडन)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
    • भाषा
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • The Murderer Lives at Number 21
    • उत्पादन कंपनियां
      • Continental Films
      • Liote
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 23 मि(83 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.33 : 1

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